It’s another Friday, so that means NEW B-MOVIE ENEMA DAY!
This week, I have something a little more recent and from a group I’ve come to greatly appreciate. The Sleeper is a 2012 slasher/thriller from Gamma Knife Films and Scream team Releasing. It was written and directed by Justin Russell. It’s meant to emulate the style of low budget slashers than ran wild after the release of 1978’s Halloween and 1980’s Friday the 13th.
Quite frankly, the 80s are in right now – in a BIG way. More on that shortly. First, though, let’s talk about Scream Team Releasing. Continue reading “The Sleeper (2012)”
Happy Bloody New Year (a few days late), my Enemaniacs!
You might be wondering, “Geoff, what’s up with all this festive cheer and shit?” Well, don’t worry, fellas and lady fellas… I just had to clear some slates before I got buried beneath a load of movies I always want to write about but don’t have a particularly perfect timing to do so. Besides, this does check a couple extra boxes for me:
- Another Vinegar Syndrome release
- Another Norman J. Warren joint
So yeah, as you might have picked up by reading this blog over the past couple years, I buy a TON of Vinegar Syndrome releases. They are a marvelous purveyor of cult classics, nearly forgotten gems, and exploitation. These are things I am particularly in favor of. So I had to help clear some of that backlog before I can get to some of the other finds I’ve picked up at various conventions and what have you. Continue reading “Bloody New Year (1987)”
Cannon Films… You son of a bitch!
It’s been a bit, Cannon. How have you been, you ol’ salty dog? Way back at the start of February, we went on a Hospital Massacre together. I thought I said something wrong to not see you for a while, but here you are to help me wrap up the year. You’d have almost thought that last week’s Christmas Evil would have been one of yours, but you have a much, much worse mov… er evil – New Year’s Evil!
Oh man… For about 3 years, I’ve wanted to talk about New Year’s Evil. It’s actually a movie I enjoy watching at the end of the year. Is it because it’s good? Nah. It’s because it’s actually really dumb and kind of pointless. But it’s a good mindless numbness I need as Christmas is over and the new year approaches. Continue reading “New Year’s Evil (1980)”
Ah… Religion, iconography, and moral panic. Welcome back to B-Movie Enema all you nutty, repressed, goofballs!
When coming to picking a movie that could tie into the Christmas holiday (as well as the general winter theme), I guess I could pick from several that the 80s and 90s offered up. However, I should probably just go one that was sort of at the forefront of some controversy right at the start of the raddest decade of them all – Christmas Evil.
I will try to frame this as best as I can because people get pretty silly over horror and have consistently over the years. I’ve mentioned before that satanic panic ran rampant over the late 70s and all throughout the 80s. Some of that still persists today over the things that were stigmatized during that era. But what was stigmatized and why? Continue reading “Christmas Evil (1980)”
Every now and then a movie suddenly finds its audience. Take The Rocky Horror Picture Show, for example. Sure, it didn’t find that audience immediately, but within a couple years of release, the mega fans were showing up at midnight showings in costume and so forth. With the advent of home video and the explosion of home entertainment via cable and a video rental store in almost every strip mall as well as even grocery stores, movies that didn’t do so well in theaters suddenly had a second life.
Then comes this curious little direct-to-video movie called Tammy and the T-Rex. Aside from it featuring two very young, and very pretty future stars in Denise Richards and Paul Walker, it was relatively overlooked as a low budget teenage romantic comedy.
However, in recent years, it’s been rediscovered… Continue reading “Tammy and the T-Rex (1994/2019)”
Well, I guess you could say 2019 on B-Movie Enema was “the year of Zombie” as I talked about Lucio Fulci’s first Zombie movie from 1979 back in January and then Zombie 3 from 1988 came along in April. Before we close out this year of Zombie, I should get to Zombie 4: After Death (also just known as After Death).
What makes this movie noteworthy is that it’s the first Zombie movie that goes without input form Lucio Fulci himself. You can say that Zombie 3 didn’t seem to be that much of a Fulci flick itself, due to Fulci leaving the production due to illness, but he’s still given credit for the movie (whether or not he wants to have it). What is a holdover from the previous installment is the duo that brought us the amazingly disastrous masterpiece that is Troll 2, Claudio Fragasso (listed as the director) and his wife and co-conspirator Rossella Drudi (credited as lone screenwriter).
So I guess you can say that we might be heading down a pretty interesting path in today’s B-Movie Enema. Continue reading “Zombie 4: After Death (1989)”
It’s time to check back in with ol’ Brett Piper.
Many of you may remember that just earlier this year, his They Bite was my 150th B-Movie Enema article. It had much fanfare surrounding that momentous occasion. I had balloons. I had ice cream cake. It was good times. No one celebrated with me and I just sat there covered in balloons eating a giant ice cream cake all by myself, but, nonetheless, it was a grand time. Just sitting there. Contemplating my life. Crying into my DQ cake.
Good times. Continue reading “Battle for the Lost Planet (1985)”
Welcome back to B-Movie Enema!
I’m glad to be returning to the films of Kevin S. Tenney. He made one of my all-time favorite horror movies ever, and he does seem to have a knack for making incredibly fun and watchable movies. Witchtrap came out a few years after his first hit, Witchboard, and a year after his second big hit on home video, Night of the Demons (the aforementioned favorite of mine). I want you all to take note of that.
Well, that’s because, in this humble blogger’s opinion, Witchtrap is an insane step backwards in quality and value compared to those other huge hits. I have my suspicions why this might be, and frankly I don’t have the power of research on my side, so I kind of have to just wing this theory. Continue reading “Witchtrap (1989)”