Caligula (1979/2024)

B-Movie Enema has existed from the morning of the world, and it shall exist until the last star falls from the night. Although I have taken the form of the Enema Man, I am all men as I am no man and therefore, I am a God… of buttholes.

Ah yes… This was bound to happen, wasn’t it? There are infamous movies, and there is 1979’s Caligula. Known as the gigantic budget sex film produced by Bob Guccione and Penthouse Films International. Guccione was the founder of Penthouse Magazine. Penthouse, as per my reckoning, as a guy who once had a subscription to both that and Playboy in my younger years, was known for two things. The first was the Penthouse Forum, in which people supposedly wrote letters that sounded a little more like erotic fiction than anything else. The second was the fact that the women in the magazine, at least when I had the subscription, tended to be more of the adult actress type of models, and therefore, unlike Playboy, which specialized in girls-next-door types, the Penthouse Pets tended to be a little raunchier in their pictorials. Playboy was more artful. Penthouse was more sexual. Hustler was dirty.

But what people don’t really know is that Penthouse was involved in funding for films for a long time. They chipped in funding for studio pictures like Chinatown and The Day of the Locust. Guccione never produced his own film. So he decided he wanted to not just produce a movie of his own, but make a grand spectacle about a time in which spectacle was sexy as fuck. So he said that Caligula would be the guy he’d make his movie about. He started working with an Italian producer, Franco Rossellini, whose uncle, Roberto, was one of the most prominent Italian filmmakers. He then eventually hired author Gore Vidal as his screenwriter.

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Killdozer (1974)

A new review at B-Movie Enema is KILLDOZING ITS WAY INTO YOUR COMPUTERS!

Hell yeah, brother! It’s time for this oddball made-for-television flick from 1974. Look out! It’s Killdozer! Killdozer was first released as a 1944 novella by Theodore Sturgeon. Sturgeon wrote a ton of reviews (somewhere around 400, which means I have written more, so take that, Mr. Killdozer), along with a bunch of short stories, and about 11 novels. He even ghost-wrote an Ellery Queen mystery novel. Ellery Queen was someone my oldest brother would read when I was a kid.

Sturgeon also wrote a couple of very popular Star Trek episodes in the 60s. The first was “Shore Leave” which featured members of an away team seeing a bunch of crazy visions like characters from Alice in Wonderland and damsels in distress. The second was a VERY popular one, “Amok Time.” This introduced the Vulcan mating ritual, pon farr, and the first time the phrase “Live long and prosper” was uttered. It was also the first episode to feature the Vulcan hand salute. Some other scripts he wrote that went unproduced introduced the concept of the Prime Directive, the doctrine that Starfleet and the Federation operated by when visiting new worlds.

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Moment by Moment (1978)

Welcome to the most sexually charged review of B-Movie Enema ever.

This week, I’m going to review 1978’s Moment by Moment from director Jane Wagner. We’ll talk about Wagner momentarily, as she is the writer, collaborator, and wife of one of the stars from this infamous movie. But when it comes to Moment by Moment, there are two guys we need to focus on first. That would be the leading man of the movie, John Travolta, and producer Robert Stigwood.

Travolta’s rise to superstardom was already well on the way in 1978. Sure, he was already famous for the sitcom Welcome Back, Kotter. In 1976, he had a strong supporting role in the Brian De Palma horror masterpiece Carrie. But it was his leap to taking lead roles in 1977 that really made him a household name and one of the great movie stars for a few years to come.

And it was Robert Stigwood who launched that superstardom.

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Fright (1971)

Welcome to another FRIGHTening review here at B-Movie Enema!

Quick! What was the first slasher film? The one that created the subgenre that would dominate the horror section of 80s video stores and late night cable TV? I bet you’re thinking Halloween. Or maybe you muttered to yourself, “The Texas Chainsaw Massacre.” If you really wanted to flex some horror muscle or just simply sound like a smarty pants, you might have mentioned Black Christmas. Hell, I think I just heard someone shout Hitchcock’s Psycho.

I don’t know if there is any one real answer, but I want to enter 1971’s Fright into the conversation.

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Golden Needles (1974)

This week’s B-Movie Enema is on the hunt for a legendary statue with needles, which, when stuck into an adult male in a very particular pattern, will turn that guy into a sexual Tyrannosaurus.

And it’s Joe Don Baker who is one of the men after it!

Yes, you read that right… Joe Don Baker is after the seven Golden Needles that will turn him into a sex machine (well, maybe not so much, but still…). If it wasn’t for a very specific appreciation for Baker, I might just have to barf. *Hurk*

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J.C. (1972)

Happy Good Friday and Easter, my Enemaniacs.

Now, some people might celebrate Easter with a family get together. Normally, people are sitting around eating ham and enjoying the fresh spring that just sprung. Some years, it’s the fourth Sunday in March. In others, it could be as late as the fourth Sunday in April. Do not ask me why this is. It’s some weird old rule set like a thousand years ago. But either way, Good Friday (which, all things considered, doesn’t seem like it would be “Good,” but, again, don’t ask me) is the fabled day on which Jesus Christ was crucified. Easter, two days later on Sunday, is the day that Jesus rose and ascended to heaven.

I bet you’d think that because this is B-Movie Enema, I’m-a go with the whole “zombie Jesus” angle, right? Nope! I’m going bikers. Oh yes… 70s bikersploitation, baby! This week, I’m reviewing the 1972 action/drama J.C., directed by and starring William (Bill) F. McGaha.

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Petey Wheatstraw (1977)

Black Horror Halloween comes to a close on the greatest day of them all, Halloween!

Welcome to B-Movie Enema, and, brother, do we have a good one to close things out. If you think about it, Ganja & Hess was this artsy kickoff for the month. Then we got into some voodoo business in a movie that is maybe more about the dialogue than anything else. Right in the middle is the movie I will never forget because it had a giant killer dick. Then, last week, I opted for a movie with a strong cast and some good ol’ fashioned spirit possession.

So, how can we possibly finish this month off after all those bangers? With the movie that I promise you is my favorite of the whole month. I think about the artistry that started the month. Now, it’s time for more art. Give it up for the comedy stylings of my main man, Rudy Ray Moore, and the 1977 comedy Petey Wheatstraw!

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J.D.’s Revenge (1976)

Welcome back to another spooktacular review at B-Movie Enema!

This week, we continue our trek through 70s horror from the Black community that I’m calling Black Horror Halloween. I’m also going through these movies in chronological order. So that brings me to 1976 and a movie that has been on the pile to cover for a long time, J.D.’s Revenge, directed by Arthur Marks. I’ve had a copy of the movie from Arrow for years. So, if I’m being as honest as possible, it’s possible to say that J.D.’s Revenge was the origin of this entire theme month.

Some might even go so far as to say that I chose this theme because of last week’s movie and the giant hypnotic, killer dong was the, uh, thrust to my choosing this theme, but I digress.

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