Missing in Action (1984)

This review was written in advance of Chuck Norris passing away on March 19,2026 following a medical emergency. It’s not exactly written to be a tribute or an in memoriam to Norris, but more of a typical review of Missing In Action. That said, this movie is one of the more important ones in his filmography and the start of a franchise we will return to later in the year. It will be at that point that there will be more to say about the passing of an 80s action icon.

Oh boy, it’s time for some Chuck Norris/Cannon Films goodness on this week’s B-Movie Enema!

1984’s Missing in Action is kind of an important movie for our two primary entities. First and foremost, this was the first film Chuck Norris made for The Cannon Group and producers Menahem Golan and Yoram Globus. That also meant that Cannon got Chuck Norris, an action star already, to more or less become the face for the company for years to come. This movie also brings director Joseph Zito back for another go at B-Movie Enema. Zito had previously directed The Prowler in 1981, but 1984 probably brought his two most recognizable films to his filmography – Friday the 13th: The Final Chapter and Missing in Action. In 1985, Zito, Cannon, and Norris teamed up again for another movie that really should find its way to the blog someday soon, Invasion U.S.A.

It’s really hard not to compare Missing in Action to 1982’s First Blood. First Blood probably kicked off the subgenre that Letterboxd likes to call vetsploitation. And how could it not? It was Sylvester Stallone in a really good performance as John Rambo, which then led to several leading action characters in the 80s being somehow a part of the Vietnam War. Missing in Action originated as a treatment by James Cameron for Rambo: First Blood Part II. That’s where the Rambo flicks and the Missing in Action series both get their pretty tight similarities. Golan and Globus totally owned up to the fact that Cameron’s treatment served as the inspiration for their series. So they released Missing in Action and Missing in Action 2: The Beginning as quickly as they could to get it out ahead of Rambo to avoid any legal issues. I wasn’t entirely sure how that avoided issues, but whatever, it was the Go-Go Boys doing what they do best, go-going.

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Golden Needles (1974)

This week’s B-Movie Enema is on the hunt for a legendary statue with needles, which, when stuck into an adult male in a very particular pattern, will turn that guy into a sexual Tyrannosaurus.

And it’s Joe Don Baker who is one of the men after it!

Yes, you read that right… Joe Don Baker is after the seven Golden Needles that will turn him into a sex machine (well, maybe not so much, but still…). If it wasn’t for a very specific appreciation for Baker, I might just have to barf. *Hurk*

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J.C. (1972)

Happy Good Friday and Easter, my Enemaniacs.

Now, some people might celebrate Easter with a family get together. Normally, people are sitting around eating ham and enjoying the fresh spring that just sprung. Some years, it’s the fourth Sunday in March. In others, it could be as late as the fourth Sunday in April. Do not ask me why this is. It’s some weird old rule set like a thousand years ago. But either way, Good Friday (which, all things considered, doesn’t seem like it would be “Good,” but, again, don’t ask me) is the fabled day on which Jesus Christ was crucified. Easter, two days later on Sunday, is the day that Jesus rose and ascended to heaven.

I bet you’d think that because this is B-Movie Enema, I’m-a go with the whole “zombie Jesus” angle, right? Nope! I’m going bikers. Oh yes… 70s bikersploitation, baby! This week, I’m reviewing the 1972 action/drama J.C., directed by and starring William (Bill) F. McGaha.

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Firebird 2015 AD (1981)

On your marks… Get set… B-Movie Enema!

Alright, it’s 1981… Due to some circumstances that I am positive we didn’t help, the United States entered into a period known as the 1979 oil crisis. What this meant was that we were having some issues procuring oil for our gas-guzzling cars. Now, I know this because I had a couple in the course of my lifetime, but cars in the United States were either guzzling gas due to being MASSIVE and very long, or if you weren’t cool like me, you might have had a car that was just thirsting for gasoline because it was a sportier car or a Hemi. Really, all throughout the 70s, there were periods in which gas stations didn’t have gas, or there were long lines for people to put just a couple of gallons into their cars to be able to make it to work, or they went without.

Now, what would happen in the decades that followed (minus a couple of short periods of instability) was falling gas prices thanks to what would be known as the 1980s oil glut. No foolin’, prices would fall by about 65-70% in just a few years. However, in between the crisis and glut, pop culture decided to use the energy problems as the basis of some stories. Famously, the whole concept behind why there was a millions-of-years-long war between the Autobots and Decepticons on The Transformers was over energy, thanks to the real-world energy crises over the prior decade. That is also our starting point for the movie I’m reviewing this week, 1981’s Firebird 2015 AD.

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The Toxic Avenger Part III: The Last Temptation of Toxie (1989)

This week’s B-Movie Enema review gets… biblical?

Eh, sure. Anyway, not long back, I covered The Toxic Avenger Part II, the long-awaited sequel to the smash Troma hit from 1984. Filmed at the same time was a second sequel, and the topic of this week’s review, The Toxic Avenger Part III: The Last Temptation of Toxie. That title should give a hint to a couple of things in this movie. First, Toxie is going to be tempted by a deal with the devil, specifically the devil that Toxie knows – Apocalypse, Inc. Second, I think the title was likely inspired not just from the 1988 Martin Scorsese film The Last Temptation of Christ, but probably more by that film’s pop culture popularity while both of these Toxic Avenger sequels were being filmed.

The Last Temptation of Christ wasn’t just a well-reviewed film for Scorsese, but it really was a hot-button topic during late 1988 and early 1989. No foolin’, the film created a BUNCH of controversy. There were terrorist attacks, death threats, and a whole lot of protests from upsetty Christians and Catholics because the film depicted a scene in which Christ, played by Willem Dafoe, and Mary Magdalene, played by Barbara Hershey, consummated their love for one another. When it comes to canonical religious texts, that’s not something the Jesus folk like to hear about. They like to think that the Christ was above earthly passions and/or Magdalene was a whore.

But I definitely digress because I ain’t no religious guy so I can’t speak to too much gospel.

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The Dorm That Dripped Blood (1982)

Merry Christmas and Happy Holidays, Enemaniacs!

This year, B-Movie Enema celebrates by leaving campus for Christmas break. Well, not really. I’m here. I’m always here. I am forever. Please kill me.

Anyway, the movie I’ve chosen for this review to close out 2025 is one that I’ve wanted to cover for a while now. 1982’s The Dorm That Dripped Blood is also known in some parts as Pranks. In a bit of a twist in the usual expectations of how naming and renaming conventions go for old, lower-budget horror flicks, this is a movie that was actually ORIGINALLY released as Pranks, but became best known under the other The Dorm That Dripped Blood title. In fact, that was the title it had when I first saw it. Much like with last week’s Terror Eyes, I’m almost positive I saw this for the first time on the much-loved defunct Roku channel, Bizarre TV.

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Loving Feeling (1968)

B-Movie Enema carries on with the first of another 500 reviews!

This week, we’re returning to the early days of our friend, our grandpa, the man we miss, and the guy who we have covered nearly all of his filmography – Norman J. Warren. Some time ago, I watched the 1968 Warren film, his debut as a feature filmmaker, Her Private Hell. This week, we’re looking at his second film, the other 1968 film on his filmography, Loving Feeling. As a fan of this man’s work, will I get that loving feeling from this movie?

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Dangerous Men (2005)

What is it with these damn movies with “Men” in their titles?

Welcome to the 500th review at B-Movie Enema. Holy shit, 500! That’s the number of miles they go at the Indianapolis 500, or half the number of miles I would walk to be the man who falls down at your door! That’s how many dollars it would take to get me to… I dunno… visit Delaware or something. Nah, I’m just messin’ with ya, Delawarians.

Anyway, 500 reviews and it’s time to tackle one of the all-timers when it comes to being batshit insane – 2005’s Dangerous Men. This movie was mostly under the radar for a very, very long time. In fact, it had to because it took 21 years to make it! Production started in 1984 when director-producer John S. Rad (the pseudonym for Jahangir Salehi Yeganehrad) decided to try his hand at making movies. Yeganehrad/Rad was from Iran and worked as an architect on films. He came to the United States during the 1979 Iranian Revolution. Five years later, he began to audition actors for his first American film.

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