In the long history of the “fans of a losing sports team goes on a revenge-fueled murder spree against the winners” genre, none are better than Tanya Rosenberg’s gripping classic from 1990, Blood Games.
In fact, this movie is so perfect, it’s the only movie Tanya Rosenberg ever made. After Blood Games, she was like, “Yup. I did it. I can do no better, and I should not even try. Suck it, Goodfellas. I made the best movie of 1990.”
Or so I imagine she said all that. I really don’t know. It is entirely possible she’s not even a real person. There is no additional information about her that I can find. I don’t even think this Vinegar Syndrome release of the movie even has any special features talking about her. For all I know, Tanya Rosenberg was created in an exploitation movie lab for the sole purpose of making Blood Games.
Continue reading “Blood Games (1990)”
Ah… The good ol’ U.S.ofA. It’s a sort of cool place, right? I mean, we are THE country in the world that most people in other countries care more about than their own. You don’t have to go too far into the rabbit hole of YouTube to find a Canadian guy, British guy, German guy, or a French Canadian guy to see they will release screeds and commentaries about the United States and what’s going on over here.
Then there was the 80s. If you were around in the 80s, there were a few things that you probably knew:
- USA! USA! USA!
- Fuckin’ Commies trying to take over our country and stuff.
So what better way to celebrate all of that than to close out the decade with a movie called Action U.S.A.? Continue reading “Action U.S.A. (1989)”
B-Movie Enema’s Exorcist Rip-Off Month comes to a conclusion while also coming full circle with the start of the month – and completes a “trilogy” all at the same time.
This week’s feature, Beyond the Door III is, as Wikipedia states, “the third and final film in the Beyond the Door Trilogy“. It should also state that this and Shock were sequels in name only from the jolly ol’ land of endless opportunities for this blog – Italy. To complete the trilogy (12 years after the last and 15 years after the first), Beyond the Door III (also known as Amok Train because… sure) features a group of American students who go to Yugoslavia to meet up with Bo Svenson (who we’ve not seen since waaaaay back when I covered The Delta Force in 2016).
There, they witness a sacred pagan ritual. I am sure that did not, at all, create any issues whatsoever anywhere and that brings about the conclusion of Exorcist Rip-Off Month! Come back next week when we blast off to the stars for a… What’s that? Witnessing a sacred pagan ritual in Yugoslavia starts significant problems? I need to continue on with the movie? You sure? Continue reading “Beyond the Door III (1989)”
We’re getting back to some good old blaxploitation with this week’s B-Movie Enema. Penitentiary was written, produced, and directed by Jamaa Fanaka.
Fanaka was part of the L.A. Rebellion from the late 60s and into the late 80s. This was a movement of black filmmakers whose whole intent was to make films that offered an alternative to what most deemed “classical” Hollywood films. This was mostly influenced by Latin American and Italian cinema, but also from an emerging African cinema.
You see, the 1960s was a particularly turbulent time. After a series of events like the Civil Rights Act, Affirmative Action, and the Watts Riots, society shifted and evolved very quickly. Affirmative Action allowed for many more black students to attend colleges – and particularly at UCLA which got urged to create an ethnographic studies program to allow black filmmakers to tell more of their story and stories that would expose their struggles. Continue reading “Penitentiary (1979)”
Last week, I checked in on site favorite Norman J. Warren. This week, it’s time to check in with another favorite of the site, Brett Piper.
Toward the end of 2019, I wrote about his fun, sci-fi, post-apocalyptic, alien invasion flick Battle for the Lost Planet from 1985. This time around, let’s look at the 1988 sequel – Mutant War. Whereas the first movie finds our hero Harry Trent first remembering a series of events that started with him hijacking a space shuttle to being stuck on a pre-planned, five-year course to finally returning to Earth to discover that aliens have landed and more or less messed things up pretty bad. It made for a nice little movie that, at times, gave me real classic Doctor Who vibes.
As was the case with his later film, Drainiac, and, to a certain degree, They Bite, I appreciate the spirit in which Piper works with and his general effort he puts out for the movies. I truly do get the feeling that Piper just likes making movies and he doesn’t take himself too seriously. Good on him. In truth, he mostly just likes doing effects and creatures, which is obvious in his movies. That said, sometimes, you just need these little types of movies that don’t take themselves very seriously and just wants to entertain. Continue reading “Mutant War (1988)”
It’s a new B-Movie Enema and, this time, Don’t Answer the Phone!
By 1980, there was a weird feeling in the country. The 70s were pretty tumultuous with the Vietnam War and President Nixon leading to many feeling they can’t trust the federal government. The entire decade felt as though the counter culture was putting their stamp on the new Hollywood, but that was about to come crashing down. Indie exploitation was about to be scrubbed away by the religiously-charged, great white hope of the Reagan era.
One of the things that would play out for the next 20-25 years after the conclusion of the Vietnam War would be the psychological damage of the vets that returned home. Whether it was by way of dramatic films like Coming Home and The Deer Hunter, or action films like the Rambo series, Vietnam vets played a huge part in many films. But there was also a darker side to it as well… Continue reading “Don’t Answer the Phone! (1980)”
I like to think of this subgenre, particularly in the 1980s, an American tradition. Certainly it was nothing new to either the United States or other countries before the decade or even to this very day, but there was something pretty special about the American landscape of both horror and comedy in the 1980s. It was the decade of slashers and Porky’s ripoffs. But, maybe more important, it all falls back onto an idea I’ve discussed numerous times before – you had to stock video store shelves and late night cable TV time slots.
That brings us to director Rick Sloane and this week’s screwball comedy, Vice Academy.
Sloane is probably best known for his sci-fi throwback/boner comedy/creature feature Hobgoblins. I’ve covered that over at Film Seizure on an episode of my weekly Monster Mondays show. That was a movie I’ve seen a few times when it first made its way to cable, and several times when it was literally eviscerated by the crew of the Satellite of Love on Mystery Science Theater 3000. While I love that particular episode of MST3K, I’ve always enjoyed the quaint attempt at a Gremlins clone as well as the general quirkiness of the mixture of a lot of 80s tropes that are at play in the movie. Continue reading “Vice Academy (1989)”
It’s another week here at B-Movie Enema and I think I worried I went too long before covering another Vinegar Syndrome release.
So I’m here to fix that with this week’s movie, Party Line! This 1988 flick had a provocative cover of a sexy girl in lingerie with a phone line wrapped around her leg and torso. It was a memorable movie cover to see in the suspense/thriller section of the video store. The movie basically plays to the 80s exploitation of sexy thrillers. This was perfected probably best in the 90s with movies like Basic Instinct, but these little indie flicks toyed with the idea of mixing sex with murder.
This flick features a rich brother and sister psycho combo. She lures men through a party line on the phone for her brother to kill them. You have Richard Hatch playing a detective who is going after the killers. And then there’s Richard Roundtree playing Hatch’s captain. Continue reading “Party Line (1988)”