The Final Sacrifice (1990)

35 years ago, The Final Sacrifice was released in Canada. 27 years ago, Mystery Science Theater 3000 made the film widely known to Americans. This week, it’s being reviewed at B-Movie Enema.

Hmm… One of those things is not like the others in terms of significance.

If I may, I’m going to pull the curtain back on the behind-the-scenes business of this review. Listen, I covered Space Mutiny at some point in the past. I had to dance around carefully to not make too many jokes similar to those in that classic episode of MST3K. I need to be careful here too, but there is one thing I wanted to mention because it’s kind of perfect. While this article is being released on March 28, I am writing this article on Super Bowl weekend.

Now, I want you all to know that I am a super cool jock. I have EXTENSIVE knowledge about the Super Bowl. One of those two previous sentences is an exaggeration, the other most definitely is not. The fact that MST3K makes constant reference to former All-Pro Dolphins Running Back Larry Csonka as the character Troy’s father is fucking amazing. And, yes, it is a perfect joke. The guy looks just like Csonka did after his football career and during his Miller Lite commercial era.

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Big Man Japan (2007)

Welcome back, Enemaniacs!

Yup, it’s another Friday and another review here at B-Movie Enema. This week, allow me to take you to the magical islands of Japan. There, we’ll meet Masaru Daisatou. Daisatou-san is seemingly a normal guy, but he’s got a special superpower. That superpower allows him to grow about 30 meters in height when he receives a jolt of high voltage electricity. He uses this superpower to fight monsters just as his father and grandfather did before him in the identity of Big Man Japan.

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Black Belt Angels (1994)

Welcome to another week and another review here at B-Movie Enema.

Martial Arts… I’m not entirely sure exactly how popular they are for kids these days, but I’m of the age, being someone born in the late 70s, who knows how freaking massively popular the idea of having kids go to a karate dojo or some other martial arts studio and learn the act of either kicking someone’s ass into oblivion or knowing how to defend one’s self by way of kicking someone’s ass into oblivion was. The phenomenon of the general interest people had in martial arts had to come with the popularity of both Bruce Lee in the 60s and 70s and the entire action subgenre of the kung fu flicks coming from the East. By the mid to late 70s, martial arts were even more popular with the rising popularity of the American actor Chuck Norris. It wouldn’t take long for people to see a couple of uses for learning martial arts for themselves.

The first of these reasons centers around the general exercise and getting a little bit of a workout from doing the various gestures, the movements, and the mental workout of the sort of meditative state that could come from practicing the arts and doing the workouts. The second reason was more to give people some sort of ability to defend themselves if they were attacked by a crazed gang member or some sort of Middle Eastern terrorist that would generally roam the streets of every city, town, and village in the United States. Well, at least I was told by Chuck Norris and Cannon movies that these types of people could be lurking behind every tree and under every rock when I was a kid.

This week, we’re going to be punching deep into the 1994 film Black Belt Angels. Now, admittedly, I thought that title evoked something that would be something a little more like Ninja Cheerleaders that I covered many, many moons ago now. However, I was disappoin… I mean SURPRISED to find out this was a family film from co-writer and director Chi Kim. More on Kim and his co-writer in just a moment. This does sprinkle in something that I mentioned previously. If various martial arts were being taught to people for self-defense purposes, that usually means these studios were attractive to both bullied kids AND women who needed to be able to take care of themselves now that they could be working jobs that got them out of the safe zone of the suburban homelife.

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Surf Nazis Must Die (1987)

Welcome to a new review here at B-Movie Enema.

You know… It’s 2025. That means we’re soon a full 80 years since Nazi Germany was bumped off in the incredibly high-stakes game of Real Life Risk. We should feel really good about the concept of a pretty shit ideology like fascism or Nazism is long gone, right? I mean, I’m glad I can lay my head down on my pillow each and every night knowing that, as an American, I will never have to worry about some sort of terrible natural disaster hitting California and leaving it open to still operating Neo Nazi and far-right agitators to run amok. It sure is great to be 80 years removed from those possibilities, right?

What’s this I see in the news and on social media sites everywhere? California is consistently on fire and always open for a possible cataclysmic earthquake… The government is being run by people with fewer scruples than brain cells… The richest man in the world sure looks like he gave a Nazi salute behind a podium featuring the Presidential Seal of the United States of America… There seems to be no real response or much resistance from a pretty damn weak and limp-wristed Democratic Party in the face of this rising tide of extremist policy and pretty bad actors now running the government…

Well, FUCK. Anyway, here’s a review for 1987’s Surf Nazis Must Die.

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Faces of Death (1978)

Welcome to another B-Movie Enema review!

Over the last few months or so, it feels like I’ve waxed poetic over going to the video store or a sleepover with your dumb friends and being enticed by a particular movie. Maybe it was a movie that had box art that stood out. Hell, I talked about that just a couple of weeks ago about how enticing and striking the poster for My Bloody Valentine was to me as a kid. But I’m not even really talking about just horror either. Sometimes there was a sexy cover… but when you’re in, like, the fifth or sixth grade, maybe you don’t want to admit you really want to rent that Shannon Tweed thriller just because you felt tickles in your underpants from Ms. Tweed… BUT YOU HAVE TO WATCH THAT MOVIE!

But maybe the most enticing movies that would get you to watch them with your friends at a sleepover were what I called the “dare” movies. These are movies that had a certain reputation about them that made them near taboo in terms of legendary. These were movies like I Spit on Your Grave or Cannibal Holocaust. They didn’t necessarily have to advertise their own legendary status. Another was so proud of being both legendary and taboo that not only did every kid know of this movie and its sequels, but it wanted to make sure you knew it was proud of being kind of hated. It had it splashed across the corner of the VHS box: “BANNED! In 46 Countries!”

Yeah, let’s talk Faces of Death.

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Candy Stripe Nurses (1974)

They’ll give us fast-fast-fast relief!

That’s what the poster says for this week’s movie, and I bet they mean it too! Welcome to another review here at B-Movie Enema. Also, welcome to another review of a movie from Roger Corman’s New World Pictures! 1974’s Candy Stripe Nurses was part of the company’s “nurses cycle”. However, there’s a very specific reason why we’re starting with this one, which happens to be the final entry of the five-film, loose series.

I may have used Valentine’s Day last week to do My Bloody Valentine because it’s a movie that has the day right in its goddamn title (and, frankly, the movie was overdue to get coverage here), but I won’t deny that this movie was nearly chosen instead. Thankfully, last week did feature the triumphant return of Cynthia Dale, so there’s that. But the main reason why this almost won out over that movie for the Valentine’s Day review?

Two words: Candice Rialson.

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My Bloody Valentine (1981)

Like, no shit this week’s review is going to be My Bloody Valentine, right?

Happy Valentine’s Day, my Enamaniacs. This week’s new review here at B-Movie Enema is a bit overdue. 1981’s My Bloody Valentine is often cited as one of the better slashers of the 80s. Like with 1978’s Halloween, it seems as though there might be a little more going on with this movie. It certainly has more going on with characters and intersecting storylines than, say, Friday the 13th. More on this stuff as we go through the plot later.

George Mihalka is the director of My Bloody Valentine. He was born in the early 50s in Hungary. He was in his mid-20s when directing this film. For the most part, you really aren’t going to find much more interesting in his filmography. Generally speaking, Mihalka’s big claim to fame IS My Bloody Valentine. The same could be said about the screenwriter, John Beaird. Beaird did contribute some uncredited work on the script for Happy Birthday to Me from the same year. But other than that? Nothing really of major note. Sadly, Beaird died young at the age of 40 in 1993.

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Xtro II: The Second Encounter (1991)

Welcome to another B-Movie Enema review descending down from the stars!

In 1983, Xtro came out to little fanfare and a lot of negative reviews. It found itself on the infamous Video Nasties list in its home country, the United Kingdom. But over time, the movie would get a little bit of a following. This is probably thanks to cable and video stores here in the United States, but it is very likely the movie really never did much in terms of success to warrant a sequel (let alone two sequels).

Here’s where the backstory of how we have two Xtro sequels begins. Director Harry Bromley Davenport was in need of a job in the movie-makin’ biz. Well, somewhere along the way, he discovered that while he had no ownership of his 1983 film, he actually legally owned the title “Xtro”. So, this gave Bromley Davenport the idea to create an anthology series of sequels about other alien shenanigans. And that begins with 1991’s Xtro II: The Second Encounter.

But things will take yet another twist…

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