Enforcer from Death Row (1978)

We’ve come to the end of a loosely connected, months-long, trio of reviews that featured the late, great Leo Fong.

Welcome to B-Movie Enema. This week, I’m going to take a look at 1978’s Enforcer from Death Row. This film comes pretty early in Fong’s career as an actor. While we are accepting the fact that this movie was released in 1978 and was called Enforcer from Death Row, the film is also listed on IMDb as Ninja Assassins with the date of 1976. Some of this can be explained by a couple factors at play with this movie.

First, the 70s were kind of known for a couple things when it came to film distribution. You had independent studios cranking out low budget movies and then shopping them for distribution. That distribution, especially for movies like these kung fu/exploitation/low budget action flicks would land the films either at drive-ins or in grindhouse theaters. Second, this was a movie made in the Philippines. That was kind of a southeast Asian haven for films to be made quick and on the cheap in the late 60s and 70s. There are some very fine, if not extremely simple, movies that came out of the area during this time.

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Killpoint (1984)

Let’s get back into some action stuff and reunite with Leo Fong in Frank Harris’ 1984 action spectacular Killpoint!

This week’s B-Movie Enema article is the second of three new Leo Fong features celebrating this action star this year. Just about five or six weeks ago, I featured Blood Street on the blog, which itself is a sequel to his endlessly enjoyable Low Blow. Later this year, I will take a look at one from the mid 70s. But this week, with Killpoint, we see Fong teamed up with Low Blow co-star Cameron Mitchell as well as director Frank Harris. Here’s hoping we get some of that Low Blow fun feel in this movie too.

Frank Harris only directed films from 1983, Killpoint being his first, to 1990. He was better known for being a camera guy and a cinematographer. In fact, with both this film and 1986’s Low Blow, Harris is pulling down double duty as both director and cinematographer. Outside of those two films, the only other one that immediately jumped out to me on his filmography was as the cinematographer for 1996’s Skyscraper starring Anna Nicole Smith. In television, he worked as cinematographer for several episodes of 2009’s kids’ tokusatsu show Kamen Rider: Dragon Knight. Harris passed away in April 2020 at the age of 76.

Okay, But now, let’s talk about Cameron Mitchell…

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Blood Street (1988)

Earlier this year, we lost the action star and director Leo Fong at the age of 93. Fong gained some notoriety over the last handful of years due to RedLetterMedia’s coverage of some of his films on their show Best of the Worst. A lot of it is that Fong always looked like a guy who is almost the opposite of what you’d expect an action star to look like. But, he was a pretty accomplished martial artist and friend of Bruce Lee.

Leo Fong would appear in Filipino martial arts films in the 70s. He then got into making his own films through the 80s and that’s where we would really know him best. Waaay back in 2016, I covered his Low Blow film. This week, I’m going to cover not the next film he made after Low Blow, but the actual direct sequel to Low Blow, Blood Street.

But what happened in Low Blow?

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Low Blow (1986)

Already the third film featured from Crown International Pictures in just the first eight B-Movie Enemas, 1986’s Low Blow delivers some action.

I can only say some action because either this is a horrible failure of an action flick or it’s the most brilliant movie ever made to never be seen.  I’ll explain during the course of this near pornographic examination of this flick.

We’ll get to the synopsis momentarily.  I have to say that Mr. Low Blow here to our left is NOT our action star.  He’s not even a supporting character.  He does have a ridiculous arm as if Rob Liefeld (where my comic nerds at, yo?) got hired to totally fuck up the proportions of the man’s head to torso to forearm to fist ratio. Continue reading “Low Blow (1986)”