Caligula (1979/2024)

B-Movie Enema has existed from the morning of the world, and it shall exist until the last star falls from the night. Although I have taken the form of the Enema Man, I am all men as I am no man and therefore, I am a God… of buttholes.

Ah yes… This was bound to happen, wasn’t it? There are infamous movies, and there is 1979’s Caligula. Known as the gigantic budget sex film produced by Bob Guccione and Penthouse Films International. Guccione was the founder of Penthouse Magazine. Penthouse, as per my reckoning, as a guy who once had a subscription to both that and Playboy in my younger years, was known for two things. The first was the Penthouse Forum, in which people supposedly wrote letters that sounded a little more like erotic fiction than anything else. The second was the fact that the women in the magazine, at least when I had the subscription, tended to be more of the adult actress type of models, and therefore, unlike Playboy, which specialized in girls-next-door types, the Penthouse Pets tended to be a little raunchier in their pictorials. Playboy was more artful. Penthouse was more sexual. Hustler was dirty.

But what people don’t really know is that Penthouse was involved in funding for films for a long time. They chipped in funding for studio pictures like Chinatown and The Day of the Locust. Guccione never produced his own film. So he decided he wanted to not just produce a movie of his own, but make a grand spectacle about a time in which spectacle was sexy as fuck. So he said that Caligula would be the guy he’d make his movie about. He started working with an Italian producer, Franco Rossellini, whose uncle, Roberto, was one of the most prominent Italian filmmakers. He then eventually hired author Gore Vidal as his screenwriter.

Continue reading “Caligula (1979/2024)”

Monamour (2006)

Welcome to the conclusion of Tinto Brass Extravaganza here at B-Movie Enema. So far, we’ve featured a comedy with some fairly mixed morals on sex and love in Cheeky!, followed by a very good drama about an Italian aristocrat falling in love with a Nazi officer in Black Angel, and then a mixed bag of shorts in the anthology Private. Now it’s up to our final entry, the 2006 drama Monamour, to tip the scales to one side or another in terms of full on quality.

I’ll admit, that while not everything in Cheeky! is something I would like to deal with as a lover of a free spirit, I absolutely cannot deny that there is lots of very pretty things to look at whenever Yuliya Mayarchuk was on screen. It made the movie watchable and kind of vaguely enjoyable for its raw sexuality. Hell, I’d say the movie dropped any pretense of sensuality to just give us a lot of Ukrainian beaver cinematography.

Private is split 50/50. Half the stories were interesting or sexy, and one was even kind of sweet at the end to put a bow on the whole anthology. But that didn’t pretend to be sensual either. It was anywhere from 12-15 minutes of the private lives of very horny couples. VERY horny couples. Black Angel was where Brass dumped all his effort into actually exploring sensuality. It had an aging woman aching for excitement even if it had to come from something wrapped in the uniform of objective evil. As an aging person myself, well, well, well past his prime in most everything except for eating McRibs and writing about B-movies, I can identify with that.

Monamour seems to be a bit of a return to that exploration and need of a return to sexual excitement and spontaneity.

Continue reading “Monamour (2006)”

Cheeky! (2000)

So far, it seems as though 2022 is about squaring some accounts. In January, it was all about finally digging deep into the Andy Sidaris filmography. For February, I have another box set long overdue for a-crackin’. With that, welcome to B-Movie Enema’s new theme month: The Tinto Brass Extravaganza!

I did not set out to cover these four films that came in this lovely “Tinto Brass: Maestro of Erotic Cinema” box set in order. I didn’t even get the box set because I knew much about it. But, as it would turn out, these four films will be done in order of Brass’ films from 2000 to 2006. We begin with Cheeky! – which is a fun title for a movie that I have lots of concerns with.

How I came to know about this film is actually quite simple… I stumbled upon the opening credits scene of an incredibly beautiful blonde (Ukrainian model/actress Yuliya Mayarchuk) walking through the park with a beguiling outfit that often shows a little cheeky flesh here and there to get the guys nice and excited. I had to learn more about what this film was and who this gorgeous woman was. I found out what it was called, that it was part of a box set, and that this guy Tinto Brass was the maestro of erotic cinema.

SOLD!

Continue reading “Cheeky! (2000)”