I mean… Sure.
Why not cover 1995’s NC-17 rated, all pomp and circumstance but failed at the box office with a whimper Showgirls? This is directed by Paul Verhoeven and written by Joe Eszterhas who had previously teamed up for one of the all time greats in the world of erotic thrillers with 1992’s Basic Instinct and again right away with 1993’s Sliver. Verhoeven was always a big fan of the big musicals from studio MGM and wanted to make one himself. Eszterhas was in one of the worst moments of his life.
This is what you can accomplish with a little hope to make a big musical while your writer buddy is in the deepest dumps of his life. The film obviously is not what most would expect from this duo. Eszterhas has often stated that there were clearly mistakes made. Plus, that whole thing with him being in a dark place meant he wasn’t being as clever or witty as he normally could be. He admitted both he and Verhoeven were probably operating on a great deal of hubris after Basic Instinct was such a success. Continue reading “Showgirls (1995)”
Holy crapatini wowzers, of course I was going to write about 2019’s Cats. Look at this fucking nightmare fuel. How could I not do this???
Look at this…
And… Holy shit, Dame Judi Dench? You are an Oscar winner and James Bond’s boss, goddammit!
And the fuck is this? Who is Rum Tum Tugger? Why was he so important and only in, like, a single scene?!?
Continue reading “Cats (2019)”
“This is my happening, and it freaks me out!”
Welcome back to B-Movie Enema’s Russ Meyer Month. We’ve finally gotten to the back end of the month and his 70s features. It also brings us to two features Meyer did with famous Chicago movie critic Roger Ebert. First up, it’s the one the duo is most famous for – Beyond the Valley of the Dolls.
Meyer and Ebert cranked out a treatment that came to 127 pages in about a week and a half. Ebert completed the screenplay in three weeks. It was intended to be a straight sequel to the 1967 film Valley of the Dolls. Now, here’s where we start in on the rabbit hole that leads to Meyer and Ebert coming in. Continue reading “Beyond the Valley of the Dolls (1970)”
I love how Russ Meyer uses punctuation in his titles.
Welcome back to Russ Meyer Month here at B-Movie Enema. This week, we’re going to venture into X-rated territory for the 1968 drama-satire-softcore porn exploitation classic Vixen! We also travel north of the border to Canada for our story as well.
Vixen! might just be considered one of Meyer’s very best (though I have some commentary to add later). The Los Angeles Times and the New York Times both gave high praise to this film despite its themes and obvious sexploitation nature. However, again, it’s Roger Ebert who maybe says the best, most heartfelt comments calling this not just the “quintessential Meyer film” but that he also talks about how Meyer creates characters. We should already be aware with Faster, Pussycat! Kill! Kill! and Mudhoney that Meyer likes going over the top for his villains and various other stereotypical characters. Ebert calls to the front that its Meyer’s talent in doing that that helps put people at ease seeing their first “skin-flick” and allows people to just have a good time – maybe the only thing Russ Meyer really wanted people to have. Continue reading “Vixen! (1968)”
The name usually conjures up images of sleazy things happening with buxom beauties and just about everything that someone might call “exploitation” when it comes to 60s and 70s cinema. While it may seem like his movies are full of that sleaze, many note that his films were important in terms of female empowerment and showing women who aren’t just sexually free, but generally more powerful than the men in his films. That said, he would also place his female characters in ordeals that they would have to prove their strength and their ability to overcome the obstacles that they face in his movies. It’s probably true that his films were subversive in many ways that would eventually strike at the heart of a rising feminist movement.
All that and more will be discussed over the course of the next five weeks as B-Movie Enema tackles Russ Meyer Month! We begin with 1965’s Mudhoney… Continue reading “Mudhoney (1965)”
Every now and then a movie suddenly finds its audience. Take The Rocky Horror Picture Show, for example. Sure, it didn’t find that audience immediately, but within a couple years of release, the mega fans were showing up at midnight showings in costume and so forth. With the advent of home video and the explosion of home entertainment via cable and a video rental store in almost every strip mall as well as even grocery stores, movies that didn’t do so well in theaters suddenly had a second life.
Then comes this curious little direct-to-video movie called Tammy and the T-Rex. Aside from it featuring two very young, and very pretty future stars in Denise Richards and Paul Walker, it was relatively overlooked as a low budget teenage romantic comedy.
However, in recent years, it’s been rediscovered… Continue reading “Tammy and the T-Rex (1994/2019)”
It’s time to get back into the works of one Norman J. Warren.
Think back to earlier this year when I discussed the movie Terror. This was about a witch cursing a family that ultimately leads to both cousins having to deal with some freaky shit around them. This time around, we don’t have a set of long-lost cousins, but instead with Prey, we have a pair of lesbians that live in a remote area of England dealing with an alien with a voracious hunger.
Now, when I intro-ed Terror, I made some observations about Warren’s work. Specifically, I wanted to call out certain ideas that he would have and then mix them with other ideas to create this very strange mixture of characters or situations for his movies. In fact, allow me to quote myself from that article: Continue reading “Prey (1977)”
Every now and then… Every so often… The stars align and I come across a movie that may be one of the most important films of our time. If it isn’t necessarily one of “the most important” it certainly is one of the most perfect movies ever made.
Pull up a chair kiddies, and let me tell you the tale of 1984’s dance-ercize epic Heavenly Bodies.
And, besides, summer is coming – it’s time to make sure you got your beach bods ready for the sun and fun of the warmer weather! Heavenly Bodies is about Samantha Blair, played by the incredibly cute and likable Cynthia Dale, who is an aerobics instructor at a Canadian fitness club named, well, Heavenly Bodies. She soon finds herself in the battle of her life as she competes against one of the lead instructors at a mega fitness club chain for a spot on a local television workout show. This brings her face-to-face with big wig bullshit and the only way for her to fight and defeat the evils of capitalism is to dance the fuck out of it. Continue reading “Heavenly Bodies (1984)”