Category: Theme Months

Head of the Family (1996)

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Welcome to B-Movie Enema! And welcome to another new theme month. However, what’s old is new again because this theme month is the third time I’ve come down with a case of FULL MOON FEVER! Oh yeah! In February 2017, I did my first ever Full Moon Fever and covered a quartet of classic flicks from Charles Band, the creator of both Empire Pictures in the mid 80s and then closed out the 80s with Full Moon Productions.

Full Moon came along during the boom of the video stores. They partnered up with Paramount Pictures to help stock the shelves of your local Blockbuster (or, my preference, the ma and pop video stores in strip malls or crammed into some dilapidated building somewhere dark and dangerous). However, by the mid 90s, that started to fade and Full Moon was producing stuff on their own, and those productions were shaky at best.

But Full Moon had another angle to their movies. Sure, they’d release some sci-fi and horror flicks – which were their most popular releases – yet they also had a soft core porn side to their business. That helped fill my second Full Moon Fever theme month in January 2021, Torchlight Diaries. For this third trip into the moonlight, I’m going to kind of do a little bit from column A and a little bit from column B and bridge the horror and sci-fi side with their more erotic type stuff through one spectacularly pretty actress that worked in many Full Moon films – Jacqueline Lovell.

Welcome to Full Moon Fever III – For the Love of Jacqueline Lovell and we start right here with 1996’s Head of the Family!

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Space Mutiny (1988)

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Oh. Boy.

Welcome back to B-Movie Enema and the grand finale of David Winters Winter. If you’ve been reading all month, I’ve been kind of teasing what the finale was going to be. If you know what David Winters is maybe best known for, particularly in the 80s, and if I was teasing an 80s film of his that has some questionable decisions made in the production and set decoration, then you had to know it was going to be Space Mutiny.

Of course, Space Mutiny is best known for being one of the funniest episodes of Mystery Science Theater 3000. And what that episode is best known for are all the muscleman jokes made at lead star Reb Brown’s expense. I cannot tell you how many times I’ve called someone Rip Steakface, or Brick HardMeat, or Crunch Buttsteak, or Reef Blastbody, or Roll Fizzlebeef, or Big McLargeHuge, or Eat Punchbeef, or even Bob Johnson. I can’t tell you how many times I’ve said one of those names when I see Reb Brown. In fact, I’m sure I used some of them when I covered the 1979 Captain America movie he starred in! It’s part of my very blood. Those 40 parody names are just some of the best jokes ever written for a TV show.

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Mission Kill (1987)

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Just when you didn’t think David Winters Winter could get any better, things heat up with this mid-80s action spectacular with an all-star cast!

Welcome back to B-Movie Enema and the third week of this theme month celebrating the man, the myth, and the legend, David Winters! This week, I’m looking at 1987’s Mission Kill. Hoo boy do I have lots to talk about with the cast of this movie. However, I guess we should talk a little bit about the date of release for this movie.

I have put 1987 as the year of this movie and referred to it as 1987’s Mission Kill. If we want to get a little pedantic about this, I guess I could say it’s 1985’s Mission Kill. That’s what IMDb has it listed for. That’s what will show up in everyone’s filmography, but it really kind of is 1985 when this movie was originally released. It played in France at the Cannes Film Festival in May of 1985. It then went to West Germany 13 months later. Another 13 months later, it was in Japan. It wasn’t until December of 1987 before it got released on video in the United States. Is it possible it played here in either 1985 or 1986 in theaters? Maybe. But we’re going with that 1987 date, okay? Okay.

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The Last Horror Film (a.k.a Fanatic, 1982)

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Welcome back to B-Movie Enema and our special January theme month, David Winters Winter.

This week, we’re going a little earlier in the 80s to see what David Winters would do in the horror slasher genre with The Last Horror Film. This movie also goes by the title Fanatic. In fact, my DVD that I have of the movie comes with that second title. I’m not sure if this was something that played in theaters with Fanatic, or if that’s just the home video distribution title from Troma Entertainment.

Either way, The Last Horror Film co-stars musician Judd Hamilton who also co-wrote the movie and co-produced the film with Winters. Hamilton was the brother of Dan Hamilton of Hamilton, Joe Frank & Reynolds who had the 70s hit “Don’t Pull Your Love”. Judd did a little bit of surf music to rock to country. He was married to the lovely Caroline Munro from 1970 to 1982.

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Thrashin’ (1986)

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After finishing out 2022 with Get Crazy, I decided it wasn’t time to leave the radical 80s behind quite yet.

So to kick off 2023, B-Movie Enema is going to look at a quartet of 80s David Winters movies in a theme month I’m calling David Winters Winter! We aren’t really doing this in any kind of timeline or chronological order. Nah, I don’t think we really need to do that. BUT what I did want to do is look at movies of Winters’ that came from different genres. We get things started with his teen skateboarding drama, Thrashin’!

This comes during a time in which skateboarding exploded. Skateboarding had been around as a relatively popular activity for kids at least back to the 70s when my brothers were kids. By the 80s, it became something of a lifestyle. Skater fashion would eventually kind of take over from the late 70s/early 80s punk fashion before being replaced by more hip hop fashions by the end of the decade and going into the 90s.

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Phantasm: RaVager (2016)

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We’ve come to the end, my dear Enamaniacs. Phantasm: RaVager is today’s feature and B-Movie Enema will finally complete Phantasm Sequels Month.

This one is interesting. I saw this at the Centerbrook Drive-In in Martinsville, Indiana in October of 2016 with a trio of friends. It played as part of a doubleheader with the original movie. It was the first time in a looooong time I had visited a drive-in, so that part was pretty awesome. It’s always fun to watch the original Phantasm. So that was pretty awesome too.

Then Ravager started. I ain’t gonna lie… The first time I saw this I was confused. I was not too happy about the movie. It felt really, really weird. In fact, I would argue that this movie, the only film in the franchise NOT directed by Don Coscarelli, though he did co-write it with director David Hartman, is maybe the most divisive one of the bunch. It’s got a lot of references to past movies, with even a returning character most would have no idea who she is if they hadn’t been watching the series recently just prior to watching this one. It’s not told in a very linear way. It jumps between at least two realities. It’s a strange movie.

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Phantasm: OblIVion (1998)

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Here we go again with another installment of Phantasm Sequels Month here at B-Movie Enema.

We’re up to the fourth entry that goes by a few titles – Phantasm IV: Oblivion, Phantasm: Oblivion, or, my personal favorite, Phantasm: OblIVion. Yeah, stylize that shit! Anyway, believe it or not, after the last two entries getting budgets of something around $3 million, Oblivion would only get about $650,000. However, I should also state there is more to it than just a severely slashed budget.

You see, this movie actually began life as something else. It actually began as this epic script by Roger Avary. If that name rings a bell, that’s because he’s Quentin Tarantino’s writing partner on 1994’s Pulp Fiction. They won the Oscar for Best Original Screenplay for that movie. Avary is a self-professed Phantasm superfan. He wrote a sequel to Phantasm III that would have seen a major post-apocalyptic world that continued on from that previous entry and would have even brought Bruce Campbell on as a co-star – or so the story goes.

Fundraising for that project fell through.

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Phantasm III: Lord of the Dead (1994)

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Welcome back to Phantasm Sequels Month here at B-Movie Enema!

Phantasm II, to put it mildly, didn’t perform as well as hoped. Sure, it brought in a little more than double its budget. That’s not bad, but it was hard to necessarily say Universal was all that happy. Goddammit, they wanted a franchise like those Jasons and Freddys.

However, Universal still had a little bit of a hold on the franchise. It would go on to distribute the next film, and this week’s featured entry, Phantasm III: Lord of the Dead on VHS. Things get a little sideways here though. Phantasm III played a very limited, couple week run in movie havens Baton Rouge, Louisiana and St. Louis, Missouri. That may feel like places out in the middle of no-frickin’-where for a movie to get a limited, two-week release, and you’d be right.

It also saw Phantasm III become the highest grossing movie of that two-week run in both markets.

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