31 (2016)

After this week, we’re 66.7% of the way through this October’s spoopy theme, Rob Zombie’s Spookshow, here at B-Movie Enema!

I ain’t gonna lie… We kind of peaked last week with Rob Zombie’s best film of them all, The Devil’s Rejects. I mean, not only is it a well-crafted, very viscerally terrifying film, but it kind of was the pinnacle of Zombie doing his 70s retro grindhouse thing. Where are you gonna go from there? Well, today, in the year of our Dark Lord 2026, we know where he went. We’ll talk about that starting next weekend. But he kept rolling with this retro grindhouse, throwback to 1970s exploitation horror, probably well past its prime.

Certainly, by 2016, it seemed reviewers were kind of done with it. This week, we’re looking at one of his films that I have not actually watched, 31. In fact, to date, this is the only Rob Zombie movie I haven’t seen. I largely didn’t see 31 because I heard not-so-great things about it. Despite getting some pretty cruddy reviews, it still holds around 47% on Rotten Tomatoes. That’s actually not as bad as you might think based on the talk around it.

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The Devil’s Rejects (2005)

Welcome to the very exact midpoint of this year’s Rob Zombie Spookshow here at B-Movie Enema.

In 2003, after a couple of years of trying to find a distributor or studio willing to take a chance on his grindhouse throwback, Rob Zombie introduced a terrifyingly raw and visceral form of horror that, maybe ahead of its time, really put audiences through more of a horrifying experience than a form of entertainment. This was his debut movie, House of 1000 Corpses. It really played like the nightmarish and realistic grit that was seen in movies like The Texas Chainsaw Massacre. At times, it felt like you were watching something you weren’t supposed to see. It was equal parts a movie narrative and a window inside a scattered and deranged mind.

What made the movie terrifying were the members of the Firefly family. Specifically, Otis, played by Bill Moseley, himself a veteran of the TCM franchise, Baby, played by Sheri Moon Zombie, and friend and accomplice to the family, Captain Spaulding, a deranged clown played by Sid Haig. They were violent. They were antisocial. In the case of Captain Spaulding, he was charismatic. In the case of Baby, she was sexy – a honeypot waiting to reveal a psychotic who liked to play with her prey.

While working on House of 1000 Corpses, Zombie would have what he called a “vague” idea for a story that featured the brother of a sheriff the Fireflies killed coming back for revenge on the family. This revenge plot leads him on a manhunt for the three most interesting characters to complete his revenge. Thus was born what is undoubtedly Zombie’s masterpiece, The Devil’s Rejects.

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The Haunted World of El Superbeasto (2009)

Welcome back to Rob Zombie’s Spookshow at B-Movie Enema!

Last week, we looked at Rob Zombie’s take on The Munsters. While that movie ended up with some mixed results, it showed something that I don’t think many people realize about Zombie by looking at him, listening to his music and his on-stage persona, and the films he’s made over his movie career. Zombie has a real love for stuff he grew up with too. He isn’t all exploitation, foul-mouthed characters, and disgusting redneck murderers. No, he still likes comic books, the family-friendly TV shows he grew up with, and animation.

This brings us back to two elements of Zombie’s early influences and career that I hinted at last week. One of the guys he wanted to be was Stan Lee. Obviously, Lee is best known for his work in Marvel Comics, but it’s clear that Zombie sees Lee as a showman, something he would end up becoming in his music career. He also sees Lee as someone who created a shared universe of characters that seem to naturally fit in when they interact with one another. Zombie’s films have that shared universe feel to them. They all kind of show a darker side under the surface of the rest of the world’s brighter shine.

Now, when it comes to this week’s movie, The Haunted World of El Superbeasto, it’s clear this is taking on that love of comic books that were directly from guys like Stan Lee. This is Rob Zombie’s animated feature that is much more on the action and superhero side than the horror. It’s the yin to his horror yang growing up. It also features another famous Bela Lugosi element.

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The Munsters (2022)

Welcome to the most wonderful time of the year at B-Movie Enema!

Ah, yes… October. The weather gets cooler. The movies get spookier. B-Movie Enema celebrates an anniversary. Each year, I choose a theme for the month, and I thought it was high time to feature the works of one Robert Bartleh Cummings, better known to the world as singer/songwriter/producer/filmmaker/actor Robert Zombercrombie.

Er… I mean Rob Zombie.

Now, to get things started with what I’m dubbing Rob Zombie’s Spookshow, I think it’s important to understand that I’m not here to bash on Mr. Zombie’s films. I actually have a more nuanced take on his works. While I can say not all his movies are exactly my speed, there are a few of his works I very much like (one of which I will definitely review in a couple of weeks). The movies that aren’t really my speed still aren’t entirely worthy of the onslaught of snarky commentary the internet is oh so well known for. And speaking of… Let’s kick things off with Zombie’s 2022 take on The Munsters.

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Shakma (1990)

SHAKMA!!!

Welcome back to B-Movie Enema, my dear Enemaniacs! So, check it out. Last week, I revisited Red Letter Media by reviewing their 2016 comedy Space Cop. Whenever Red Letter Media comes up, there are a few things that you know are also going to be mentioned. One of those things is their panel show, Best of the Worst. When I was setting up what I was going to review, I thought this would be an excellent time to slot in a movie I’ve wanted to have on this blog for some time, 1990’s baboon out of control flick, Shakma.

Shakma is probably better known over the last decade or so than the decade before that because it was featured in one of the earlier episodes of Best of the Worst. That… That’s the connection between Space Cop and Shakma. That’s all I have to say about that.

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The Final Girls (2015)

And so we have arrived at the end of B-Movie Enema’s Camp Crappabuttawipe…

2015’s The Final Girls comes to us from director Todd Strauss-Schulson, making his second big-screen feature film. Strauss-Schulson comes from a comedy background, having previously made A Very Harold & Kumar 3D Christmas. In the four years between those two films, he largely worked on sitcoms. The Final Girls most definitely is something of a love letter to 80s slasher films that took place at a summer camp, but it’s also a comedy and has something a little more going for it than the typical slasher genre film. So it makes sense that he’s helming this film.

I think the horror element definitely comes from the writers, M.A. Fortin and Joshua John Miller. While these two are partners in real life, they are also writing and producing partners. They also created the TV Series Queen of the South, which ran for 62 episodes over the course of five years. Miller, though, is the one who is clearly bringing the heart to the film’s concept.

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Hell of a Summer (2025)

We’ve only got a couple more weeks of Camp Crappabuttawipe here at B-Movie Enema. But, you know what? It’s been a hell of a summer, hasn’t it?

Yeah, we’ve had franchises, comedies, a star-making laugh riot, and an incredibly endearing coming-of-age movie at a girls’ camp. But we’ve most definitely had a lot of slashers. I mean, that’s what you expect whenever you see a movie that is going to take place at a summer camp, right? Some guy going around and hacking and slashing frisky counselors.

Well, very clearly that’s what Billy Bryk and Finn Wolfhard expect because these two young actors got together to make a film in 2022 that we’re going to cover this week – Hell of a Summer. The origin of this movie actually began after the two Canadians met on the set of Ghostbusters: Afterlife. At the time, Wolfhard was roughly 16, and Bryk was around 20. After hanging out and chatting about the movies they like, they realized, fairly quickly, they had similar senses of humor. They decided to make a slasher with some humorous nods to Edgar Wright’s Shaun of the Dead.

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Return to Sleepaway Camp (2008)

Welcome back to B-Movie Enema’s summer-long exploration of camp movies (movies that actually take place at a camp, not campy horror movies), Camp Crappabuttawipe!

Oof magoof, we are really in the dregs of this theme series now. Okay, we’ve had some real bangers here this summer, but the last couple of weeks have been pretty shaky. But now, it’s time to completely pull the rug out from under all of us because this week, we have a movie that is truly, outrageously awful. It’s one of those situations in which I hate putting myself into – the commitment to an entire franchise. For every Sleepaway Camp in a series, there is also a Return to Sleepaway Camp.

Alright, so a quick catch-up here, once again. 1983’s Sleepaway Camp from writer/director Robert Hiltzik became a surprise hit and a bit of an instant cult classic among horror and slasher fans. Its blend of over-the-top performances, repetitive slashings seen by an off-screen murderer (a la the original Friday the 13th), and a truly unforgettable climax instantly made this the classic it is largely regarded in the genre today. Five years later, director Michael A. Simpson and writer Fritz Gordon revived the series with two hit-or-miss sequels, thanks to original producer Jerry Silva still owning the rights to the franchise. The most memorable thing about either movie was the performances by a new woman being cast as killer Angela Baker, Pamela Springsteen. Sleepaway Camp II and Sleepaway Camp III mostly focused more on the lighthearted touches and comedic use of slasher tropes in a time when serious slashers were largely dying out. While being far more goofy and less interested in true horror, viewers’ mileage may vary on those first two sequels.

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