Yay! Roger Corman! If he can’t do it, nobody can!
So, yeah, at some point B-Movie Enema was going to come back around to a movie with direct production involvement from Roger Corman. And with a title like Attack of the 50 Foot Cheerleader? Oh you bet. I’m on board.
This movie got premiered at none other than Comic Con International in 2012 about a month before showing to the masses on Epix (a lovely little-known cable network). Yet another month later, it played at the 3D Film Festival. Oh yeah… This movie was originally made as a 3D feature. If you want to know something utterly fascinating too, then know this:
Attack of the 50 Foot Cheerleader is the first 3D film ever produced by Roger Corman.
For real. The guy who produced like 40 gabillion movies for the last 70 years never produced a 3D feature before this film. All those drive-in movies he made. All those creature features. Not a single one beyond the second dimension. Continue reading “Attack of the 50 Foot Cheerleader (2012)”
Last week, I checked in on site favorite Norman J. Warren. This week, it’s time to check in with another favorite of the site, Brett Piper.
Toward the end of 2019, I wrote about his fun, sci-fi, post-apocalyptic, alien invasion flick Battle for the Lost Planet from 1985. This time around, let’s look at the 1988 sequel – Mutant War. Whereas the first movie finds our hero Harry Trent first remembering a series of events that started with him hijacking a space shuttle to being stuck on a pre-planned, five-year course to finally returning to Earth to discover that aliens have landed and more or less messed things up pretty bad. It made for a nice little movie that, at times, gave me real classic Doctor Who vibes.
As was the case with his later film, Drainiac, and, to a certain degree, They Bite, I appreciate the spirit in which Piper works with and his general effort he puts out for the movies. I truly do get the feeling that Piper just likes making movies and he doesn’t take himself too seriously. Good on him. In truth, he mostly just likes doing effects and creatures, which is obvious in his movies. That said, sometimes, you just need these little types of movies that don’t take themselves very seriously and just wants to entertain. Continue reading “Mutant War (1988)”
With a single word, this mega company can conjure up many, many feelings. For many, it’s animated features. For some, it’s an iconic mouse. Others think of family vacations when they were little or, once grown, special times they have with their little ones. Some believe it’s everything wrong with the world. Some, like director Randy Moore, apparently believes it is a person, place, and thing that is so fake and full of shit, he wants to be sure he makes a whole movie to drive home his disdain, and then go on a press tour to make sure people know he’s above all this Disney fakeness.
The movie was Escape from Tomorrow. The gimmick is the guerrilla style filming inside both Disney World and Disneyland which is mostly what this movie has to stand on seven years on from its original release. Why is filming inside Disney Parks such a gimmick to begin with? Well, the place is absolutely crawling with intellectual property. Disney is fierce about litigation when it comes to their shit. There’s another reason why this movie was deemed risky, but I’ll get to that momentarily. Continue reading “Escape from Tomorrow (2013)”
I have something to admit… Originally, I had Attack of the Killer Tomatoes slated for this week’s B-Movie Enema. About 20 minutes into that movie, I quickly realized, there’s no way to do that movie in the fine tradition of this blog. The reason was that everything about that movie that made it what it was, was in the jokes.
You had parodies of Jaws, Superman and Lois Lane, Japanese science fiction, bad dubbing on a Japanese character, tiny oneliners, lots and lots of visual jokes, a black man who was the master of disguise and often dressed as white guys convincing others he really was the person he was disguised as, and incompetency from government types and what have you. It’s impossible to write about because it is entirely made up of those little moments that turned out to be greater than the whole.
So I made an executive decision to change to the sequel, Return of the Killer Tomatoes, and George Clooney’s magnificent mullet. Continue reading “Return of the Killer Tomatoes (1988)”
It’s been a bit since I did an anthology movie. In fact, I’ve only ever done one in the past. So let’s make up for that with a giant, nearly two full hours of kooky b-movie stories rolled into the horror comedy Chillerama from 2011!
The four segments contained within Chillerama are framed by a connecting story at a drive-in theater that is playing monster movies. Then, each of those four segments is a parody and homage to a particular genre and style. Additionally, each segment is directed by a different person – Adam Rifkin who directed mostly a split between family fare and boner comedies/thrillers, Tim Sullivan who was mostly known for producing movies like Detroit Rock City before making 2001 Maniacs with Robert Englund, Adam Green who made his mark with the Hatchet series of horror films, and Joe Lynch who is most recently known for directing Mayhem starring Steven Yeun and Samara Weaving.
Chillerama was the brainchild of Rifkin and Sullivan who met on Detroit Rock City and spitballed an idea for an anthology called Famous Monsters of Filmland – a title based on the Forrest J. Ackerman magazine that they grew up reading. Continue reading “Chillerama (2011)”
Every now and then a movie suddenly finds its audience. Take The Rocky Horror Picture Show, for example. Sure, it didn’t find that audience immediately, but within a couple years of release, the mega fans were showing up at midnight showings in costume and so forth. With the advent of home video and the explosion of home entertainment via cable and a video rental store in almost every strip mall as well as even grocery stores, movies that didn’t do so well in theaters suddenly had a second life.
Then comes this curious little direct-to-video movie called Tammy and the T-Rex. Aside from it featuring two very young, and very pretty future stars in Denise Richards and Paul Walker, it was relatively overlooked as a low budget teenage romantic comedy.
However, in recent years, it’s been rediscovered… Continue reading “Tammy and the T-Rex (1994/2019)”
It’s time to check back in with ol’ Brett Piper.
Many of you may remember that just earlier this year, his They Bite was my 150th B-Movie Enema article. It had much fanfare surrounding that momentous occasion. I had balloons. I had ice cream cake. It was good times. No one celebrated with me and I just sat there covered in balloons eating a giant ice cream cake all by myself, but, nonetheless, it was a grand time. Just sitting there. Contemplating my life. Crying into my DQ cake.
Good times. Continue reading “Battle for the Lost Planet (1985)”
It’s time to get back into the works of one Norman J. Warren.
Think back to earlier this year when I discussed the movie Terror. This was about a witch cursing a family that ultimately leads to both cousins having to deal with some freaky shit around them. This time around, we don’t have a set of long-lost cousins, but instead with Prey, we have a pair of lesbians that live in a remote area of England dealing with an alien with a voracious hunger.
Now, when I intro-ed Terror, I made some observations about Warren’s work. Specifically, I wanted to call out certain ideas that he would have and then mix them with other ideas to create this very strange mixture of characters or situations for his movies. In fact, allow me to quote myself from that article: Continue reading “Prey (1977)”