Oh boy, do we have a LOT to talk about in this new B-Movie Enema. article. Oddly, the movie itself, Joel M. Reed’s controversial Bloodsucking Freaks from 1976, doesn’t really have a lot to discuss in terms of what is seen on the screen (don’t worry, I will be calling play-by-play nonetheless). No, there are two topics in particular to discuss in much greater detail.
I’m not entirely sure where to start with this, so let’s start with the director, Joel M. Reed. He unfortunately passed away in a care facility in New York City just earlier this year. He’s one of the many unfortunate casualties due to the global pandemic that is COVID-19. He’s likely known best for making this movie, which drew the ire of many, many people when it was released. The release of the movie also had a couple alternate titles like The Incredible Torture Show and Sardu: Master of the Screaming Virgins. However, almost everyone knows this movie by the title Bloodsucking Freaks. That’s the name applied to it by Lloyd Kaufman when Troma came along to take over the distribution of the movie.
That began a long relationship with Kaufman that lasted up until Reed’s passing. Continue reading “Bloodsucking Freaks (1976)”
With a single word, this mega company can conjure up many, many feelings. For many, it’s animated features. For some, it’s an iconic mouse. Others think of family vacations when they were little or, once grown, special times they have with their little ones. Some believe it’s everything wrong with the world. Some, like director Randy Moore, apparently believes it is a person, place, and thing that is so fake and full of shit, he wants to be sure he makes a whole movie to drive home his disdain, and then go on a press tour to make sure people know he’s above all this Disney fakeness.
The movie was Escape from Tomorrow. The gimmick is the guerrilla style filming inside both Disney World and Disneyland which is mostly what this movie has to stand on seven years on from its original release. Why is filming inside Disney Parks such a gimmick to begin with? Well, the place is absolutely crawling with intellectual property. Disney is fierce about litigation when it comes to their shit. There’s another reason why this movie was deemed risky, but I’ll get to that momentarily. Continue reading “Escape from Tomorrow (2013)”
It’s been a bit since I did an anthology movie. In fact, I’ve only ever done one in the past. So let’s make up for that with a giant, nearly two full hours of kooky b-movie stories rolled into the horror comedy Chillerama from 2011!
The four segments contained within Chillerama are framed by a connecting story at a drive-in theater that is playing monster movies. Then, each of those four segments is a parody and homage to a particular genre and style. Additionally, each segment is directed by a different person – Adam Rifkin who directed mostly a split between family fare and boner comedies/thrillers, Tim Sullivan who was mostly known for producing movies like Detroit Rock City before making 2001 Maniacs with Robert Englund, Adam Green who made his mark with the Hatchet series of horror films, and Joe Lynch who is most recently known for directing Mayhem starring Steven Yeun and Samara Weaving.
Chillerama was the brainchild of Rifkin and Sullivan who met on Detroit Rock City and spitballed an idea for an anthology called Famous Monsters of Filmland – a title based on the Forrest J. Ackerman magazine that they grew up reading. Continue reading “Chillerama (2011)”
Well, I guess you could say 2019 on B-Movie Enema was “the year of Zombie” as I talked about Lucio Fulci’s first Zombie movie from 1979 back in January and then Zombie 3 from 1988 came along in April. Before we close out this year of Zombie, I should get to Zombie 4: After Death (also just known as After Death).
What makes this movie noteworthy is that it’s the first Zombie movie that goes without input form Lucio Fulci himself. You can say that Zombie 3 didn’t seem to be that much of a Fulci flick itself, due to Fulci leaving the production due to illness, but he’s still given credit for the movie (whether or not he wants to have it). What is a holdover from the previous installment is the duo that brought us the amazingly disastrous masterpiece that is Troll 2, Claudio Fragasso (listed as the director) and his wife and co-conspirator Rossella Drudi (credited as lone screenwriter).
So I guess you can say that we might be heading down a pretty interesting path in today’s B-Movie Enema. Continue reading “Zombie 4: After Death (1989)”
Another week, another movie I was exposed to by my brothers when I was younger – The Children!
What’s great about a company like Vinegar Syndrome is that they have a wonderful eye for obscure horror, sci-fi, and erotica. The Children came out when I was really young, and somewhere along the way, my brothers watched the movie. I sincerely doubt they saw it at a real movie theater, but I wouldn’t be terribly surprised if it played at one of our local drive-ins. However they saw it, they saw it and brought it home from the video store or recorded it on cable or something, and then I watched it.
Now, I don’t want you to believe they made me watch these horror movies when I was a wee tyke. That simply wasn’t the case. No one made me watch these horror movies. My brothers weren’t complete monsters. Nah… I could have, at any point in time, simply closed my eyes or fallen asleep while they had me strapped and chained down to the chair to make me watch these movies. Continue reading “The Children (1980)”
In years past, B-Movie Enema had always celebrated the month with some sort of spooky theme. In 2016, it was vampires. In 2017, we had slashers from the 80s. 2018 actually had a real theme title – Nights of Demons. What’s this year’s theme? Well…
Shit. Well, I got nothing this year. But I remember back to a simpler time that set the precedent of no October theme. Way, way, waaaaay back at the very beginning of B-Movie Enema (October 3, 2014 to be exact), I did a string of scary movies because the first five of six enemas came out in October. So, I’ll do that theme. The no theme Halloween. Just some good ol’ horror movies. To kick things off, let’s check out an Italian ripoff – 1980’s Zombie Holocaust, also known as Doctor Butcher M.D. Continue reading “Zombie Holocaust (aka Doctor Butcher M.D., 1980)”
Back in January I covered Lucio Fulci’s masterpiece in undead horror – Zombie. It’s fitting that I now look at its sequel, Zombie 3.
Wait. Lemme check something. 1. 2. 3… 4. Gotcha. Okay, the math checks out there. What are those titles again?
Zombie… Zombie 3…
Oh, goddammit, it’s Italian. Of course the sequels are all fucked. Continue reading “Zombie 3 (1988)”
Let’s talk about a classy movie!
Dead & Buried is a 1981 flick that takes a different approach to zombies. It is written by Dan O’Bannon and Ronald Shusett who is best known for writing the classic sci-fi/horror flick Alien. That’s a fact that the poster really wants to sell this movie on – “The creators of ALIEN… bring a new terror to Earth.”
Dan O’Bannon also made Return of the Living Dead which is pretty much a zombie movie hall of fame entry from the mid 80s. It’s fair to even say that O’Bannon’s work on that movie, matched with the Godzilla movies, and Roger Corman, helped create my love of B-Movies and, thus, well… Continue reading “Dead & Buried (1981)”