Halloween II (2009)

Happy Halloween, my dear, ghoulish Enemaniacs! We’ve made it… Rob Zombie’s Spookshow at B-Movie Enema went overtime, but also will conclude today, on the greatest and spookiest of all days, and as they all say, “Everyone deserves one good generational family trauma.”

Yesterday, I looked at the oft-reviled 2007 version of Halloween. The opportunity for him to do that remake came at the pinnacle of Rob Zombie’s popularity as a horror filmmaker. He was basically able to write the check himself for whatever he wanted to do after The Devil’s Rejects scored big with horror fans and even some critics. However, I’m not entirely sure what horror fans expected from Zombie. Did they think Zombie was going to make a slick thriller like Carpenter would? Did they expect Zombie to basically make a shot-for-shot, scene-by-scene remake like Gus Van Sant did with Psycho in 1998? Why did they think it wasn’t going to be more in alignment with House of 1000 Corpses and the aforementioned The Devil’s Rejects?

I don’t know what people expected because we got a Rob Zombie movie. A Rob Zombie movie, I might add, I like more today than I ever did at any point in the past. But this kind of derailed him as a potentially viable horror auteur going forward. He had a ton of goodwill built up, and it all got spent and flushed down the toilet by the Halloween fans simply railing against it for days, weeks, months, years, and now decades. But that movie did make enough money out of the gate for producer Malek Akkad to say he wanted a sequel.

And boy, what a sequel 2009’s Halloween II is.

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Halloween (2007)

Looks like we made it!

Every year at B-Movie Enema, you can expect two things. First, October will have a theme. Second, Halloween is a special time of year. So much so, I will throw in a special Halloween review for bonus times. Well, once you realize that I chose October 2026 to be “Rob Zombie’s Spookshow,” you had to know what that meant for this weekend, right now, right here.

Yes, it’s time to talk about Rob Zombie’s Halloween from 2007 (with, of course, the sequel coming tomorrow for the holiday itself).

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The Final Girls (2015)

And so we have arrived at the end of B-Movie Enema’s Camp Crappabuttawipe…

2015’s The Final Girls comes to us from director Todd Strauss-Schulson, making his second big-screen feature film. Strauss-Schulson comes from a comedy background, having previously made A Very Harold & Kumar 3D Christmas. In the four years between those two films, he largely worked on sitcoms. The Final Girls most definitely is something of a love letter to 80s slasher films that took place at a summer camp, but it’s also a comedy and has something a little more going for it than the typical slasher genre film. So it makes sense that he’s helming this film.

I think the horror element definitely comes from the writers, M.A. Fortin and Joshua John Miller. While these two are partners in real life, they are also writing and producing partners. They also created the TV Series Queen of the South, which ran for 62 episodes over the course of five years. Miller, though, is the one who is clearly bringing the heart to the film’s concept.

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Hell of a Summer (2025)

We’ve only got a couple more weeks of Camp Crappabuttawipe here at B-Movie Enema. But, you know what? It’s been a hell of a summer, hasn’t it?

Yeah, we’ve had franchises, comedies, a star-making laugh riot, and an incredibly endearing coming-of-age movie at a girls’ camp. But we’ve most definitely had a lot of slashers. I mean, that’s what you expect whenever you see a movie that is going to take place at a summer camp, right? Some guy going around and hacking and slashing frisky counselors.

Well, very clearly that’s what Billy Bryk and Finn Wolfhard expect because these two young actors got together to make a film in 2022 that we’re going to cover this week – Hell of a Summer. The origin of this movie actually began after the two Canadians met on the set of Ghostbusters: Afterlife. At the time, Wolfhard was roughly 16, and Bryk was around 20. After hanging out and chatting about the movies they like, they realized, fairly quickly, they had similar senses of humor. They decided to make a slasher with some humorous nods to Edgar Wright’s Shaun of the Dead.

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Return to Sleepaway Camp (2008)

Welcome back to B-Movie Enema’s summer-long exploration of camp movies (movies that actually take place at a camp, not campy horror movies), Camp Crappabuttawipe!

Oof magoof, we are really in the dregs of this theme series now. Okay, we’ve had some real bangers here this summer, but the last couple of weeks have been pretty shaky. But now, it’s time to completely pull the rug out from under all of us because this week, we have a movie that is truly, outrageously awful. It’s one of those situations in which I hate putting myself into – the commitment to an entire franchise. For every Sleepaway Camp in a series, there is also a Return to Sleepaway Camp.

Alright, so a quick catch-up here, once again. 1983’s Sleepaway Camp from writer/director Robert Hiltzik became a surprise hit and a bit of an instant cult classic among horror and slasher fans. Its blend of over-the-top performances, repetitive slashings seen by an off-screen murderer (a la the original Friday the 13th), and a truly unforgettable climax instantly made this the classic it is largely regarded in the genre today. Five years later, director Michael A. Simpson and writer Fritz Gordon revived the series with two hit-or-miss sequels, thanks to original producer Jerry Silva still owning the rights to the franchise. The most memorable thing about either movie was the performances by a new woman being cast as killer Angela Baker, Pamela Springsteen. Sleepaway Camp II and Sleepaway Camp III mostly focused more on the lighthearted touches and comedic use of slasher tropes in a time when serious slashers were largely dying out. While being far more goofy and less interested in true horror, viewers’ mileage may vary on those first two sequels.

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Madman (1981)

Gather ’round the campfire, kiddos and Enemaniacs… This week’s B-Movie Enema review is going to tell you the harrowing tale of Madman Marz!

Welcome back to Camp Crappbuttawipe! This week, we go to 1981 for Joe Giannone’s Madman. This one is a very interesting movie. Madman has a split audience. On one hand, this movie sucks. Well, maybe not so much that it sucks as much as it has a dual legacy. Critics, of course, hated the movie, with some calling it unremarkable or inept. But, it also has a pretty serious cult following. I think a lot of it is because the Madman Marz character has a cool name, and the type of look Madman Marz has seems more reasonable for a killer that lives in the woods and will kill people at a camp or hanging out in cabins.

I think there are a few things that allowed Madman to grow that cult following. For one, it is one of only three films that starred Gaylen Ross. Ross came from good ol’ Indianapolis, Indiana, the home base of B-Movie Enema Industries. While Creepshow and Madman have their fans, I don’t think anyone would say that’s where they know Ross from. No, there is only one movie that you can link Gaylen Ross to, and that’s the greatest horror film ever made, George A. Romero’s Dawn of the Dead. I already mentioned the character of Madman Marz, with his cool name and cool crazy look.

The third thing that might help this movie be a cult classic is the inspiration for this movie – the legend of Cropsey.

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Twisted Nightmare (1988)

It’s week #8 of Camp Crappabuttawipe at B-Movie Enema!

I think we’ve been on a pretty good run over the entirety of this summer camp business we’ve had going on as of late. Okay, sure, you can potentially say the two Sleepaway Camp sequels are far behind the best of the best thus far in the theme season, but… They weren’t thaaaat bad, were they? Ernest Goes to Camp, while far from Shakespeare, and I mean Todd Shakespeare from Corydon, Indiana (who did you think I was referring to?), it was fun reliving a part of my beloved childhood before I grew up and realized the world kinda sucks shit.

Largely, we’re on a hot streak with the likes of Little Darlings being kind of a revelation, Marshmallow being an excellent micro-budget gem, Meatballs being a movie that gave the world of cinema Bill Murray and Harold Ramis working perfectly together, and Wet Hot American Summer.

Well, it’s time to fuck that shit up for a couple of weeks… Yeah, we’re in the back half of Camp Crappabuttawipe, and these long, hot summer days are starting to signal that feeling inside when you really just want to go the fuck home. You’re tired of archery. You’re tired of making wallets and other leather-working stuff. You’re fucking sick of that muddy-ass lake you toss yourself into without the knowledge of whether there are leeches waiting to grab hold of your scrotum. We need to dig deep and just power through because I’m starting to feel like I really frontloaded this theme series.

So, maybe appropriately, this week’s movie is 1988’s Twisted Nightmare.

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Sleepaway Camp III: Teenage Wasteland (1989)

TEENAGE WASTELAND, oh, yeah… TEENAGE WASTELAND!

Oh, hi, Enemaniacs. You’ve caught me singing along to one of my favorite songs from The Who, “Baba O’Riley.” And that brings us to week #6 here at B-Movie Enema’s summer-long theme of Camp Crappa Buttawipe! This week, we bounce back into the Sleepaway Camp franchise with Sleepaway Camp III: Baba O’Riley… er… I mean Sleepaway Camp III: Teenage Wasteland!

There’s not much more to say about the behind-the-scenes business that wasn’t covered last month when I talked about the first sequel. Both sequels were made back-to-back to save on overall production costs. The first of the two movies was the more expensive of the two, coming in at about a million and a half bucks. This movie used the rest of the $2 million that was granted to make the two movies. Both films were written by Fritz Gordon, and his appreciation for playing around with character names is still on display here. The last film used the first names of the Brat Pack and other young stars of the era. This film uses character names from sources like West Side Story, The Munsters, and The Brady Bunch.

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