Things are getting weird on this episode of B-Movie Enema: The Series! Geoff and Nurse Disembaudee are in kung fu fightin’ moods as they watch Kill Squad. Can anyone save them from their aggressive feelings?
Category: 1980s
10 to Midnight (1983)
Cannon Films is back for this week’s B-Movie Enema review and they are bringing one of their biggest stars with ’em!
It’s hard to believe this is only the second time I’ve done a Charles Bronson movie on this site. To think, he has all those Death Wish movies. He’s got some cool-ass-sounding thrillers and action flicks in the 70s. With all that, the best I could do is Assassination? Well, it’s time to do better, and, this week, I do have one that is better.
Remember when I did the Chuck Norris 1982 thriller Silent Rage? That was this cop thriller that also had some horror and even some science fiction elements. That was part of a time in which crime thrillers were still a big deal, but horror was on the rise big time. If we were to add to that the fact that Norris was becoming a rising star who was just a couple years away from becoming the other “Chuck” at Cannon Films, it’s hard to not kind of tie all of this into this week’s movie that is getting the review treatment, 10 to Midnight.
Continue reading “10 to Midnight (1983)”B-Movie Enema: The Series #61 – Warrior of the Lost World
Geoff and Nurse Disembuadee hit the road in the post-apocalypse with this episode of B-Movie Enema: The Series as they check out Robert Ginty in Warrior of the Lost World.
American Rickshaw (1989)
Welcome to B-Movie Enema!
This week, we’ve got a sort of strange one. American Rickshaw, also known as American Tiger, was released in 1989 as an Italian/American co-production filmed in Miami. The film was directed and co-written by Sergio Martino. Martino was a major figure in Italian giallo films of the 70s. His films All the Colors of the Dark and Torso are A+ stuff in the genre. While he continued to make gialli and other styles of horror films throughout his career, he also dabbled quite a bit in comedies and crime thrillers, known as poliziottesco films.
Despite his mastery on display in All the Colors of the Dark and Torso, Martino faded somewhat quickly. He still had a few 80s films that I’ve heard of. Most notably, he directed 1982’s The Scorpion with Two Tails, 1983’s 2019: After the Fall of New York, and 1986’s Hands of Steel. But each of the latter two films really come off as fairly cheap dystopian/post-apocalyptic types of movies. By the end of the decade, when American Rickshaw was released, Martino seemed to be making mostly cheap content for home video rentals.
Continue reading “American Rickshaw (1989)”B-Movie Enema: The Series Episode #59 – The Beach Girls
B-Movie Enema: The Series goes all the way to paradise for this week’s movie. Geoff watches The Beach Girls while Nurse Disembaudee parties out!
Summer Camp Nightmare (1987)
Every so often, your humble author and narrator here at B-Movie Enema looks at the calendar, considers what movies I have to cover, and chooses something to review that is timely.
O-okay… Sure, a movie from 37 years ago is hardly “timely” by the strictest of definitions, but stick with me here for a second. Here, in the northern hemisphere of this insignificant ball of rock in space we call Earth, it’s May 31st and we are on the doorstep of warm weather and long days. Looking at some pickups from last year’s HorrorHound Weekend, I saw a movie that sounds far more familiar than it really is to me – Summer Camp Nightmare.
It’s a movie with a title that, if uttered, you’d think you could immediately respond with, “Of course! That’s a movie I remember being on cable all the time. I’m pretty sure I saw it all the time on the video store shelves. And, yes! It sure does seem like a movie that would have come out in 1987!”
However, there is NOTHING about the description of this movie that rings a bell with me.
Continue reading “Summer Camp Nightmare (1987)”Rolling Vengeance (1987)
Welcome to B-Movie Enema. I’m Geoff Arbuckle and this is the blog you come to when you’re taking a shit, or looking for a website run by a guy you’re pretty sure you are far more cultured and smarter than, or, I dunno… you have nothing better to do on a weekend night with nowhere to go. Hmmm… Maybe I’m not doing a good job at promoting my site. Let’s see if I can do better.
The 80s! That’s the decade of Ronald Reagan, cocaine-fueled American exceptionalism running rampant, and bitchin’ music. But you know what else the 80s had? Fuckin’ monster trucks! Monster trucks rolled out of the late 70s trend of modified pickup trucks in various specialized motorsport competitions. By the end of the 70s, one truck in particular, named Bigfoot, was so modified from its original 1974 Ford F-250 that it became known as the world’s first monster truck. Following that, other popular monster trucks were USA-1, Bear Foot, and King Kong. These trucks became the star of various events like Monster Jam where they’d do high-flyin’ jumps and crushing beat-up cars under their giant wheels. If you were a little boy at the time Monster Jam started up, and word on the street is I was, or if you are a grown man, and people tell me that’s what I am, you LOVED the mayhem, the majesty, and the machinery of giant trucks smashing beaters under their tires.
Apparently, Canada was into it too because, in 1987, Steven Hilliard Stern made this week’s movie – Rolling Vengeance.
Continue reading “Rolling Vengeance (1987)”The Beastmaster (1982)
Welcome to a new B-Movie Enema!
This week, we’re traveling to the kingdom of Aruk for this 80s classic from Don Coscarelli. Now, the origin of The Beastmaster actually goes back to 1959. Andre Norton wrote the novel The Beast Master about a Navajo war veteran set in a futuristic and sci-fi setting. When writers Coscarelli and Paul Pepperman adapted the novel, Norton was unhappy. We’re going to come back around to Norton in just a moment, but Coscarelli would eventually sign on as director for the film and Pepperman then took the role of Producer alongside Lebanese producer Sylvio Tabet. Tabet was a producer on movies like Fade to Black and Evilspeak. Later, he was a producer on The Cotton Club and Dead Ringers. So he was not an unknown at the time.
Interestingly, the only film Tabet directed was 1991’s Beastmaster 2: Through the Portal of Time.
Continue reading “The Beastmaster (1982)”







