31 (2016)

After this week, we’re 66.7% of the way through this October’s spoopy theme, Rob Zombie’s Spookshow, here at B-Movie Enema!

I ain’t gonna lie… We kind of peaked last week with Rob Zombie’s best film of them all, The Devil’s Rejects. I mean, not only is it a well-crafted, very viscerally terrifying film, but it kind of was the pinnacle of Zombie doing his 70s retro grindhouse thing. Where are you gonna go from there? Well, today, in the year of our Dark Lord 2026, we know where he went. We’ll talk about that starting next weekend. But he kept rolling with this retro grindhouse, throwback to 1970s exploitation horror, probably well past its prime.

Certainly, by 2016, it seemed reviewers were kind of done with it. This week, we’re looking at one of his films that I have not actually watched, 31. In fact, to date, this is the only Rob Zombie movie I haven’t seen. I largely didn’t see 31 because I heard not-so-great things about it. Despite getting some pretty cruddy reviews, it still holds around 47% on Rotten Tomatoes. That’s actually not as bad as you might think based on the talk around it.

Continue reading “31 (2016)” →

The Devil’s Rejects (2005)

Welcome to the very exact midpoint of this year’s Rob Zombie Spookshow here at B-Movie Enema.

In 2003, after a couple of years of trying to find a distributor or studio willing to take a chance on his grindhouse throwback, Rob Zombie introduced a terrifyingly raw and visceral form of horror that, maybe ahead of its time, really put audiences through more of a horrifying experience than a form of entertainment. This was his debut movie, House of 1000 Corpses. It really played like the nightmarish and realistic grit that was seen in movies like The Texas Chainsaw Massacre. At times, it felt like you were watching something you weren’t supposed to see. It was equal parts a movie narrative and a window inside a scattered and deranged mind.

What made the movie terrifying were the members of the Firefly family. Specifically, Otis, played by Bill Moseley, himself a veteran of the TCM franchise, Baby, played by Sheri Moon Zombie, and friend and accomplice to the family, Captain Spaulding, a deranged clown played by Sid Haig. They were violent. They were antisocial. In the case of Captain Spaulding, he was charismatic. In the case of Baby, she was sexy – a honeypot waiting to reveal a psychotic who liked to play with her prey.

While working on House of 1000 Corpses, Zombie would have what he called a “vague” idea for a story that featured the brother of a sheriff the Fireflies killed coming back for revenge on the family. This revenge plot leads him on a manhunt for the three most interesting characters to complete his revenge. Thus was born what is undoubtedly Zombie’s masterpiece, The Devil’s Rejects.

Continue reading “The Devil’s Rejects (2005)” →

Kinjite: Forbidden Subjects (1989)

I guess September was planned as something of a return of various subjects or actors, and in this case, also directors.

Welcome back to B-Movie Enema. I guess when I programmed what September was going to feature on the blog, I was thinking about a lot of things I hadn’t done in a bit. I had Red Letter Media come back, another killer primate movie, and some blaxploitation. So I guess it’s only fair to bring Charles Bronson, J. Lee Thompson, and Cannon Films. This week, we’re gonna learn about Kinjite: Forbidden Subjects.

Cannon is all over this blog. So much so, there’s a whole tag for Cannon Films. There are so many, I bet I have forgotten to tag some with that. Shit, I almost forgot to tag THIS review with Cannon Films. Charles Bronson, surprisingly, has not been covered as much here on B-Movie Enema. Maybe I’m worried his ghost will come back, ask me if I believe in Jesus, because I’m gonna meet ’em. I’ve only covered two of his movies before, Assassination waaaaay back in 2018, and then 10 to Midnight back in the summer of 2024. One of those movies is far better than the other. The other is a Cannon production.

Continue reading “Kinjite: Forbidden Subjects (1989)” →

Killdozer (1974)

A new review at B-Movie Enema is KILLDOZING ITS WAY INTO YOUR COMPUTERS!

Hell yeah, brother! It’s time for this oddball made-for-television flick from 1974. Look out! It’s Killdozer! Killdozer was first released as a 1944 novella by Theodore Sturgeon. Sturgeon wrote a ton of reviews (somewhere around 400, which means I have written more, so take that, Mr. Killdozer), along with a bunch of short stories, and about 11 novels. He even ghost-wrote an Ellery Queen mystery novel. Ellery Queen was someone my oldest brother would read when I was a kid.

Sturgeon also wrote a couple of very popular Star Trek episodes in the 60s. The first was “Shore Leave” which featured members of an away team seeing a bunch of crazy visions like characters from Alice in Wonderland and damsels in distress. The second was a VERY popular one, “Amok Time.” This introduced the Vulcan mating ritual, pon farr, and the first time the phrase “Live long and prosper” was uttered. It was also the first episode to feature the Vulcan hand salute. Some other scripts he wrote that went unproduced introduced the concept of the Prime Directive, the doctrine that Starfleet and the Federation operated by when visiting new worlds.

Continue reading “Killdozer (1974)” →

Fright (1971)

Welcome to another FRIGHTening review here at B-Movie Enema!

Quick! What was the first slasher film? The one that created the subgenre that would dominate the horror section of 80s video stores and late night cable TV? I bet you’re thinking Halloween. Or maybe you muttered to yourself, “The Texas Chainsaw Massacre.” If you really wanted to flex some horror muscle or just simply sound like a smarty pants, you might have mentioned Black Christmas. Hell, I think I just heard someone shout Hitchcock’s Psycho.

I don’t know if there is any one real answer, but I want to enter 1971’s Fright into the conversation.

Continue reading “Fright (1971)” →

Nine Dead (2009)

It’s another Melissa Joan Hart Month review here at B-Movie Enema!

By 2008, our lovely leading lady was married, a mom, and no longer Sabrina the Teenage Witch. For the most part, she was exploring other interests while still doing some TV work in guest appearances, like on Law & Order: Special Victims Unit, and in TV movies like 2007’s Holiday in Handcuffs. The latter, I suspect, started the work she did with ABC Family on cable and later led to lots of other holiday-themed TV movies. It also probably led to her being cast in 2009 on the main ABC network competition, Dancing with the Stars.

I digress. As part of her more grown-up roles that came after her work as Sabrina Spellman, we have the movie that is getting reviewed this week, 2009’s Nine Dead. Nine Dead was filmed over a few weeks in the summer of 2008. Hart is playing an Assistant District Attorney and has ditched her usual blonde locks for darker hair because she has a dark secret. In fact, everyone in this movie has some dark and serious shit to deal with. After the completion of filming, the movie kind of sat around until New Line Cinema would pick up the distribution rights and get this movie out on DVD and streaming.

Continue reading “Nine Dead (2009)” →

Twisted Desire (1996)

Welcome back to B-Movie Enema and another entry in our Melissa Joan Hart Month!

This week, we have a staple of the network television movie – true crime. Quite frankly, if you’re curious when there was a time when true crime did not have an audience, the answer was never. Whether it was in books, or those old pamphlets that probably led to Jack the Ripper becoming really famous, or plays, or movies, true crime was always a way for people to rope in some audiences. Later, as networks like ABC, CBS, and NBC were making original movies to air as movies of the week, the 70s saw a lot of movies in the horror and thriller genres. However, as the 80s and 90s came along, most of the famous stuff was either historical epics or salacious true crime.

And salacious true crime is what we have for 1996’s Twisted Desire.

Continue reading “Twisted Desire (1996)” →

Backflash (2001)

Welcome to B-Movie Enema, my Enemaniacs.

It’s February. What happens in February? Well, it’s the last month we all have to deal with winter… if you aren’t in places like Miami or, I dunno, Calgary. That’s a good thing. It’s also the month that is basically dominated, at least in the first half of the month, by the lovey-dovey bullshit that is Valentine’s Day. That’s not such a great thing. It’s a Hallmark holiday. You should celebrate love and what have you every day…? Eh. Anyway, when it comes to Valentine’s Day, you do get those Conversation Hearts, and that’s a good thing.

But the best part of February is that on February 11, every goddamn year, I turn a year older. I get more and more detached from marketing campaigns. I get more and more gray, in the handsome, distinguished way. I get to have lunch with my dad at one of my favorite restaurants. And I get a lot of messages wishing me a good one. I used to not be a big fan of my birthday, but, dammit, I’ve kinda grown to like it the older I get.

So, for my own birthday, I’m celebrating here at B-Movie Enema with something I’ve been known to do from time to time. I’ve done it for Alyssa Milano, Phoebe Cates, and Jacqueline Lovell. It’s time to do what I’ve should have done a loooooong time ago, and do it for someone I’ve got a very long history with – Melissa Joan Hart. Yes, it’s Melissa Joan Hart Month for February! And we start with her in a supporting role in 2001’s Backflash.

Continue reading “Backflash (2001)” →