I like to think of this subgenre, particularly in the 1980s, an American tradition. Certainly it was nothing new to either the United States or other countries before the decade or even to this very… More
I mean… Sure.
Why not cover 1995’s NC-17 rated, all pomp and circumstance but failed at the box office with a whimper Showgirls? This is directed by Paul Verhoeven and written by Joe Eszterhas who had previously teamed up for one of the all time greats in the world of erotic thrillers with 1992’s Basic Instinct and again right away with 1993’s Sliver. Verhoeven was always a big fan of the big musicals from studio MGM and wanted to make one himself. Eszterhas was in one of the worst moments of his life.
This is what you can accomplish with a little hope to make a big musical while your writer buddy is in the deepest dumps of his life. The film obviously is not what most would expect from this duo. Eszterhas has often stated that there were clearly mistakes made. Plus, that whole thing with him being in a dark place meant he wasn’t being as clever or witty as he normally could be. He admitted both he and Verhoeven were probably operating on a great deal of hubris after Basic Instinct was such a success. Continue reading “Showgirls (1995)”
I love Jess Franco. I do. He started off in the 60s with films like The Awful Dr. Orloff and The Diabolical Dr. Z, the latter being a film I covered on this blog before. These were black and white flicks that were beautiful and moody and incredibly artistic in style. Once the later part of 60s came along, he transitioned into much more erotic fare. He started doing things like Vampyros Lesbos as well as many full on X-rated type stuff with his muse and second wife Lina Romay.
Guess what… I love that stuff too. He’s just got a great flair to his movies that register as both incredibly artistic and deeply sensual. Of course, the aforementioned The Diabolical Dr. Z is one of the finer films ever covered on this blog as it is incredibly well shot. He also directed my favorite Ilsa film too – Ilsa, The Wicked Warden. Now, yeah, you can say that isn’t fair because it wasn’t meant to be part of the series, but I’m counting it goddammit. He also did one of the worst movies on this blog – Oasis of the Zombies. I won’t get too hung up on that, though.
No, this week’s new B-Movie Enema will intersect his 70s eroticism with his muse Lina Romay. This week, I’m watching Two Female Spies with Flowered Panties. Continue reading “Two Female Spies with Flowered Panties (1978)”
With a single word, this mega company can conjure up many, many feelings. For many, it’s animated features. For some, it’s an iconic mouse. Others think of family vacations when they were little or, once grown, special times they have with their little ones. Some believe it’s everything wrong with the world. Some, like director Randy Moore, apparently believes it is a person, place, and thing that is so fake and full of shit, he wants to be sure he makes a whole movie to drive home his disdain, and then go on a press tour to make sure people know he’s above all this Disney fakeness.
The movie was Escape from Tomorrow. The gimmick is the guerrilla style filming inside both Disney World and Disneyland which is mostly what this movie has to stand on seven years on from its original release. Why is filming inside Disney Parks such a gimmick to begin with? Well, the place is absolutely crawling with intellectual property. Disney is fierce about litigation when it comes to their shit. There’s another reason why this movie was deemed risky, but I’ll get to that momentarily. Continue reading “Escape from Tomorrow (2013)”
Holy crapatini wowzers, of course I was going to write about 2019’s Cats. Look at this fucking nightmare fuel. How could I not do this???
Look at this…
And… Holy shit, Dame Judi Dench? You are an Oscar winner and James Bond’s boss, goddammit!
And the fuck is this? Who is Rum Tum Tugger? Why was he so important and only in, like, a single scene?!?
Welcome back to B-Movie Enema, my lovelies. This week, we have a peculiar little exploitation slasher flick from the early days of the gory mass murderer days – Nightmare. There’s a positively interesting story behind this movie. However, this is yet another of those Bizarre TV watches. It is indeed part of the “final six” – the final six films that ran on repeat for several months until the Roku channel disappeared forever.
In the event that you ever watched that channel or curious about these final films, they were (in the order that I reviewed them on this blog up to this point) Werewolf of Washington, Zombie Nightmare, Slaughterhouse Rock, and Doom Asylum. The final film of this grouping, Slumber Party Massacre, will be my special Halloween article, so that’s something to look forward to, I suppose.
I talk about the defunct Bizarre TV because it really is what re-energized me to start this blog up again after I took almost a year and a half off from writing it due to a bad case of fuckititis. If it wasn’t for me watching that non-stop, and for the dearly departed Mistress Rhonda tirelessly providing awesome horror and exploitation, I don’t think I would have been able to jump back into this. So, if you want to blame something for this guy’s thousands and thousands of words of bullshit, I guess you can blame that. Continue reading “Nightmare (1981)”
We’ve come to the end of Russ Meyer Month here at B-Movie Enema.
Over the last several weeks, we’ve gone from Depression-era Missouri farms to a sexually liberated Canadian girl to go-go dancers with an axe to grind to wild Hollywood hippie parties. So naturally there is only one place left to go… Nazisploitation. This week, it’s the 1976 soft-core sex comedy Up!
This is another of the Meyer-Ebert collaborations, much like with last week’s Beyond the Valley of the Dolls. After that film and its success with audiences and some critics, Meyer tried his hand a couple more times with mainstream films, but both flopped. He decided he needed to get back to boobs… er basics. Back to basics. He swore he’d never stray away from his formula again. Continue reading “Up! (1976)”
“This is my happening, and it freaks me out!”
Welcome back to B-Movie Enema’s Russ Meyer Month. We’ve finally gotten to the back end of the month and his 70s features. It also brings us to two features Meyer did with famous Chicago movie critic Roger Ebert. First up, it’s the one the duo is most famous for – Beyond the Valley of the Dolls.
Meyer and Ebert cranked out a treatment that came to 127 pages in about a week and a half. Ebert completed the screenplay in three weeks. It was intended to be a straight sequel to the 1967 film Valley of the Dolls. Now, here’s where we start in on the rabbit hole that leads to Meyer and Ebert coming in. Continue reading “Beyond the Valley of the Dolls (1970)”
I love how Russ Meyer uses punctuation in his titles.
Welcome back to Russ Meyer Month here at B-Movie Enema. This week, we’re going to venture into X-rated territory for the 1968 drama-satire-softcore porn exploitation classic Vixen! We also travel north of the border to Canada for our story as well.
Vixen! might just be considered one of Meyer’s very best (though I have some commentary to add later). The Los Angeles Times and the New York Times both gave high praise to this film despite its themes and obvious sexploitation nature. However, again, it’s Roger Ebert who maybe says the best, most heartfelt comments calling this not just the “quintessential Meyer film” but that he also talks about how Meyer creates characters. We should already be aware with Faster, Pussycat! Kill! Kill! and Mudhoney that Meyer likes going over the top for his villains and various other stereotypical characters. Ebert calls to the front that its Meyer’s talent in doing that that helps put people at ease seeing their first “skin-flick” and allows people to just have a good time – maybe the only thing Russ Meyer really wanted people to have. Continue reading “Vixen! (1968)”