Bong of the Living Dead (2017)

Welcome back to B-Movie Enema. This week, we’re going to have a little more fun with a fairly decent little horror movie released through independent distributor Scream Time Releasing. I’m going to be looking at 2017’s Bong of the Living Dead.

Bong of the Living Dead was directed by Max Groah. Groah has been around as a writer and director since 2010 when he made his first short film, Ringtone: The Gareth Blevins Story. Bong of the Living Dead is his first feature film. In fact, it’s still the only full-length film he’s made, though he did team up with Scream Time Releasing to write and direct a segment in the anthology film 10/31 Part 2.

Groah produced the film through Backward Slate Productions which is a small indie production company out of Columbus, Ohio. There’s a pretty healthy Midwest United States groundswell for indie film, particularly in the horror genre. Being a frequent visitor of HorrorHound in both Indianapolis, the home base of B-Movie Enema Industries, and Cincinnati, as well as visiting Days of the Dead Indy a few times over the years, I have often seen several indie filmmakers from the surrounding areas. It seems as though there are several Ohioan indie horror filmmakers with varying degrees of exploitation, throwbacks to the style of the 80s and 70s, and production quality.

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General Commander (2019)

Welcome to the final week of Steven Seagal Month here at B-Movie Enema.

Thank fucking Christ. Guys… I mean it. Sure, we’ve had some fun with week one’s Attack Force. That movie went through some crazy post-production rewrites. It’s a movie that was bad, but not the kind of shitty bad. I’d argue it’s not fun, but it’s got enough goofy stuff that makes it a halfway decent watch even though it sucks. Week the second was Urban Justice. That movie was, to my shame, enjoyable. I had a good time watching that movie. We don’t need to say much more there. Read that review. Last week’s Contract to Kill suuuuuucked. It was dumb. It was without any energy. It was a lot of Seagal mumbling, and, worse, it was boring.

Knowing Contract to Kill moved us from the 2000s to the 2010s, I knew we were going to be in some trouble. The closer you get to the present year, the shittier his movies get. That makes this week’s movie real dangerous waters for my personal desire to remain alive and breathing in this world. So, let’s talk about 2019’s General Commander.

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Contract to Kill (2016)

Welcome to B-Movie Enema and the continuation of Steven Seagal Month!

And, oh boy… We’ve dodged a couple bullets already. Attack Force was a movie that was originally supposed to be about space vampires and was rearranged, reshot, and turned into a movie about a designer drug that gave people crazy superpowers that made them want to murder. Urban Justice was… actually entertaining. I enjoyed watching that one. There was a fairly straightforward plot and there were some moments I honestly had a good chuckle about.

But Steven Seagal Month moves into some pretty dicey waters with the 2010s. This week, we’re going to look at Contract to Kill from 2016. We’ve not only visited Seagal in his 2010s films before, but we’ve seen another of his films from the same year – Sniper: Special Ops. That movie was awful. In fact, I’d call it embarrassing. Seagal looked like he didn’t give two fucks. He was hardly in the movie that his name appeared above the title on the DVD box. He spent a lot of time sitting down with a high-powered sniper rifle on his lap while another person in his battalion was dying. It was bad. Like, bad bad.

Contract to Kill will likely be no better… or possibly worse.

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Angry Video Game Nerd: The Movie (2014)

He’s gonna take you back to the past to play the shitty games that suck ass. He’d rather have a buffalo take a diarrhea dump in his ear. He’d rather eat the rotten asshole of a road killed skunk and down it with beer. Now, he’s going to be the focus of this week’s B-Movie Enema article, the 350th to be exact. I’m going to discuss both the man and his film – 2014’s Angry Video Game Nerd: The Movie.

I’m going to get to the significance of this particular movie and the man behind it, James Rolfe, in just a few moments, but first, I want to circle back around to that number I just mentioned. This is the 350th edition of this blog (is that a thing – can I call a blog post an edition?). That’s hardly an insignificant feat. I’m going to take a few minutes to pat myself on the back over said feat.

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Boo! A Madea Halloween (2016)

You know? I feel like it was only a matter of time before Madea came to B-Movie Enema. And, sure, maybe I could have started with the beginning of the MCU (no, not that one – the Madea Cinematic Universe), but screw it. It’s time for Halloween and dagnabbit, this seems to be oozing with potential to begin with. So, here it is… Welcome to the blog, Tyler Perry, and let’s talk about Boo! A Madea Halloween.

Damn… There’s a lot to unpack here, but I think we should do some seasonal stuff first.

October is kind of a special time for me. It’s the centerpiece of my favorite season, fall, and a month that I love getting bundled up with the lights out and watching horror movies. It was also the month in which B-Movie Enema was born. Way back in 2014, B-Movie Enema began, but it also ended shortly afterwards. However, once it was resurrected in early 2016, October has been a whole thing here. This month, I’m doing all movies that have a very specific Halloween slant to them. We begin with Mr. Tyler Perry and his Madea character.

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Phantasm: RaVager (2016)

We’ve come to the end, my dear Enamaniacs. Phantasm: RaVager is today’s feature and B-Movie Enema will finally complete Phantasm Sequels Month.

This one is interesting. I saw this at the Centerbrook Drive-In in Martinsville, Indiana in October of 2016 with a trio of friends. It played as part of a doubleheader with the original movie. It was the first time in a looooong time I had visited a drive-in, so that part was pretty awesome. It’s always fun to watch the original Phantasm. So that was pretty awesome too.

Then Ravager started. I ain’t gonna lie… The first time I saw this I was confused. I was not too happy about the movie. It felt really, really weird. In fact, I would argue that this movie, the only film in the franchise NOT directed by Don Coscarelli, though he did co-write it with director David Hartman, is maybe the most divisive one of the bunch. It’s got a lot of references to past movies, with even a returning character most would have no idea who she is if they hadn’t been watching the series recently just prior to watching this one. It’s not told in a very linear way. It jumps between at least two realities. It’s a strange movie.

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Sniper: Special Ops (2016)

Well, well, well… Look who the great B-Movie Poop Chute delivered to the feet of this website. The one, the only Rob Van Dam…

Er… I mean Steven Seagal.

Yes, finally, it’s time for me to break the seal on some of the more recent works of Mr. Seagal. But, we’re not dealing with top shelf Seagal, oh no. This is post-2000, direct-to-video, deeply disturbing dark black goatee-wearin’ Steven Seagal. We’re going to look at Sniper: Special Ops.

I suppose I should also make it known this movie is made by schlockmeister Fred Olen Ray.

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Another Cinema Snob Movie (2019)

We’ve been here before, kiddos.

Think back to 2019. In March of that year, I ripped off five weeks of pornos from the 70s and 80s and called it Blue March. I knew the only way to follow that up was to feature a movie made by Brad Jones, the Cinema Snob. It was the only fitting tribute I could pay to someone whose content never fails to entertain me. To do that, I had to take a look at his 2012 origin film The Cinema Snob Movie.

Fast forward to nearly 3 years later, I just came off a month full of Tinto Brass movies and I have to figure out how to best follow that up. So it’s to you, Mr. Jones, to step up to the plate once more! Yes, it’s time to take a look at the 2019 sequel Another Cinema Snob Movie.

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