With a single word, this mega company can conjure up many, many feelings. For many, it’s animated features. For some, it’s an iconic mouse. Others think of family vacations when they were little or, once grown, special times they have with their little ones. Some believe it’s everything wrong with the world. Some, like director Randy Moore, apparently believes it is a person, place, and thing that is so fake and full of shit, he wants to be sure he makes a whole movie to drive home his disdain, and then go on a press tour to make sure people know he’s above all this Disney fakeness.
The movie was Escape from Tomorrow. The gimmick is the guerrilla style filming inside both Disney World and Disneyland which is mostly what this movie has to stand on seven years on from its original release. Why is filming inside Disney Parks such a gimmick to begin with? Well, the place is absolutely crawling with intellectual property. Disney is fierce about litigation when it comes to their shit. There’s another reason why this movie was deemed risky, but I’ll get to that momentarily. Continue reading “Escape from Tomorrow (2013)”
Holy crapatini wowzers, of course I was going to write about 2019’s Cats. Look at this fucking nightmare fuel. How could I not do this???
Look at this…
And… Holy shit, Dame Judi Dench? You are an Oscar winner and James Bond’s boss, goddammit!
And the fuck is this? Who is Rum Tum Tugger? Why was he so important and only in, like, a single scene?!?
Continue reading “Cats (2019)”
When you have a blog that discusses movies or possibly cultural turning points in the form of celluloid, eventually, it becomes an absolute truth of your life that you will discuss something like what I have this week – Sexsquatch.
I’m not entirely sure what to say about this movie. Obviously, there is a Wikipedia page for it. It’s widely known that the Sexsquatch Wikipedia page is largest and most extensive page in the history of Wikipedia. However, I do also believe that the less you know about the biggest moneymaker in the history of film, grossing $47 billion against a $350 million budget, the better.
Now, of course any time a film breaks through and makes a cultural impact the size of Sexsquatch has, there will be haters. There will be those who are detractors. There will be contrarians. There will be those who will try to be elitist in saying that your love of such a mainstream film makes you a farthead. Possibly even a monkeydick. They’ll even call you a fuckqueef. Continue reading “Sexsquatch (2013)”
It’s been a bit since I did an anthology movie. In fact, I’ve only ever done one in the past. So let’s make up for that with a giant, nearly two full hours of kooky b-movie stories rolled into the horror comedy Chillerama from 2011!
The four segments contained within Chillerama are framed by a connecting story at a drive-in theater that is playing monster movies. Then, each of those four segments is a parody and homage to a particular genre and style. Additionally, each segment is directed by a different person – Adam Rifkin who directed mostly a split between family fare and boner comedies/thrillers, Tim Sullivan who was mostly known for producing movies like Detroit Rock City before making 2001 Maniacs with Robert Englund, Adam Green who made his mark with the Hatchet series of horror films, and Joe Lynch who is most recently known for directing Mayhem starring Steven Yeun and Samara Weaving.
Chillerama was the brainchild of Rifkin and Sullivan who met on Detroit Rock City and spitballed an idea for an anthology called Famous Monsters of Filmland – a title based on the Forrest J. Ackerman magazine that they grew up reading. Continue reading “Chillerama (2011)”
Holy shit, guys and gals. It’s my 200th B-Movie Enema.
I’ll get to the more serious shit at the end of my look at this movie to try to sum up how it feels to be 200 enemas old. But I can say this – it doesn’t hurt nearly as much as you might think. In fact, I think I’m starting to like it.
So this week’s piece (of shit) is all about Samurai Cop 2: Deadly Vengeance. Frankly, I almost have to talk about this movie. Everyone in the world, for the past several years, have talked about Samurai Cop. It’s an infamous bad movie. However, if you come here each week to read about these goddamn movies, you know all about Samurai Cop. If nothing else, you’re aware of it or have seen clips from it. It’s Ed Wood famous. It’s mind-boggling in its structure and the way it plays out.
It’s simply glorious. Continue reading “Samurai Cop 2: Deadly Vengeance (2015)”
It’s another Friday, so that means NEW B-MOVIE ENEMA DAY!
This week, I have something a little more recent and from a group I’ve come to greatly appreciate. The Sleeper is a 2012 slasher/thriller from Gamma Knife Films and Scream team Releasing. It was written and directed by Justin Russell. It’s meant to emulate the style of low budget slashers than ran wild after the release of 1978’s Halloween and 1980’s Friday the 13th.
Quite frankly, the 80s are in right now – in a BIG way. More on that shortly. First, though, let’s talk about Scream Team Releasing. Continue reading “The Sleeper (2012)”
Every now and then a movie suddenly finds its audience. Take The Rocky Horror Picture Show, for example. Sure, it didn’t find that audience immediately, but within a couple years of release, the mega fans were showing up at midnight showings in costume and so forth. With the advent of home video and the explosion of home entertainment via cable and a video rental store in almost every strip mall as well as even grocery stores, movies that didn’t do so well in theaters suddenly had a second life.
Then comes this curious little direct-to-video movie called Tammy and the T-Rex. Aside from it featuring two very young, and very pretty future stars in Denise Richards and Paul Walker, it was relatively overlooked as a low budget teenage romantic comedy.
However, in recent years, it’s been rediscovered… Continue reading “Tammy and the T-Rex (1994/2019)”
Ah… HorrorHound Weekend. It’s a place of wonders for me. Quite frankly, if it wasn’t for Vinegar Syndrome and Severin supplying the b-movie goodness, I could easily supply an entire year’s worth of B-Movie Enema articles by attending a single HorrorHound in either my hometown of Indianapolis or about an hour and half down the road in Cincinnati. HorrorHound and Days of the Dead are havens for gray market movies, indie horror, and even, yes, um, *cough* boot*cough*legs.
My point is, the last time I went to HorrorHound in March 2019 in Cincy, I came back with an embarrassingly large stack of movies. So, look out, 2020, B-Movie Enema will still be going strong. But for this week, we go back to 2018’s visit to Indy’s HorrorHound Weekend and a charming little table run by Scream Team Releasing. They are a little company that helps release indie horror flicks. They were selling and/or distributing The Barn (a movie I’m adding to my regular rotation of October horror to celebrate Halloween with), Dude Bro Party Massacre III, and Bong of the Living Dead. Those latter two, remember what I said about 2020…
They also shared space with this week’s feature, Pool Party Massacre. Continue reading “Pool Party Massacre (2017)”