In this episode, B-Movie Proctologist Dr. Geoff and Nurse Disembaudee hit the glitz and glamour of the New York City lounge scene with Satan in High Heels!
AAAAWOOOOOOOO ready for a werewolf flick?
While it hasn’t been so long ago that I last covered an Italian flick, it has been quite some time since I talked about werewolves. Damn, it has been four years since I covered Werewolf of Washington as an “Election Day Special” in 2016. I most definitely feel as though nothing of huge import hasn’t happened every single day since then, am I right?
(Checks the internet. Goes to Twitter. Checks in on friends over at the Facebook. Goes to the CDC’s website. Cries uncontrollably while huddled in a corner. Recovers by shambling back to the computer desk like Spock at the end of Star Trek II: The Wrath of Khan after he messed himself up and was blinded after fixing the Enterprise.)
Oh my god.
Well, there’s only one cure for the depressing world that we live in and that’s B-Movie Enema…(?) This week, I’m going to discuss the Italian werewolf movie starring a German wolfman and Roman Polanski’s first wife – Werewolf in a Girls’ Dormitory! Continue reading “Werewolf in a Girls’ Dormitory (1961)”
I love how Russ Meyer uses punctuation in his titles.
Welcome back to Russ Meyer Month here at B-Movie Enema. This week, we’re going to venture into X-rated territory for the 1968 drama-satire-softcore porn exploitation classic Vixen! We also travel north of the border to Canada for our story as well.
Vixen! might just be considered one of Meyer’s very best (though I have some commentary to add later). The Los Angeles Times and the New York Times both gave high praise to this film despite its themes and obvious sexploitation nature. However, again, it’s Roger Ebert who maybe says the best, most heartfelt comments calling this not just the “quintessential Meyer film” but that he also talks about how Meyer creates characters. We should already be aware with Faster, Pussycat! Kill! Kill! and Mudhoney that Meyer likes going over the top for his villains and various other stereotypical characters. Ebert calls to the front that its Meyer’s talent in doing that that helps put people at ease seeing their first “skin-flick” and allows people to just have a good time – maybe the only thing Russ Meyer really wanted people to have. Continue reading “Vixen! (1968)”
Last week, Russ Meyer Month started at B-Movie Enema with Mudhoney, a nice little tawdry tale in the American Plains during the Depression. This week, we pick up a movie that is one of Meyer’s best known – Faster, Pussycat! Kill! Kill!
As I mused there, Faster, Pussycat! Kill! Kill! is a fairly well known movie. There are two movies in Meyer’s filmography that probably get the most attention in terms of being trivia answers, but for different reasons. There’s this one that we’re talking about this week for its fun title. The other will be covered in two weeks because of who wrote it.
Curiously, though, as popular as Pussycat is, it was an unusual box office dud for Meyer. Most of his films did fairly well. There was a built-in audience at drive-ins full of horny guys wanting to see big breasted chicks. You’d think none of these movies would fail, but this one did. It wasn’t until later that it gained a cult status. Continue reading “Faster, Pussycat! Kill! Kill! (1965)”
The name usually conjures up images of sleazy things happening with buxom beauties and just about everything that someone might call “exploitation” when it comes to 60s and 70s cinema. While it may seem like his movies are full of that sleaze, many note that his films were important in terms of female empowerment and showing women who aren’t just sexually free, but generally more powerful than the men in his films. That said, he would also place his female characters in ordeals that they would have to prove their strength and their ability to overcome the obstacles that they face in his movies. It’s probably true that his films were subversive in many ways that would eventually strike at the heart of a rising feminist movement.
All that and more will be discussed over the course of the next five weeks as B-Movie Enema tackles Russ Meyer Month! We begin with 1965’s Mudhoney… Continue reading “Mudhoney (1965)”
Hey! This week has something pretty special on B-Movie Enema. So, when I was trying to think about what movies I wanted to watch for October, I couldn’t really think of a theme for the month. However, I had some movies I’ve always wanted to do that are either somewhat popular, or have a cult following, or this week’s movie, The Diabolical Dr. Z, which features a returning director – Jess Franco.
As I explained last week, October is kind of a big month for B-Movie Enema. In fact, it was the month I started writing the blog way back in 2014. One of those movies was Oasis of the Zombies. That was also directed by Jess Franco. Unfortunately, that movie sucked. Hard.
Since then, ol’ Uncle Jessie bounced back with an Ilsa movie and a “Black” Emanuelle movie. And this week, Dr. Z will take him back to his earlier days of filmmaking and is a surprisingly stylish and atmospheric movie. On top of that, it’s been a very long time, almost 2 years to be exact, since I covered a movie from the 60s. Additionally, it was also the last time I looked at a black and white movie on this site. Continue reading “The Diabolical Dr. Z (1966)”
This week’s B-Movie Enema is going to take a look at 1964’s The Last Man on Earth starring the great Vincent Price.
Based on Richard Matheson’s 1954 novel I Am Legend, this film puts a new spin on the post-apocalyptic wasteland type of story by featuring a man who is trying to stay alive not against zombies or crazed bad guys (see any post-Romero zombie movie or Mad Max for reference), and not strictly mutants of that wasteland (see… Judge Dredd… I guess? And not the good one either). Instead, our hero is fighting off people who have mutated into vampires. Continue reading “The Last Man on Earth (1964)”
This week, I decided to give myself a treat. Yes, if I look at four of the last seven weeks, I’ve had a pretty good run of movies that were at least pretty enjoyable and worthy of saying I liked. However, I’m in charge of this damn blog so when I want to treat myself to a better movie, then goddammit, that’s my prerogative.
So let’s talk about Francis Ford Coppola. He’s a maker of fine films like Jack, Captain EO, and Godfather III: The Revenge. He also makes either wine or grape jelly – or BOTH…? He also made Sofia Coppola who made a fine movie that no one knows what the fucking last line of is but I bet it’s juuuuust right. Continue reading “Dementia 13 (1963)”