After last week with The Apple, I needed a reprieve. I need a palette cleanser. I need some blaxploitation. Thank fucking god William Girdler is here to help me out – and he’s brought Pam Grier!
This is Girdler’s 1975 action flick Sheba, Baby!
Now, I’ve talked about William Girdler twice before – once on Film Seizure’s Monster Mondays show (which some asshole with the same name as me hosts… wait, I’M the asshole). First up, I did The Manitou for Monster Mondays. That was a fascinating Exorcist rip-off centered around some Native American lore. That was neat. Then, over here, just this past October, I wrote about the blaxploitation Exorcist rip-off Abby. That one was fun too. He’s an interesting director. Sadly, he was killed scouting locations in Manila, Philippines for his 10th film.
Continue reading “Sheba, Baby (1975)”
TNT Jackson – she’ll put you in traction! This episode of B-Movie Enema goes for the death blow with Jean Bell as Diana Jackson! It’s kung fu blaxploitation at its finest!
Or watch on the B-Movie Enema channel on YouTube!
Welcome back to B-Movie Enema, my lovely Enemaniacs!
This week’s movie, Zorrita: Passion’s Avenger, continues the march to the inevitable conclusion of Full Moon Fever: Torchlight Diaries! This entry comes from director Madison Monroe. Now, I will assume that Madison is a lady. I mean I suppose it could be a dude, but I prefer the idea of it being a lady. I assume that with a name like Madison Monroe, she probably looks like that one cheerleader for the football team that EVERY guy wanted to catch a glimpse of in the locker room if you catch my drift.
I do quite appreciate a typical cheerleader stereotype collecting towels and putting them in that big wheeled hamper thing that gets collected by equipment managers and then taken to the laundry room? I mean, she’s in the locker room because she works on the equipment side of the thing. She’s not a cheerleader at all. Also, she’s probably fully clothed in baggy sweatpants and a big ol’ sweatshirt or hoodie? By no means is she naked or in any way exposed. She’s just, mmmm, doing the thing with the laundry… Oh yeah. That’s it. Put it into the big wheeled hamper thingy, Madison. Do it slower next time. Oh yeah, Maddy baby…
Look, people, I have a VERY specific fetish.
Continue reading “Zorrita: Passion’s Avenger (2000)”
Ah… The good ol’ U.S.ofA. It’s a sort of cool place, right? I mean, we are THE country in the world that most people in other countries care more about than their own. You don’t have to go too far into the rabbit hole of YouTube to find a Canadian guy, British guy, German guy, or a French Canadian guy to see they will release screeds and commentaries about the United States and what’s going on over here.
Then there was the 80s. If you were around in the 80s, there were a few things that you probably knew:
- USA! USA! USA!
- Fuckin’ Commies trying to take over our country and stuff.
So what better way to celebrate all of that than to close out the decade with a movie called Action U.S.A.? Continue reading “Action U.S.A. (1989)”
I’m a little surprised it has taken me this long to get to a David A. Prior movie, but here we are! This week’s B-Movie Enema is going to tackle Deadly Prey from 1987. There’s lots of interesting elements to talk about here. But we should start with Prior first.
Prior was born in 1955. In the early 80s, he made the movie Sledgehammer which has the distinction of being the very first shot-on-video slasher film that was distributed to the masses. In relatively quick succession, he was making films that would have limited theatrical releases, but had lots of life on cable and in video stores. Before making this film, he met David Winters (more on him shortly). Winters would finance a couple of Prior’s movies like Killzone and Killer Workout (both movies I’d very much like to cover here). After those films, Winters and Prior would form Action International Pictures (AIP) to release two more Prior films shot back-to-back – Mankillers and Deadly Prey.
David Prior often worked with his little brother, Ted Prior. Ted became pretty well known for being a buff action type star. Ted had roles in almost every AIP film that David was heavily involved in beyond being a producer. Interesting note about Ted, he was briefly married to a female bodybuilder who was part of the original cast of American Gladiators (Raye Hollitt aka Zap). Continue reading “Deadly Prey (1987)”
Welcome back to B-Movie Enema! It’s getting cold outside, but you know what we can do about that? We can go down south and visit the sweaty swamps where a barefoot poacher by the name of Desiree stalks the area and wrangles alligators.
Did I mention our barefoot poacher is Claudia Jennings?
It’s high time for us to take a look at the film most people seem to remember her best for – ‘Gator Bait! Whenever I see someone talk about Jennings online and asks people what their favorite films of hers are, inevitably, there will be many, many answers of “Gator Bait!” in the comments. Absolutely, positively, without a doubt, both this movie and the 1988 sequel ‘Gator Bait II: Cajun Justice, stood out on the video store shelves. It’s hard to resist the siren call of the redheads that graced both movies’ boxes. Continue reading “‘Gator Bait (1974)”
Sometimes you just need kung fu girls fighting a drug ring in their school.
That’s what what we have this week – Lovely But Deadly. The film was made by David Sheldon, and he’s had a pretty good, long career as mostly a producer or executive. This is only one of three movies he directed (one of which he was not credited for), but he does have some pretty good writing and producing credits worth mentioning. To start, he wrote the movie Grizzly, and its long-to-finish-sequel Grizzly II: Revenge. He’s been involved with the films Abby, Devil Times Five, Sheba, Baby, The Evil, The Manitou, Dr. Phibes Rises Again, and a whole slew of blaxploitation flicks. Dude got around, but mostly got around the behind the scenes side of things as he doesn’t actually have a lot of actual on-screen credits.
Sure, many of his movies deal with animals having enough of our shit as human beings. This time around though, he decides to take it back to school with a tale of a cheerleader, nicknamed “Lovely”, who decides to go undercover to expose a drug ring after her brother overdoses and a bunch of kids get hooked on the junk. Also, she knows kung fu. I cannot emphasize that enough. Continue reading “Lovely But Deadly (1981)”
We’re getting back to some good old blaxploitation with this week’s B-Movie Enema. Penitentiary was written, produced, and directed by Jamaa Fanaka.
Fanaka was part of the L.A. Rebellion from the late 60s and into the late 80s. This was a movement of black filmmakers whose whole intent was to make films that offered an alternative to what most deemed “classical” Hollywood films. This was mostly influenced by Latin American and Italian cinema, but also from an emerging African cinema.
You see, the 1960s was a particularly turbulent time. After a series of events like the Civil Rights Act, Affirmative Action, and the Watts Riots, society shifted and evolved very quickly. Affirmative Action allowed for many more black students to attend colleges – and particularly at UCLA which got urged to create an ethnographic studies program to allow black filmmakers to tell more of their story and stories that would expose their struggles. Continue reading “Penitentiary (1979)”