Nightwish (1989)

Welcome to a new review right here at B-Movie Enema.

Nightwish is one I’ve wanted to do for some time. The primary reason is that I saw this some years ago on the defunct Roku channel that we all love and miss, Bizarre TV. This movie has a nice mix of spooky horror business and sci-fi elements. And when I think about it, this is kind of what you might expect in the late 80s moving into the early 90s now that the genre was moving beyond the, at the time, quickly deflating slasher subgenre.

This movie is somewhat unremarkable when it comes to the behind the scenes business. Director Bruce R. Cook made only two films in his directorial career. This was his second of those. Interestingly, the art direction is quite good, though. It calls back memories of something that Stuart Gordon would have made. These would be movies like Re-Animator and From Beyond, and it really should look like that because the art direction on Nightwish was done by Robert A. Burns, the art director on Re-Animator and From Beyond – as well as other genre classics like The Howling, Tourist Trap, The Hills Have Eyes, and The Texas Chainsaw Massacre. He also did two more B-Movie Enema alumni Disco Godfather and the B-Movie Enema: The Series selection Microwave Massacre.

Not a bad career if you ask me.

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The Killer Eye (1999)

Tentacle sex.

It’s a whole thing, ain’t it? Mostly, it’s known to be a Japanese fetish thing but we like to flirt with it over here in America from time to time. If we could draft a guy to make a movie to do a little more than flirt with it, my #1 pick would be David DeCoteau. How could you not?

Welcome to a new B-Movie Enema review, and, for this third chapter of our theme month called Full Moon Fever III: For the Love of Jacqueline Lovell, we’re going to take a look at the 1999 sci-fi/horror/sexploitation flick The Killer Eye. There’s a lot to talk about here in the lead up. First of all, we’ve already looked at the sequel to this movie, Killer Eye: Halloween Haunt, waaaaay back in the first Full Moon Fever in 2017. That one was directly made by the main man of Full Moon himself, Charles Band. However, that was during a time in which Band was kind of cranking out much, much lower budget films than he did before. It’s a cheap movie that just has the Killer Eye prop itself actually being a real Killer Eye and going around and zapping babes in the eyes and making them do sexy things. It’s got some qualities, but none of those are in the plot, if you know what I mean.

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Lolida 2000 (1998)

Hello hello my B-Movie Enema fans… My Enemaniacs, if you will. Welcome back to our theme month Full Moon Fever III: For the Love of Jacqueline Lovell! Last week, we went right to the source at Full Moon, Charles Band, to watch his incredibly fun monster romp, Head of the Family. This week, we’re gonna be going a little sexier.

This week, we’re going to watch Lolida 2000!

…Or LOLITA 2000. Yeah, IMDb lists this movie as Lolita 2000. It’s also shown as that on Full Moon DVD menus if you go looking for their movie previews. It’s kind of funny, honestly. It kind of shows you how fast and loose things might be over at Full Moon. I’d be curious to find out if Jacqueline Lovell knows there are two versions of this title that even Full Moon can’t agree on. What about director Sybil Richards?

Oh yeah… This also signals the return of Sybil Richards. A few years ago when we did the Torchlight Diaries, we saw two films of hers in that one month, Virgin Hunters 2 and Femalien, which also featured our lovely leading lady of this month, Jacqueline Lovell. I would suspect that Cybil Richards (or Sybil Richards as she’s sometimes credited) is a pseudonym. I wouldn’t even be surprised if it is Charles Band himself, or possibly even David DeCoteau. Either which way, guy or gal or nonbinary pal… Whichever or whoever Cybil Richards really is, they are welcome here!

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Space Mutiny (1988)

Oh. Boy.

Welcome back to B-Movie Enema and the grand finale of David Winters Winter. If you’ve been reading all month, I’ve been kind of teasing what the finale was going to be. If you know what David Winters is maybe best known for, particularly in the 80s, and if I was teasing an 80s film of his that has some questionable decisions made in the production and set decoration, then you had to know it was going to be Space Mutiny.

Of course, Space Mutiny is best known for being one of the funniest episodes of Mystery Science Theater 3000. And what that episode is best known for are all the muscleman jokes made at lead star Reb Brown’s expense. I cannot tell you how many times I’ve called someone Rip Steakface, or Brick HardMeat, or Crunch Buttsteak, or Reef Blastbody, or Roll Fizzlebeef, or Big McLargeHuge, or Eat Punchbeef, or even Bob Johnson. I can’t tell you how many times I’ve said one of those names when I see Reb Brown. In fact, I’m sure I used some of them when I covered the 1979 Captain America movie he starred in! It’s part of my very blood. Those 40 parody names are just some of the best jokes ever written for a TV show.

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Timerider: The Adventure of Lyle Swann (1982)

One year ago tomorrow, the world lost a fascinating entertainer, Michael Nesmith.

This week’s B-Movie Enema will take a look at the first feature film Nesmith produced, Timerider: The Adventure of Lyle Swann. This movie is the rare science fiction western that deals with time travel when Lyle Swann (played by Fred Ward), champion off-road racer, gets zapped 100 years into the past in an accident dealing with an experiment. Now, this movie is notoriously known for being slow to get started, but more current reviews tends to be quite favorable and even calls the movie a fun romp.

But that’s not why I’m here. I’m here to talk about Michael Nesmith. Nesmith is one part of a huge aspect of my youth. I grew up in a household with an older mom and siblings that were quite a bit older than most people I went to school with at home. So, I had a huge appreciation for older music. I was hip to the Beatles or Tom Petty or Led Zeppelin or even less appreciated groups like the Eagles and Aerosmith before most anyone else I knew. Then, in 1986, the Monkees, which I was already sort of aware of, made a HUGE comeback.

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Steel and Lace (1991)

Third review in a week? That’s right! This is one of those years where we get a regular B-Movie Enema review, followed by a Halloween special review, and then, just a couple days later, it’s back to the regular Friday release day!

For this first Friday in November, it’s time to start digging into some of the backlog I’ve accumulated. Most of what’s coming for the rest of 2022 will be made up of movies that I’ve been wanting to get around to, watch, or just write about for some time. So we start by one of the many movies I’ve bought from one of the regular Vinegar Syndrome sales that occur each year, 1991’s Steel and Lace.

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