TNT Jackson – she’ll put you in traction! This episode of B-Movie Enema goes for the death blow with Jean Bell as Diana Jackson! It’s kung fu blaxploitation at its finest!
B-Movie Enema’s October 2020 theme of Exorcist Rip-Off Month is back, and this time we got a pretty well-regarded one.
This week’s film is Abby, and it’s best described as one of the handful of blaxploitation horror films alongside Blacula, Blackenstein, Dr. Black, Mr. Hyde, and Ganja and Hess. This was part of a trio of blaxploitation films by William Girdler. One of those, Sheba, Baby, will someday be on this blog because I LOVE blaxploitation. I’ve talked about Girdler before, though. He’s probably best known for making Grizzly in 1976. However, his final film, The Manitou, dealt with Native American themes and was something I covered over at Film Seizure on my Monster Mondays show earlier this year.
Abby isn’t without some prestige, though. It stars Carol Speed who was in several exploitation films of the 70s, and Blacula himself, William Marshall! It also has Academy Award nominated actress Juanita Moore. So it is not at all lacking in talent here. Continue reading “Abby (1974)”
We’re getting back to some good old blaxploitation with this week’s B-Movie Enema. Penitentiary was written, produced, and directed by Jamaa Fanaka.
Fanaka was part of the L.A. Rebellion from the late 60s and into the late 80s. This was a movement of black filmmakers whose whole intent was to make films that offered an alternative to what most deemed “classical” Hollywood films. This was mostly influenced by Latin American and Italian cinema, but also from an emerging African cinema.
You see, the 1960s was a particularly turbulent time. After a series of events like the Civil Rights Act, Affirmative Action, and the Watts Riots, society shifted and evolved very quickly. Affirmative Action allowed for many more black students to attend colleges – and particularly at UCLA which got urged to create an ethnographic studies program to allow black filmmakers to tell more of their story and stories that would expose their struggles. Continue reading “Penitentiary (1979)”
After Blue March, I wasn’t exactly sure where to go for the next B-Movie Enema. I mean where do you go after you’ve watched five consecutive pornos from the 70s and 80s? Who or what should I feature that could possibly make you feel a little less sleazy about watching pornos for your movie review site?
Then it hit me – Brad motherfuckin’ Jones.
Yup, the Cinema Snob himself. Shit, that guy has seen waaaaaay more porn that I have. He might even argue that his entire career is owed greatly to the golden age of porn. Jones has made a handful of movies over the years – either as a writer or director or both. I could have looked at several of his credits – the hilarious Jesus, Bro! or some of his smaller budget movies like Disco or Paranoia. Ultimately, there really is only one thing I could possibly choose, the 2012 origin film of his most popular character, The Cinema Snob Movie. Continue reading “The Cinema Snob Movie (2012)”
Oh baby, we’re back to some sweet, sweet blaxploitation!
There are few in the sub-genre of blaxploitation that are as highly regarded as Melvin Van Peebles’ Sweet Sweetback’s Baadasssss Song. It carries the distinction of being included as part of the permanent collection of The Museum of Modern Art. It’s also the first to be labeled as “blaxploitation”. So if you want to go back to the beginning of the phenomenon, well, you can’t go back further than this. Continue reading “Sweet Sweetback’s Baadasssss Song (1971)”
Aw shit yeah, Enamaniacs. I have a very good feeling about this week’s B-Movie Enema.
Looking back on Black Friday 2017, I excitedly took advantage of a massive sale on the Vinegar Syndrome website. One of the movies I was excited to pick up was The Muthers. The reasons were plentiful.
For one, it looked like a pretty sweet action movie with ladies takin’ over boats and blowing shit up and stuff. I felt it was likely going to have a blaxploitation slant, and I think you all know how I feel about that sub-genre. It also was starring some pretty hot ladies. I think you all know how I feel about that topic too. That’s not all, I think almost all these chicks have been in Playboy. So, there’s that too. It’s also a “women in prison” flick that was pretty popular in the 70s and into the 80s. But it allowed me to cross another thing off the ol’ checklist – Filipino sleaze. Continue reading “The Muthers (1976)”
“GIT BACK JACK – GIVE HIM NO JIVE… HE IS THE BAAAD’EST CAT IN ’75”
Here’s a perfect example of spectacular marketing at work. I mean… You’ve got a rhyme that uses the word “jive”. Not to mentioned “bad” has two extra A’s for effect. And this fella is a cat. I like cats.
Also, this is a fuckin’ for real 1970s blaxploitation action flick with crime and racists cops and a fuckin’ pimp.
The Candy Tangerine Man is a favorite of the genre for Quentin Tarantino (becauseofcourseitis) and Samuel L. Jackson (because he’s a bad motherfucker). The former stating that the director, Matt Cimber, made some of his more favorite films. I think it is also extremely important to discuss Mr. Cimber. Continue reading “The Candy Tangerine Man (1975)”
Holy Jesus Fuck, what do we have here?
Why, it’s Warhawk Tanzania starring in Devil’s Express! Where do I start with this one? I mean, everything in the poster looks batshit crazy. There’s a monster guy who has a woman in one hand and a train in the other. We have the not one, but TWO taglines – “50,000 years of Death stalks the subways!!!” and “Take the Express train to TERROR!!!” Both of these are capped with three exclamation points so you know you have to take it seriously.
But no, what I like the most is the kung fu black man on the right side of the poster. Mr. Warhawk Tanzania! That’s a fucking name and a half, ain’t it? Seriously, you can hope for, nay, EXPECT, two things from a name like that – 1) he’s gonna kick ass and 2) he ain’t gonna take no jive from anybody no how. Continue reading “Devil’s Express (1976)”