Quintana: Dead or Alive (1969)

Welcome to a new B-Movie Enema review and welcome back to Quly!

So Quly is all about over-compensating for never having done a movie that started with a Q before this month. Do I often over-compensate? Oh boy, do I. I am a fairly unremarkable white dude after all. It’s like I was BORN to over-compensate. Anyway, we started last week with the JCVD classic The Quest. This week, we continue on with another classic – 1969’s Quintana: Dead or Alive.

Quintana: Dead or Alive (or, as it was originally known, Quintana) comes to us from director Vincenzo Musolino. Musolino was an Italian actor who racked up about two dozen roles between 1952 and 1967. Toward the end of that run as an actor, he started doing what a lot of Italian actors did, appear in spaghetti westerns. His final role on screen was in one of the many, many unofficial Django sequels, Don’t Wait, Django… Shoot! In fact, starting in 1965, he began writing scripts for the movies he appeared in, and that Django flick was one of them.

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The Quest (1996)

Well hot damn, Enemaniacs! It’s the Fourth of July weekend! Here in the United States, we tend to use this weekend, and the next several weeks afterward (much to the dismay of dogs everywhere), to blow up whole ass chunks of our country with fireworks that are supposedly illegal but everyone can get their hands on them by way of going to a makeshift fireworks store, but I digress…

What was I talking about?

Eh, never mind. Anyway, It’s July and I decided to do something kind of clever for this month’s slate of reviews. I did a little housekeeping by looking at all the movies I covered over the past 435 reviews and came to a realization. I’ve covered a movie starting with 25 of 26 letters in the English alphabet. The only letter I haven’t touched yet? Q. Yeah, I had never covered a movie with a Q title. I mean, for shit’s sake, I have covered THREE movies beginning with X with a fourth planned for later this year!

So with that said, welcome to QULY! All four reviews this month will be a movie starting with the letter Q. To get things started, on this most sacred of sacred weekends in the US, let’s talk about a movie starring a Belgian martial artist in a movie that takes place in Tibet, and then premiered a week early in Turkey… The Quest!

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Auntie Lee’s Meat Pies (1992)

Welcome to this week’s B-Movie Enema review. This week, we have ourselves a treat! Our movie this time around is the horror-comedy (and, at times, kind of sexy) Auntie Lee’s Meat Pies starring the always fun Karen Black.

Auntie Lee’s Meat Pies is yet another movie that I first saw on Bizarre TV some eight or nine years ago. I really can’t tell you how key Bizarre TV was in terms of the explosion of exploitation and obscure movies in my life. I’ve said it before and I’ll say it again: B-Movie Enema has so much to credit Bizarre TV for in terms of this site’s existence. I saw movies on that Roku channel that I had never seen or heard of before, and it sent me down rabbit hole after rabbit hole seeking out the movie and learning more about others like it. If it weren’t for my turning the channel on late one night in early March 2016 and waking up to this fascinatingly bonkers Mexican monster movie, this site would have never returned from the inactive state it had been in for over a year.

As for Auntie Lee’s Meat Pies, this is one of those movies that has the look, feel, and general attitude of a late night Showtime or Cinemax movie that guys who either just hit puberty or never matured past it would drool over and watch. It is a movie that is shot in southern California. It takes place in sunshine or in scenes washed in a primary color. It features a lot of Playmates. It treats sex and sensuality in a sort of comedic and old fashioned nudie cutie sort of way while being rather explicit at times in one way or another. It’s directed by a guy who mostly made sexploitation movies. That’s a perfect late night Showtime or Skinemax storm.

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10 to Midnight (1983)

Cannon Films is back for this week’s B-Movie Enema review and they are bringing one of their biggest stars with ’em!

It’s hard to believe this is only the second time I’ve done a Charles Bronson movie on this site. To think, he has all those Death Wish movies. He’s got some cool-ass-sounding thrillers and action flicks in the 70s. With all that, the best I could do is Assassination? Well, it’s time to do better, and, this week, I do have one that is better.

Remember when I did the Chuck Norris 1982 thriller Silent Rage? That was this cop thriller that also had some horror and even some science fiction elements. That was part of a time in which crime thrillers were still a big deal, but horror was on the rise big time. If we were to add to that the fact that Norris was becoming a rising star who was just a couple years away from becoming the other “Chuck” at Cannon Films, it’s hard to not kind of tie all of this into this week’s movie that is getting the review treatment, 10 to Midnight.

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