Resident Evil Sequel Month carries on here at B-Movie Enema. I… I don’t know how I feel about this.
We’re at the halfway point of the month and I can say that while I didn’t like the original entry in the series, it wasn’t as bad as the second. However, the third, Resident Evil: Extinction, despite it being the worst reviewed movie in the series, surprised me in a lot of ways. Sure, we can debate exactly why Umbrella is still operating like a company when the world is apparently a total wasteland, or what they were still doing with experiments and so forth, but it was a different movie that mixed some good elements of Day of the Dead with Mad Max and so on. I approved.
There also appeared to be some glimmer of hope in the third movie’s conclusion that Alice (Milla Jovovich) is going to punch all the bad guys while Claire (Ali Larter) was going to lead as many survivors as possible to the supposedly infection-free area of Alaska. I like hope. I like the idea that there’s a chance the world can come back from the brink.
Let’s see how Resident Evil: Afterlife fucks this up!
Continue reading “Resident Evil: Afterlife (2010)”
This week’s B-Movie Enema article comes from our neighbors to the north. Kenneyville is an interesting piece of independent media. I am going to label it as a horror movie because I think it deals with some concepts that some indie horror movies of the 70s dealt with. However, I also have to label it as exploitation as well – for the exact same reasons.
Let’s dissect that a bit, shall we?
A couple months back, I covered the infamous depravity known as Bloodsucking Freaks. I explored some of the core concepts that lies under the surface of cruelty and violence toward women in particular, and, to a certain extent, elitist scholars. It’s a movie about a guy who twists brains and drives women to insanity to do his bidding. I posited that the movie featured a more violent side of sexual kink. A desire to dominate and control as well as the attractiveness of twisting a submissive object of desire. Bloodsucking Freaks possesses layers of making you feel icky.
Continue reading “Kenneyville (2011)”
Oh boy. Here’s the conclusion to Full Moon Fever II: Torchlight Diaries, and… I already have questions from just looking at the trailer. But we’ll get to those many, many questions I have in just a moment.
This week’s movie is Virgin Hunters 2. This is a sequel to a rather fun little mid-90s sex romp comedy that I covered already. That was a legit movie made for the top shelf of the video store with legitimate story, cameras, probably actors, and maybe some good jokes in there too. I remember that film kind of fondly. It was a simpler time in 1994.
But Virgin Hunters 2? This is confusing as all get out. So the movie supposedly came out in like October 2016, right? The Full Moon website says that. The back of the box says that. But the back of the box also says the movie’s production date was 1985. But the trailer looks like the mid 90s (which was around the time the first came out), and starring people of the time (more on that in a minute). Also, look at that shot-on-video quality of high end Playboy TV productions.
Continue reading “Virgin Hunters 2 (2016?)”
Uh… So, how to tiptoe around this… Um… Maybe I should just dive right into the deep end for this week’s B-Movie Enema.
First off, let me say Merry Christmas and Happy Holidays to all my lovely Enemaniacs! Next, this week’s movie, 2019’s Black Christmas, garnered a considerable amount of talk last year. I don’t think I can avoid this talk, so I have to touch upon some touchy subjects. I don’t doubt that all the people out there in the world who have come across this blog have a varying degree of points of view on social and political topics. I’d be a real big idiot to think everyone who reads my blog share my exact views. I suspect the same (maybe not the idiot part) should apply in the other way. It usually doesn’t turn out all that well when people who go to a website begin making assumptions of what the author or content creator’s opinions on varying topics are.
That said, I do try very very hard to separate the creator from the content. Unless the content is particularly bad or saying really harmful things, I have to separate that creator from what is produced or I’d drive myself insane. I feel like we live in a world where this is becoming more and more of an increasing issue. So, just keep in mind what I’m going to put into this article may or may not jibe with all your personal views, but I don’t think that should be too much of a problem. Continue reading “Black Christmas (2019)”
I’m a child of the 80s. I bathed in the glory of the awesome toys and amazing cartoons of the decade. While a lot of the sheen of those shows faded as I grew up, it’s okay. That’s because I’m a grown up and can understand that those things are special for what they were then and it’s hard to recapture that love and the exact feelings I had when I first discovered the cartoons.
That said, I still love the toys and still smile at everything surrounding those glory days of cartoon and capitalist infusion.
Now, while I didn’t exactly watch or love the show Jem and the Holograms, I knew A LOT of people who did. Regardless of watching or not, and certainly not having the dolls that were released, I still liked the gimmick and idea of the whole concept. I talked about it a couple weeks ago when I reviewed Teen Witch, but wish fulfillment is really, really, really important to young people. Jem certainly encapsulated that too, but it wasn’t entirely made specifically for girls. Maybe not the toys, but the show had a fairly decent mass appeal. Continue reading “Jem and the Holograms (2015)”
Yay! Roger Corman! If he can’t do it, nobody can!
So, yeah, at some point B-Movie Enema was going to come back around to a movie with direct production involvement from Roger Corman. And with a title like Attack of the 50 Foot Cheerleader? Oh you bet. I’m on board.
This movie got premiered at none other than Comic Con International in 2012 about a month before showing to the masses on Epix (a lovely little-known cable network). Yet another month later, it played at the 3D Film Festival. Oh yeah… This movie was originally made as a 3D feature. If you want to know something utterly fascinating too, then know this:
Attack of the 50 Foot Cheerleader is the first 3D film ever produced by Roger Corman.
For real. The guy who produced like 40 gabillion movies for the last 70 years never produced a 3D feature before this film. All those drive-in movies he made. All those creature features. Not a single one beyond the second dimension. Continue reading “Attack of the 50 Foot Cheerleader (2012)”
With a single word, this mega company can conjure up many, many feelings. For many, it’s animated features. For some, it’s an iconic mouse. Others think of family vacations when they were little or, once grown, special times they have with their little ones. Some believe it’s everything wrong with the world. Some, like director Randy Moore, apparently believes it is a person, place, and thing that is so fake and full of shit, he wants to be sure he makes a whole movie to drive home his disdain, and then go on a press tour to make sure people know he’s above all this Disney fakeness.
The movie was Escape from Tomorrow. The gimmick is the guerrilla style filming inside both Disney World and Disneyland which is mostly what this movie has to stand on seven years on from its original release. Why is filming inside Disney Parks such a gimmick to begin with? Well, the place is absolutely crawling with intellectual property. Disney is fierce about litigation when it comes to their shit. There’s another reason why this movie was deemed risky, but I’ll get to that momentarily. Continue reading “Escape from Tomorrow (2013)”
Holy crapatini wowzers, of course I was going to write about 2019’s Cats. Look at this fucking nightmare fuel. How could I not do this???
Look at this…
And… Holy shit, Dame Judi Dench? You are an Oscar winner and James Bond’s boss, goddammit!
And the fuck is this? Who is Rum Tum Tugger? Why was he so important and only in, like, a single scene?!?
Continue reading “Cats (2019)”