I love cats. Guys, I don’t mind saying it. I’m not a dog person. In fact, for the vast majority of the last 29 years, I’ve lived with at least one cat, and very often with two. These cats are as good as kids from my perspective. Most of those cats have been partners in crime with me. So, I guess you can say I have something in common with our lead in this week’s movie, The Black Cat.
However, this is only very loosely based on the Edgar Allen Poe short story by the same name. In that, it’s about a man and his wife who love animals. In particular, he seems to have a special bond with a large, black cat. When he develops an addiction to the sauce, the cat decides he doesn’t really like the guy anymore which is only made worse by the drunk man torturing the cat by removing its eye, and even hanging the cat from a tree.
This 1843 story has been the inspiration, suggestion, or basis for many a film version. Universal Studios twice made movies “suggested” by the story, but neither held any kind of similarity outside having a black cat in them. Multiple times, Italians have made adaptations of this like Sergio Martino’s Your Vice Is a Locked Room and Only I Have the Key (a title that just rolls off the tongue) in 1971, Dario Argento’s version in the anthology film Two Evil Eyes, and then Fulci’s version that we’re going to talk about today.
Continue reading “The Black Cat (1981)”
Well, I guess you could say 2019 on B-Movie Enema was “the year of Zombie” as I talked about Lucio Fulci’s first Zombie movie from 1979 back in January and then Zombie 3 from 1988 came along in April. Before we close out this year of Zombie, I should get to Zombie 4: After Death (also just known as After Death).
What makes this movie noteworthy is that it’s the first Zombie movie that goes without input form Lucio Fulci himself. You can say that Zombie 3 didn’t seem to be that much of a Fulci flick itself, due to Fulci leaving the production due to illness, but he’s still given credit for the movie (whether or not he wants to have it). What is a holdover from the previous installment is the duo that brought us the amazingly disastrous masterpiece that is Troll 2, Claudio Fragasso (listed as the director) and his wife and co-conspirator Rossella Drudi (credited as lone screenwriter).
So I guess you can say that we might be heading down a pretty interesting path in today’s B-Movie Enema. Continue reading “Zombie 4: After Death (1989)”
Lucio Fulci… He’s one of those Italian filmmakers that people usually will have strong opinions about. I’m not sure if I know anyone who is just okay with his works. He’s kind of an all or nothing type of director. That’s not to say if you fall on the “all in” side of the fence with him you have to love every one of his movies, god knows Demonia is a real chore to get through, but you’ll likely be more than happy to watch something with his name on it just because it has his name on it.
I’ve talked about the aforementioned Demonia, Zombie, and Zombie 3(*) which all fall squarely in the horror genre. For a guy who has dabbled in just about every genre, I feel like I owe it to him to try as many of those dabbles as possible. With that said, let’s just dive right into his foray into the erotic thriller world with The Devil’s Honey. Continue reading “The Devil’s Honey (1986)”
Back in January I covered Lucio Fulci’s masterpiece in undead horror – Zombie. It’s fitting that I now look at its sequel, Zombie 3.
Wait. Lemme check something. 1. 2. 3… 4. Gotcha. Okay, the math checks out there. What are those titles again?
Zombie… Zombie 3…
Oh, goddammit, it’s Italian. Of course the sequels are all fucked. Continue reading “Zombie 3 (1988)”
I told you back in October that Demonia would not be the only time Lucio Fulci gets featured here on B-Movie Enema.
I mean, after all, that movie sucked, and he made so many other movies that were so much better. Even his not so great movies were way better than Demonia. Frankly, the only way to really make up for choosing that stinker is to cover the movie that he is probably best known for directing, 1979’s Zombie.
However, to really talk about Zombie, we need to take a step backwards in time to a few years before this movie would see the light of day. Continue reading “Zombie (1979)”
See? I told you I’d get back to Italy before this month’s out.
This time, I’m looking at Demonia. It was directed by Lucio Fulci, who is often considered one of the better Italian horror directors. In fact, I’m itching to do his Zombie so look for that in the near(ish) future. Unfortunately, where Zombie is considered a really good movie, Demonia is often cited as one of Fulci’s weakest. And to be honest with you, despite the name invoking imagery of demons and various demonic stuff, the movie is a little more witchcraft, ghosts, and a touch of satanism as opposed to the other movies this month. Continue reading “Demonia (1990)”