This is a bit of a wonderful confluence of things B-Movie Enema likes an awful lot. Moonshine County Express was a New World Pictures release, so that brings Roger Corman to us. Next, Claudia Jennings is in this and it’s generally accepted as one of her finest roles in her all too brief career. Finally, it’s the long awaited return of website girlfriend Candice Rialson.
That trio, and, frankly, those two lovely ladies alone, would be something worth celebrating. However, there are other facets to this movie that is quite notable. First, this stars the recently departed John Saxon. He passed away in July of 2020 and was laid to rest in Seattle in the same cemetery as Bruce and Brandon Lee. He had decades of film roles that included being in Enter the Dragon with Bruce Lee, starring in the original A Nightmare on Elm Street, and, of course, playing the werewolf in My Mom’s a Werewolf. He was a bad ass.
Continue reading “Moonshine County Express (1977)”
What up, a-holes? It’s a new week and a new article from everyone’s favorite movie blog, B-Movie Enema! This week, Roberta Findlay returns with her 1987 horror-thriller Blood Sisters. What’s the big deal about that? Well, Findlay is one of a handful of female exploitation horror directors that were known from the 70s and 80s. While many worked for Robert Corman, Findlay actually worked more closely with her husband, Michael Findlay.
Michael Findlay was part of an underground movement on the east coast of directors who worked on early slasher films that were crude and incredibly violent. He married Roberta and she often worked as his cinematographer and directed films on her own as well. The couple met and befriended George Weiss, the producer of Ed Wood’s infamous Glen or Glenda. He suggested they continued down the path of violent sexploitation.
They did, however, while Michael continued to pursue violent sexploitation slashers, Roberta also would dabble quite a bit in both horror and porno. Michael would ultimately be killed in a terrible helicopter accident in which he was waiting to board a helicopter on top of the Pan Am building in 1977. The chopper turned over and the blades hit him and a couple other passengers waiting to get on board. The ghastly news report revealed that he was “literally cut to pieces” but the truth was that he only had deep lacerations that led to his death.
Continue reading “Blood Sisters (1987)”
She told me that she loved me, and like a fool I believed her from the start. She said she’d never hurt me, but then she turned around and broke my heart. Why am I standing here missing her and wishing she were here?
She only did me wrong. Hey! I’m better off alone. She devoured all my sweet love, took all I had and then she fed me dirt. She laughed while I was crying. It was such a joke to see the way it hurt.
Wait… What’s that? We’re not talking about the opening song to the 1967 album More of The Monkees written by Tommy Boyce and Bobby Hart? But we’re talking about She right? Ohhhh, the 1985 post-apocalyptic comedy action flick starring Sandahl Bergman? Ah ha! I gotcha. That does seem to better fit the B-Movie Enema blog website than individual songs on random albums from, like, almost 55 years ago.
Well, shit… Let’s change gears then, yes?
Continue reading “She (1985)”
Welcome back to B-Movie Enema, you sexy bastards!
You know what else is sexy? Endless, timeless, and reincarnated love. Yeah, I’m getting mushy with you assholes this week. AND I’m doing it real aggressive like by calling you bastards and assholes. Don’t forget I also called you sexy, so… Don’t forget that.
ANYway… This week, we’ve got another Edgar Allen Poe adaptation. This was based on the 1845 satirical short story “Some Words with a Mummy”. Last month, I looked at Lucio Fulci’s take on The Black Cat. This month, I’m gonna look at a movie about a resurrected mummy – that stars, for some reason, Tony Curtis as an Egyptian fella. Eek?
With that said, this week, I’m looking at The Mummy Lives from 1993. This was directed by Gerry O’Hara. O’Hara was a second unit and assistant director for years and worked on some really big deal movies like Cleopatra and Tom Jones. Later, he was his own director, and did a movie called The Bitch starring Joan Collins and written by her sister Jackie Collins. I have no idea about what that movie’s all about the poster has Joan Collins in sexy lingerie and the title is THE BITCH. How can you top that?
Continue reading “The Mummy Lives (1993)”
In 1969 (heh heh), Forrest J. Ackerman, creator of the publication Famous Monsters of Filmland, and artist Trina Robbins created a new superhero of sorts in the shapely form of female vampire from the planet Drakulon named Vampirella. Vampirella’s origin would later be updated to have her become the daughter of Lilith. For those like me who never grew up with religiosity, Lilith was a demonic figure from Biblical Hebrew. She was Adam’s first wife before Eve came along. She’s become quite an icon in Wiccan belief and modern Occultism.
But we’re not here to talk about Lilith. We’re here to talk about her sort of, later, maybe baby daughter Vampirella!
Vampirella’s book was published by Warren Publishing who also published horror mags Eerie and Creepy. While she would feature and headline the comic in her own adventure, the book was actually an anthology. She would host other horror short stories to fill out the rest of the book. She would get various appearances and published by companies over the years and is currently among some of the cult followed figures that get regular appearances in various Dynamite Entertainment books.
Continue reading “Vampirella (1996)”
Kevin Hart. What a funny little fella. He gets up on screen, bugs his eyes out when he’s tellin’ jokes, screams… He seems like an overall pretty good dude. Tiffany Haddish is someone I find quite attractive too. She’s known for being pretty funny as well. What on Earth are they doing on this blog? What could they have possibly done to draw an article on B-Movie Enema?
Wait. Hang on a second. I’ve got some new information coming across my desk about this week’s article. Oh. Okay. I see. Gotcha.
Looks like I watched the wrong Night School. Well son of a bitch. I watched the 2018 comedy starring Hart and Haddish. I should have been watching the 1981 slasher directed by Ken Hughes. One moment while I go and rectify this shit.
Continue reading “Night School (1981)”
It’s the long awaited return of stone cold babe Patty Mullen and the even longer awaited bow for horror-comedy maestro Frank Henenlotter!
Henenlotter is best known for his Basket Case trilogy along with this week’s B-Movie Enema feature, Frankenhooker. Henenlotter was inspired by the exploitation films of 42nd Street in his home town of New York City. He loved these films growing up and he copied a lot of the camp and the gore of those films while also not passing up the opportunity for a little bit of sex.
After making a third Basket Case movie in the early 90s, he turned his love of the offbeat and oft-forgotten films of 42nd Street and get involved with the new boutique video releasing company Something Weird Video. He set about becoming an expert historian of exploitation and gory horror and was instrumental to the restoration of those long trashed movies of his youth. Shortly after returning, he began making documentaries. Herschell Gordon Lewis: The Godfather of Gore, one of the documentaries he made shortly after returning to film, is a goddamn treat. I recommend that to any fan of schlock filmmakers and movies.
Continue reading “Frankenhooker (1990)”
Last week, we talked about an Italian actor-turned-director’s film, this week, we have a German actor who turned into a rather notable director.
1983’s Olivia comes to us from Ulli Lommel. Lommel was an actor in the 60s. In fact, one of his earliest films was one of Russ Meyer’s – Fanny Hill. But he would work many times over with Rainer Werner Fassbinder, who was a particularly controversial filmmaker himself. Fassbinder made a lot of avant garde films and passed away young due to a drug overdose. However, Lommel produced a 1970 movie of Fassbinder’s called Whity a surreal western about a mixed race servant who kills the family he works for and runs away with his prostitute lover. Whity won many awards in the German equivalent of the Oscars.
By the end of the 70s, Lommel moved to America to make American movies permanently. By 1980, he jumped into the slasher craze with The Boogeyman. While the reviews were mixed, and there were many comparisons made to John Carpenter’s Halloween, the movie was a huge success. It was banned in the United Kingdom as a Video Nasty, and was later re-evaluated as a movie that seems to utilize a lot of Lommel’s own fears he had as a child. Boogeyman II was released a few years later. Like the infamous Silent Night, Deadly Night Part 2, the sequel uses many flashbacks to the first to help fill its runtime. Boogeyman II is pretty much unilaterally disliked.
Continue reading “Olivia (1983)”