Welcome to B-Movie Enema, my friends! This month, we’re kind of setting aside time to cover two things. The first will be sequels to other movies we’ve covered in the past. The second is to cover the first movie and subsequent sequel in a series that I’ve been looking forward to dealing with for some time. It’s the latter that we are dealing with this week and the final week of June.
Hot off the heels of two quite successful sword and sorcery films in 1982, Conan the Barbarian (grossing somewhere near $80 million on a $20 million budget) and The Sword and Sorcerer (grossing around $40 million on a much more economic $4 million budget), audiences were hot for these types of movies. It’s kind of funny that the early 80s saw the rise in three distinct genres: fantasy, which sword and sorcery falls right smack-dab in the middle of, science fiction, thanks to Star Wars, and ninja action films. I think it’s safe to say that the fantasy genre lost the battle relatively quickly. More on that in just a moment.
It was thanks to Conan the Barbarian and The Sword and the Sorcerer that this week’s movie, Deathstalker, was made and was a modest hit, bringing in nearly $12 million against a $457,000 budget. This was brought to screens by Roger Corman’s New World Pictures. This was the first of ten international co-productions with Argentina. I’m not being facetious here, but I can’t name any other U.S.-Argentina co-productions. But this was definitely Roger Corman doing Roger Corman things. He quickly jumped on the fantasy trend and loaded this full of tits.
God, I love Roger Corman.
Continue reading “Deathstalker (1983)”