It’s not too often that I actually do themed articles based on calendar dates. Sure, I try to do something horror related for Friday the 13th (keep your eyes peeled for that for next week, my lovelies). I try to be mindful of Christmas and New Year’s, and I definitely ALWAYS do something related to Halloween and October as a whole usually being focused on horror. When it comes to Fourth of July or St. Patty’s Day or Arbor Day… Well, I kind of drop the ball.
So, with this week’s article, this is the very first time I’m doing something Mother’s Day related with the 1995 thriller Mommy!
Luci Fulci is back… Or, as I suppose the bumper stickers and various other memes would say, “Fulci Lives!”
Welcome to B-Movie Enema. This week, we’re looking Fulci’s 1988 Carrie-esque thriller, Aenigma. 1988 was a curious year for Fulci. That was the year that his sort of sequel Zombie 3 was released. But Zombie 3 wasn’t really his movie. He got very ill at the start of filming and had to leave and directing duties shifted to Bruno Mattei and Claudio Fragasso. The result? Well, it was kind of goofy, but mostly worked. If for nothing else, it was a fun watch.
Fulci would recover and ended up making Aenigma. He would say this was one of his more favorite films in some time. Fulci’s body of work is curious because, while I like most of his films for various reasons, he is good in spurts and spots. I love Zombie. I love his “Gates of Hell” trilogy. The Devil’s Honey is phenomenal. But this movie, this was the director’s own pick for his favorite during the latter part of his career.
Welcome to this week’s B-Movie Enema. I’ve long wanted to do something with the Phantasm series. You’ll be hard-pressed to find anyone who doesn’t at least like a lot of the visuals and atmosphere of this first film from 1979. However, where the real analytical gold is in the Phantasm hills come in the sequels. In order to get there, I need to start from the beginning.
This series is the brainchild of filmmaker Don Coscarelli. Coscarelli made this on a small budget that was locally raised. The movie would star mostly local acting amateurs at the time – with some exceptions. Due to the low budget and limited availabilities of the cast and crew, Coscarelli spent almost a year filming on long days on weekends. The finished product would be an instant cult classic.
Welcome back to B-Movie Enema. How do you follow up a titty movie starring Daleks? No, not the Cinema Snob. I already did that last month. No, you do a family movie.
Because of course that’s what you do.
This week, I’m looking at the 1973 Filipino-American sci-fi/horror(?) flick Beyond Atlantis. Yeah… This is apparently a family-oriented sorta-horror movie. Considering it’s made in 1973 and the poster has a mostly naked woman riding a giant seashell and being carried around by bug-eyed black dudes… I have concerns. For one, I saw a trailer that has one of the bug-eyed guys (who was not a black dude, but a white dude in body paint – uh oh) slapping the barely covered blonde chick shouting that she WILL MATE. Then Sid Haig is shooting people left and right. There’s murder action happening.
In 2021, I was able to return HorrorHound Weekend in Cincinnati for the first time since it was here in Indianapolis way back in September 2019. Part of my enjoyment of attending those shows is finding tables that are selling DVDs and Blu Rays. Sure, Vinegar Syndrome, Severin, Full Moon Features, Troma, and Synapse are all there. However, it’s one table in particular that I always make sure to visit. At this table, you’ll find all sorts of old, out of print, or forgotten films from the 60s, 70s, and 80s. I spend a lot of money at this table each and every show.
That’s where this week’s B-Movie Enema feature, Hide and Go Shriek came from. Is there anything really special about this movie? Not really. It’s a late 80s slasher. There were a ton of those in that era. It doesn’t really star anyone of note. By god, the name of the director is Skip Schoolnik… That sounds like a damn cartoon character! The cover of this copy makes it uncertain if the woman is scared because the killer with the foot tattoo is about to find her or his feet stink and she’s reacting to that funk.
So we’ve come the end of 2021. Was it better? Did you have a good time in 2021? I mean, 2020 was pretty shit. 2021 started real rough. I think we corrected course just in time to get back in the muck again. Sure there were deltas and omicrons and probably even persei 8s. But did you take care of yourselves? I mean it, my dear Enemaniacs, I hope you took care of yourselves. I hope if you had to recover from 2020, you did so. I hope if you tried to do something to better yourself in 2021 you were able.
We’re closing out the 22nd year of the 21st century with a film from the 20th.
This week’s film, Ghostkeeper, is a somewhat appreciated moody spirit movie from Canada with some traces of The Shining. Now, I know we’ve had a sketchy history with Canadian horror, but I’m promised that this is an atmospheric movie. It also at least starts on New Year’s Eve. That’s kind of awesome because there aren’t too many movies I can cover that run congruent to the day.
Alright, we’re through the muck of the first 300 editions of B-Movie Enema. It’s time to roll that odometer over and get going on a new batch of 300. To get this batch started, I need to cover a movie from 80s/90s B-movie maestro Fred Olen Ray. To be honest, I think there are only about five or six movies of his that I could choose from to cover… and not want to gauge my eyes out. So, I went with the classic 1988 black comedy horror, Hollywood Chainsaw Massacre.
It’s kind of hard to believe I’ve never covered a Fred Olen Ray movie before on this site. One could argue that the man made stuff that is ripe for the pickin’ by yours truly. And don’t think that this movie hasn’t come across my desk and been considered before. The same goes for his other classics like Cyclone, Alienator, Evil Toons, and Dinosaur Island. Pretty much every single one of those movies, as well as Sorceress, which he produced, has been sought out and vetted to be slotted in one of these Friday mornings, but always kept getting pushed back.
Considering I do have enough of his films, I probably can just go ahead and do a whole theme month. Maybe I’ll have to consider that down the line.