AAAAWOOOOOOOO ready for a werewolf flick?
While it hasn’t been so long ago that I last covered an Italian flick, it has been quite some time since I talked about werewolves. Damn, it has been four years since I covered Werewolf of Washington as an “Election Day Special” in 2016. I most definitely feel as though nothing of huge import hasn’t happened every single day since then, am I right?
(Checks the internet. Goes to Twitter. Checks in on friends over at the Facebook. Goes to the CDC’s website. Cries uncontrollably while huddled in a corner. Recovers by shambling back to the computer desk like Spock at the end of Star Trek II: The Wrath of Khan after he messed himself up and was blinded after fixing the Enterprise.)
Oh my god.
Well, there’s only one cure for the depressing world that we live in and that’s B-Movie Enema…(?) This week, I’m going to discuss the Italian werewolf movie starring a German wolfman and Roman Polanski’s first wife – Werewolf in a Girls’ Dormitory! Continue reading “Werewolf in a Girls’ Dormitory (1961)”
With a single word, this mega company can conjure up many, many feelings. For many, it’s animated features. For some, it’s an iconic mouse. Others think of family vacations when they were little or, once grown, special times they have with their little ones. Some believe it’s everything wrong with the world. Some, like director Randy Moore, apparently believes it is a person, place, and thing that is so fake and full of shit, he wants to be sure he makes a whole movie to drive home his disdain, and then go on a press tour to make sure people know he’s above all this Disney fakeness.
The movie was Escape from Tomorrow. The gimmick is the guerrilla style filming inside both Disney World and Disneyland which is mostly what this movie has to stand on seven years on from its original release. Why is filming inside Disney Parks such a gimmick to begin with? Well, the place is absolutely crawling with intellectual property. Disney is fierce about litigation when it comes to their shit. There’s another reason why this movie was deemed risky, but I’ll get to that momentarily. Continue reading “Escape from Tomorrow (2013)”
Welcome back to B-Movie Enema, my lovelies. This week, we have a peculiar little exploitation slasher flick from the early days of the gory mass murderer days – Nightmare. There’s a positively interesting story behind this movie. However, this is yet another of those Bizarre TV watches. It is indeed part of the “final six” – the final six films that ran on repeat for several months until the Roku channel disappeared forever.
In the event that you ever watched that channel or curious about these final films, they were (in the order that I reviewed them on this blog up to this point) Werewolf of Washington, Zombie Nightmare, Slaughterhouse Rock, and Doom Asylum. The final film of this grouping, Slumber Party Massacre, will be my special Halloween article, so that’s something to look forward to, I suppose.
I talk about the defunct Bizarre TV because it really is what re-energized me to start this blog up again after I took almost a year and a half off from writing it due to a bad case of fuckititis. If it wasn’t for me watching that non-stop, and for the dearly departed Mistress Rhonda tirelessly providing awesome horror and exploitation, I don’t think I would have been able to jump back into this. So, if you want to blame something for this guy’s thousands and thousands of words of bullshit, I guess you can blame that. Continue reading “Nightmare (1981)”
It’s been a bit since I did an anthology movie. In fact, I’ve only ever done one in the past. So let’s make up for that with a giant, nearly two full hours of kooky b-movie stories rolled into the horror comedy Chillerama from 2011!
The four segments contained within Chillerama are framed by a connecting story at a drive-in theater that is playing monster movies. Then, each of those four segments is a parody and homage to a particular genre and style. Additionally, each segment is directed by a different person – Adam Rifkin who directed mostly a split between family fare and boner comedies/thrillers, Tim Sullivan who was mostly known for producing movies like Detroit Rock City before making 2001 Maniacs with Robert Englund, Adam Green who made his mark with the Hatchet series of horror films, and Joe Lynch who is most recently known for directing Mayhem starring Steven Yeun and Samara Weaving.
Chillerama was the brainchild of Rifkin and Sullivan who met on Detroit Rock City and spitballed an idea for an anthology called Famous Monsters of Filmland – a title based on the Forrest J. Ackerman magazine that they grew up reading. Continue reading “Chillerama (2011)”
At the risk of sounding like a broken record, this post is yet another tribute to the defunct Roku channel Bizarre TV. In particular, it is a tribute to that final six movies that played for a long time before the channel finally went away. I’ve already covered half of the final six – here, here, and here. It’s time to add a fourth to the list.
And wooo boy it is Doom Asylum.
When I first saw this movie, I had one of those reactions that you have when you begin to doubt reality and make you wonder how a thing like this gets made. It’s the same reaction I had while sitting in a theater watching Cats. You ask things like “What?” and “Where?” and “Huh?” and “Why?” an awful lot. It warps your sensibilities until you just stare at the TV, mouth agape, and just sit there and allow the movie to have its way with you. Continue reading “Doom Asylum (1987)”
Hello and welcome to B-Movie Enema. This week, I’m gonna discuss something I’ve wanted to do for a while – Tobe Hooper’s 1990 made-for-television thriller I’m Dangerous Tonight.
Now, the easy joke here is to say that “I’m Dangerous Tonight” is something I’d exclaim after a Crave Case of sliders from White Castle, but… Actually. Wait. That’s a pretty good one. I’m pretty bummed I didn’t lead with that.
Eh… Never mind. There’s a lot here I could discuss. You have Tobe Hooper in the director’s chair. The fact this was a TV movie and not a cinematic release. Mädchen Amick lookin’ gooood. Anthony Perkins is right there on the poster… Yeah. I guess I can go with other things than a farty poop joke. Continue reading “I’m Dangerous Tonight (1990)”
As I toasted last week… Here’s to 200 more!
We begin that march with something that was a part of an end. I have often talked about the importance of Bizarre TV, a Roku channel that ultimately brought me back to writing on this site and introduced me to many of the movies that I’ve covered over the last almost 4 years. Slaughterhouse Rock was one of the final six films that played for many months while the beloved creator of the channel, Mistress Rhonda, was battling a terminal illness. During that time, fans of the channel tuned in, day after day, holding onto the memory of the channel and Rhonda, but also hoping, maybe beyond hope, that the day would come that something new played and the channel would be reborn.
While that didn’t happen, from the ashes came Otherworlds TV. If you have a Roku, I can’t recommend that channel enough. It certainly captures the spirit of Bizarre TV. Continue reading “Slaughterhouse Rock (1988)”
It’s another week here at B-Movie Enema and I think I worried I went too long before covering another Vinegar Syndrome release.
So I’m here to fix that with this week’s movie, Party Line! This 1988 flick had a provocative cover of a sexy girl in lingerie with a phone line wrapped around her leg and torso. It was a memorable movie cover to see in the suspense/thriller section of the video store. The movie basically plays to the 80s exploitation of sexy thrillers. This was perfected probably best in the 90s with movies like Basic Instinct, but these little indie flicks toyed with the idea of mixing sex with murder.
This flick features a rich brother and sister psycho combo. She lures men through a party line on the phone for her brother to kill them. You have Richard Hatch playing a detective who is going after the killers. And then there’s Richard Roundtree playing Hatch’s captain. Continue reading “Party Line (1988)”