Motorpsycho (1965)

Welcome to B-Movie Enema. This week, we enter week #2 of Russ Meyer Month II. Admittedly, last week was a rough one, and not a very good way to get things started. It wasn’t very good. It was hardly sexy. It was 70 minutes of exceptionally loose structure and too much plot for what we need from Meyer.

I have a great deal more faith in this week’s selection. The year is 1965. I would argue this was maybe the most important year in Meyer’s career. In the first half of the year, his 1964 German co-production Fanny Hill made its way stateside. The movie’s success was likely boosted by 1964’s Lorna which proved to be so controversial that it grossed roughly a million bucks on a $37,000 budget. Shortly after Fanny Hill was released, Mudhoney made it to theaters. That is a great little flick.

Later, in the late summer of 1965, Meyer’s most influential film, Faster, Pussycat! Kill! Kill! was unleashed to the world. It would inspire movies featuring bad ass women. It would act as a muse to the music industry for decades. Released one week later, but just before making Faster, Pussycat!, Meyer made another movie that would feature a roving gang of nogoodniks. That’s what we’re focusing on this week. This week’s movie, and the best title of all the films getting the review treatment this month by a wide margin, is Motorpsycho!

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Tomcats (1977)

Welcome back to B-Movie Enema.

I suppose I should give a little bit of a content warning to this review as our feature, Tomcats, is one of those 70s exploitation flicks that deals with some pretty gross stuff. You’ve got a situation where a group of ne’er-do-wells, okay, I guess I can call them “thugs”… Anyway, you’ve got this group of nogoodniks who gang-rape and kill young ladies. They get off on a technicality so it leads to one of the victims’ brothers deciding to go on a good old fashioned revenge tear to get the justice he was robbed.

So, yeah, content warning on this episode. These are unsavory situations to be sure. I do want to say that this does feel a little like a mix of movies we’ve seen before like Steel and Lace and the all-time classic revenge film I Spit on Your Grave. If I’m being fair, I’ve long wanted to do I Spit on Your Grave, but considering how dark that second act gets, I’ve yet to really go for it. So, instead, we’re giving Tomcats a try.

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Savage Streets (1984)

This one is a long time coming…

Welcome to this week’s B-Movie Enema. When I say this was a long time coming it’s because I’ve known of this movie for a long time, had a copy of it, and have always wanted to find some way to talk about it because it exists in a peculiar time of exploitation in the movies – the 1980s. In addition to that, it also has some not insignificant people in the cast. This week, I’m going to be digging into the Danny Steinmann film Savage Streets starring Linda Blair.

I’ve been looking for a way to cover this movie somehow. I got it with the possibility of it being featured either here at B-Movie Enema or as part of a theme month of movies with the word “Savage” in the title over at Film Seizure. However, considering I have an extensive backlog of movies to feature here, I decided I needed to pull the trigger and clear this one off the list. By the way, A LOT of next year is going to be clearing backlog, but I digress. Let’s start looking at the people involved with this movie, beginning with director Danny Steinmann.

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Blood Debts (1985)

Welcome back to B-Movie Enema!

This week, it’s time to do a truly dumb bonkers of an action flick – Teddy Page’s Blood Debts. Teddy Page is a Filipino film director who wrote from time to time. He is mostly known for working on low budget action flicks for Silver Star Film Company. The primary claim to fame for Silver Star Film Company is that they made very, very low budget movies. Page, whose real name is Teddy Chiu, would get hired to crank out these cheap-o movies, but he would get a little bit of an ace in the hole from producer K.Y. Lim’s Silver Star – he’d get some established actors.

Chief among them in a few early Page films was Richard Harrison. He was a former Spaghetti Western and Sword and Sandal star who racked up over 130 credits. A whole bunch of these credits, like Blood Debts, came in the 80s. This was considered a real low point in his career. What didn’t help him much was when he reunited with Chinese filmmaker Godfrey Ho. By this point in Ho’s career, he would make these cut-and-paste type of ninja movies. He’d get the rights to a film already made, cut them in half, hire actors to make another full movie, cut them in half, and create these full movies. Harrison didn’t so much mind getting work, he did end up being in WAY more movies than he signed up for, thus making him frustrated and an unwilling star of twice as many really low-grade movies.

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Blood Games (1990)

In the long history of the “fans of a losing sports team goes on a revenge-fueled murder spree against the winners” genre, none are better than Tanya Rosenberg’s gripping classic from 1990, Blood Games.

In fact, this movie is so perfect, it’s the only movie Tanya Rosenberg ever made. After Blood Games, she was like, “Yup. I did it. I can do no better, and I should not even try. Suck it, Goodfellas. I made the best movie of 1990.”

Or so I imagine she said all that. I really don’t know. It is entirely possible she’s not even a real person. There is no additional information about her that I can find. I don’t even think this Vinegar Syndrome release of the movie even has any special features talking about her. For all I know, Tanya Rosenberg was created in an exploitation movie lab for the sole purpose of making Blood Games.

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‘Gator Bait (1974)

Welcome back to B-Movie Enema!  It’s getting cold outside, but you know what we can do about that?  We can go down south and visit the sweaty swamps where a barefoot poacher by the name of Desiree stalks the area and wrangles alligators.

Did I mention our barefoot poacher is Claudia Jennings?

It’s high time for us to take a look at the film most people seem to remember her best for – ‘Gator Bait! Whenever I see someone talk about Jennings online and asks people what their favorite films of hers are, inevitably, there will be many, many answers of “Gator Bait!” in the comments.  Absolutely, positively, without a doubt, both this movie and the 1988 sequel ‘Gator Bait II: Cajun Justice, stood out on the video store shelves.  It’s hard to resist the siren call of the redheads that graced both movies’ boxes. Continue reading “‘Gator Bait (1974)”

Tammy and the T-Rex (1994/2019)

Every now and then a movie suddenly finds its audience.  Take The Rocky Horror Picture Show, for example.  Sure, it didn’t find that audience immediately, but within a couple years of release, the mega fans were showing up at midnight showings in costume and so forth.  With the advent of home video and the explosion of home entertainment via cable and a video rental store in almost every strip mall as well as even grocery stores, movies that didn’t do so well in theaters suddenly had a second life.

Then comes this curious little direct-to-video movie called Tammy and the T-Rex.  Aside from it featuring two very young, and very pretty future stars in Denise Richards and Paul Walker, it was relatively overlooked as a low budget teenage romantic comedy.

However, in recent years, it’s been rediscovered… Continue reading “Tammy and the T-Rex (1994/2019)”

The Diabolical Dr. Z (1966)

Hey!  This week has something pretty special on B-Movie Enema.  So, when I was trying to think about what movies I wanted to watch for October, I couldn’t really think of a theme for the month.  However, I had some movies I’ve always wanted to do that are either somewhat popular, or have a cult following, or this week’s movie, The Diabolical Dr. Z, which features a returning director – Jess Franco.

As I explained last week, October is kind of a big month for B-Movie Enema.  In fact, it was the month I started writing the blog way back in 2014.  One of those movies was Oasis of the Zombies.  That was also directed by Jess Franco.  Unfortunately, that movie sucked.  Hard.

Since then, ol’ Uncle Jessie bounced back with an Ilsa movie and a “Black” Emanuelle movie.  And this week, Dr. Z will take him back to his earlier days of filmmaking and is a surprisingly stylish and atmospheric movie.  On top of that, it’s been a very long time, almost 2 years to be exact, since I covered a movie from the 60s.  Additionally, it was also the last time I looked at a black and white movie on this site. Continue reading “The Diabolical Dr. Z (1966)”