Hey there guys, gals, and enby pals, it’s time for another B-Movie Enema and, this time around, I think it’s safe to say that the legacy of the movie being featured way outweighs the movie itself.
First, the basics. We’re looking at the 1984 sci-fi comedy Hyperspace, which also goes by the title Gremloids in the United Kingdom. It is an early example of Star Wars parody, but not the first by a long shot. Nothing about that is exactly unique. Parodies of the massive hit that is Star Wars go all the way back to shorts like Hardware Wars. That’s not even mentioning the various sci-fi movies that were simply trying to utilize George Lucas’ space opera as a template for their own quick buck cash-ins. Then, of course, that’s not even mentioning all the Italian, Chinese, Japanese, and Turkish versions of the movie too.
Hyperspace was created by Todd Durham. Durham is a comedy writer. He mostly worked as a script doctor. It was in that role that he conceived the idea for the incredibly popular Hotel Transylvania franchise which is one of the few credits he actually does receive. You see, being a script doctor means you can claim credit for a lot of movies actually working, but you rarely really get on screen credit.
Hyperspace is not without some star power, though maybe not exactly the most recognizable in 1984. This movie stars Chris Elliot and Paula Poundstone. These two were making a name for themselves in the 80s, but maybe not quite this early. Elliott would have recurring appearances on David Letterman’s talk show as a comedy player. Poundstone would later go on to really cash in on HBO when they started doing regular stand-up comedy specials.
But they aren’t the real legacy of this movie… Not by a long shot.
Welcome back to B-Movie Enema. Also, I guess welcome back to Fred Olen Ray who we most recently had here making some real dumb jokes for the right-wing crowd inSniper: Special Ops. But I guess we’re back to something a little more palatable with his parody Attack of the 60 Foot Centerfold.
So, yeah, this is a parody of the classic Attack of the 50 Foot Woman. However… We’ve been in this neighborhood before. Remember back in 2020, we took a look at the Roger Corman-produced Attack of the 50 Foot Cheerleader. It was the first time Corman made a 3D movie no less. That movie was somewhat entertaining, but you could also tell, at least to a certain extent, that the movie was somewhat tame.
Think back to 2019. In March of that year, I ripped off five weeks of pornos from the 70s and 80s and called it Blue March. I knew the only way to follow that up was to feature a movie made by Brad Jones, the Cinema Snob. It was the only fitting tribute I could pay to someone whose content never fails to entertain me. To do that, I had to take a look at his 2012 origin film The Cinema Snob Movie.
Fast forward to nearly 3 years later, I just came off a month full of Tinto Brass movies and I have to figure out how to best follow that up. So it’s to you, Mr. Jones, to step up to the plate once more! Yes, it’s time to take a look at the 2019 sequel Another Cinema Snob Movie.
Here we are in the third week of Tinto Brass Extravaganza at B-Movie Enema, and, so far, we’ve had a sex comedy with very confusing messaging and a very serious erotic Nazi drama. This week, we do something different again – we have ourselves an anthology. Private, as it is titled here, is made up of six independent vignettes.
The vignettes largely deal with couples and their various sexual turn-ons and either retelling stories that feature them or a pursuit of doing these things. Mostly, we’re looking into the lives of normal people who have kinks. The title in Italian is Fallo! which is translated to English as Do It! However, Fallo is also the Italian word for Phallus. So it’s a little bit of a play on words again as with the Italian title for Cheeky! a couple weeks ago.
Just guessing, but I assume all the potential titles that you can use for this film all tips the film’s hand at showing these private moments of couples, their perversions, and the tendency of these people to want to, or be encouraged to continue to, keep doing what they are doing. I will give Brass one thing – he has lovely free association with his titles and plots. Also, the Italian Fallo! cover of this movie looks like a dick with a giant set of balls. Also, the Private DVD cover looks like an American back room porno tape.
So far, it seems as though 2022 is about squaring some accounts. In January, it was all about finally digging deep into the Andy Sidaris filmography. For February, I have another box set long overdue for a-crackin’. With that, welcome to B-Movie Enema’s new theme month: The Tinto Brass Extravaganza!
I did not set out to cover these four films that came in this lovely “Tinto Brass: Maestro of Erotic Cinema” box set in order. I didn’t even get the box set because I knew much about it. But, as it would turn out, these four films will be done in order of Brass’ films from 2000 to 2006. We begin with Cheeky! – which is a fun title for a movie that I have lots of concerns with.
How I came to know about this film is actually quite simple… I stumbled upon the opening credits scene of an incredibly beautiful blonde (Ukrainian model/actress Yuliya Mayarchuk) walking through the park with a beguiling outfit that often shows a little cheeky flesh here and there to get the guys nice and excited. I had to learn more about what this film was and who this gorgeous woman was. I found out what it was called, that it was part of a box set, and that this guy Tinto Brass was the maestro of erotic cinema.