Oh. Boy. Welcome back to B-Movie Enema and the grand finale of David Winters Winter. If you’ve been reading all month, I’ve been kind of teasing what the finale was going to be. If you… More
After finishing out 2022 with Get Crazy, I decided it wasn’t time to leave the radical 80s behind quite yet.
So to kick off 2023, B-Movie Enema is going to look at a quartet of 80s David Winters movies in a theme month I’m calling David Winters Winter! We aren’t really doing this in any kind of timeline or chronological order. Nah, I don’t think we really need to do that. BUT what I did want to do is look at movies of Winters’ that came from different genres. We get things started with his teen skateboarding drama, Thrashin’!
This comes during a time in which skateboarding exploded. Skateboarding had been around as a relatively popular activity for kids at least back to the 70s when my brothers were kids. By the 80s, it became something of a lifestyle. Skater fashion would eventually kind of take over from the late 70s/early 80s punk fashion before being replaced by more hip hop fashions by the end of the decade and going into the 90s.Continue reading “Thrashin’ (1986)”
And so we have come to the end of another year. B-Movie Enema has done all sorts of fun stuff throughout 2022. We revisited Russ Meyer. We entered into the Madea Cinematic Universe for the first time. Also, for the first time, Steven Seagal showed up to sit around for a couple hours. We plowed through Lucio Fulci’s Gates of Hell Trilogy. AND I’ve done all sorts of digging into the themes of the Phantasm series. We’ve done it all, Enemaniacs.
So, let’s close things out with a movie that actually got fairly decent review from none other than Janet Maslin from The New York Times. Yessir… It’s time we celebrate the end of one year and the beginning of the next while we all Get Crazy!
What’s more, this is the return of a director we’ve seen before – Allan Arkush. Arkush co-directed the incredibly fun Hollywood Boulevard with Joe Dante. That’s a fun movie. I feel like we could very easily do more of Arkush’s stuff. His next film was as a co-director on 1978’s Deathsport that stars Claudia Jennings. Then, he rattled off three solo efforts in quick succession – Rock ‘n’ Roll High School (probably his most fondly remembered), Heartbeeps (a big ol’ swing and miss in terms of movies), and Get Crazy. Arkush had talent and still works today in TV. In fact, he was a Primetime Emmy Award winner for his musical mini-series The Temptations.
Again, the Roger Corman family tree making good in the biz.Continue reading “Get Crazy (1983)”
It’s the holidays, and Geoff’s a bit down. He’s questioning his path as a B-Movie Proctologist. Nurse Disembaudee decides he needs a visit from some friends to remind him of what he enjoys doing as they watch 1935’s Scrooge.
Merry Christmas and Happy Holidays my dear, and dearest, Enemaniacs!
Now, I’ll admit that B-Movie Enema isn’t that good at celebrating other holidays outside of Halloween. That’s so easy with the type of stuff we cover around these parts. In the past, I have touched upon Christmas and New Year’s. I’m trying. But these holidays are rough to go much further, especially for Christmas, because, before long, I’m going to be starting to run into a lot of movies that a lot of people have already talked about.
But when it comes to Christmas, let’s face it… It’s all about the gifts, right? And when it comes to gifts and Christmas, kids love toys. Many times over, at least once upon a time, little girls would get some sort of large, realistic looking, and EXTREMELY creepy, doll. That’s the angle here, folks. This week, I’m going to dig into 1991’s Dolly Dearest!Continue reading “Dolly Dearest (1991)”
Welcome back to B-Movie Enema. This week, I’m going to look at the 1977 action crime drama, The Farmer. Now, there’s little about this movie that I have the resources or time to really dig too deep into. That said, there’s a whole other thing about this movie that is a real deep rabbit hole that I can kind of traipse around.
But to get started, David Berlatsky directed the movie. It’s his only directing credit. His actual trade was as an editor. He was decent enough at it to get nominated for a Primetime Emmy Award for the 1978 mini-series, King. But he also did a lot of other stuff. For example, he edited 1977’s The Deep for director Peter Yates. He also edited 1973’s Pat Garrett and Billy the Kid for Sam Peckinpah.
In the 80s, he edited a couple episodes of the short-lived, 1984, Glen Larson series Automan. What’s Automan? It’s about a computer-generated superhero. That superhero can also computer generate a car to drive around in. How does computer-generated things become physical objects? Who knows and who cares. He also edited the first season Star Trek: The Next Generation episode “Haven”. Which one is that? That’s the one that introduced Counselor Troi’s horrifically annoying mother and had something to do with a ship of diseased people closing in on a planet that would be wiped out by said disease.Continue reading “The Farmer (1977)”
One year ago tomorrow, the world lost a fascinating entertainer, Michael Nesmith.
This week’s B-Movie Enema will take a look at the first feature film Nesmith produced, Timerider: The Adventure of Lyle Swann. This movie is the rare science fiction western that deals with time travel when Lyle Swann (played by Fred Ward), champion off-road racer, gets zapped 100 years into the past in an accident dealing with an experiment. Now, this movie is notoriously known for being slow to get started, but more current reviews tends to be quite favorable and even calls the movie a fun romp.
But that’s not why I’m here. I’m here to talk about Michael Nesmith. Nesmith is one part of a huge aspect of my youth. I grew up in a household with an older mom and siblings that were quite a bit older than most people I went to school with at home. So, I had a huge appreciation for older music. I was hip to the Beatles or Tom Petty or Led Zeppelin or even less appreciated groups like the Eagles and Aerosmith before most anyone else I knew. Then, in 1986, the Monkees, which I was already sort of aware of, made a HUGE comeback.Continue reading “Timerider: The Adventure of Lyle Swann (1982)”
Ah, yeah… Russ Meyer.
It’s been a long time coming to bring ol’ uncle Russ back to the blog. I know next year we need to do a lot more, but for this week, I’m going to take a look at 1975’s Supervixens. The star of this film is the boobtacular Shari Eubank. She appeared in two films in her career. This one and Chesty Anderson, USN. I… I just looked at the poster for that Chesty Anderson flick. I need to see it. Also, it saddens me that she was only in two movies because she is beautiful and incredibly likable in this movie.
Anyway, the origin of this movie came from Meyer’s previous two films, the much more serious The Seven Minutes and the blaxploitation Blacksnake (look for that come to the blog, say, oh, September 2023), were box office failures. It was at this point in time that you had to go back to 1970’s Beyond the Valley of the Dolls for Meyer’s last hit. On top of that, he wanted to make a movie with his then wife, Edy Williams, but that fell apart. Yet another thing that came along was a Supreme Court decision coming down about pornography that was confusing and created a little chaos at the time.
The point is Meyer was having a hard time of it in the first half of the 70s.Continue reading “Supervixens (1975)”
We’ve come to the end of a loosely connected, months-long, trio of reviews that featured the late, great Leo Fong.
Welcome to B-Movie Enema. This week, I’m going to take a look at 1978’s Enforcer from Death Row. This film comes pretty early in Fong’s career as an actor. While we are accepting the fact that this movie was released in 1978 and was called Enforcer from Death Row, the film is also listed on IMDb as Ninja Assassins with the date of 1976. Some of this can be explained by a couple factors at play with this movie.
First, the 70s were kind of known for a couple things when it came to film distribution. You had independent studios cranking out low budget movies and then shopping them for distribution. That distribution, especially for movies like these kung fu/exploitation/low budget action flicks would land the films either at drive-ins or in grindhouse theaters. Second, this was a movie made in the Philippines. That was kind of a southeast Asian haven for films to be made quick and on the cheap in the late 60s and 70s. There are some very fine, if not extremely simple, movies that came out of the area during this time.Continue reading “Enforcer from Death Row (1978)”