Boggy Creek II: And the Legend Continues (1984)

You’ve got monster!

Welcome back to B-Movie Enema. We’re headed to the wilderness of Arkansas this week. I’m going to review a sequel to a very popular cult hit from the early 70s, Boggy Creek II: And the Legend Continues. Both 1972’s The Legend of Boggy Creek and Boggy Creek II were directed by Charles B. Pierce. Pierce is an interesting character. He was born in Hammond, Indiana. Hammond is best known for being a sort of suburb of Chicago and the hometown of author Jean Shepherd who used it as the template for Hohman, Indiana in the holiday classic A Christmas Story.

Pierce based his movies on the legend of the Fouke Monster who is said to reside in the wooded area and the creek marshes around Fouke, Arkansas. The Fouke Monster is just the Texarkana version of Bigfoot or the Sasquatch. It supposedly attacked the home of a couple in May of 1971. Pierce, fascinated by the tales told about the monster from that story, made a docudrama about the event which was The Legend of Boggy Creek.

While the movie was a massive hit, Pierce has always admitted that he doesn’t necessarily believe in the legend of the creature, but is far more interested and fascinated by the folklore and tales the people told about the monster.

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Ninja in the Claws of the C.I.A. (1981)

Welcome back to B-Movie Enema and welcome back to me going through my backlog of movies that I’ve either picked up from conventions or, as is the case with this month, bought from Vinegar Syndrome.

I think we might have something of a special little movie this week. We’re going to be looking at John Liu writing and directing himself into Ninja in the Claws of the C.I.A. which was originally known as Sah shou ying as well as simply Claws of the C.I.A. and there’s even a version called Made in China. I really don’t know what I want to reveal to the people who haven’t seen this movie, so… I think we’ll just start by talking about John Liu.

When I went googling for John Liu, something really awesome happened. All I was getting were links, articles, and information on John Liu, Democratic member of the New York State Senate. Now, my brain is utterly shattered and broken in terms of being able to work properly. So I think it’s safe for you to bet that I was thinking that guy and the lead of this movie were the same dude. Then, I began thinking about him bringing legislation to the New York Senate floor by way of kicking motherfuckers’ asses. Like, he steps up to the podium, asks for time from the President of the New York Senate, and then after casually removing his tie, he just walks over to some Republican he beefs with and they just kung fu fight.

I wish that was what really happens in state senates and congresses across the country.

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Amazon Jail 2 (1987)

Welcome back to B-Movie Enema and the continuation of the Amazon Jail saga with Conrado Sanchez’s Amazon Jail 2!

This month, we’ve got a set of releases from Vinegar Syndrome in 2023. We looked at the first film of the Amazon Jail duology last week. We finish that up this week and move on to some more fun next week. We’re going to be able to get right into the movie very quickly because these movies are wildly obscure so there’s not much of note I can really dive into in the background.

I will follow up on what I discussed for a short bit last week and say this comes from the later days of the Mouth of Garbage exploitation movement in Brazil. That began in the 70s out of Sao Paulo and tackled sex comedies for the most part as well as horror and action films. By this time, a regime change in Brazil led to the loosening of censorship in cinema so porno films began to be produced by the time Amazon Jail 2 was released.

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Amazon Jail (1985)

Welcome to this week’s B-Movie Enema!

You know what? I’m kind of excited this week. Why? We’re going to look at some old favorites in terms of a distributor and subgenres. First up, we have a return from Vinegar Syndrome. What a heck of a boutique distributor of physical media. If you have a desire to see obscure horror and thrillers, sexploitation films, or general exploitation from other countries, there’s no one better.

I’ve got a ton of their releases. I’m not one of those types who gets everything from them, but I have a fair amount of their releases. Let’s be honest… They are a wonderful pipeline for content on this blog. So, when they put out some kooky releases in 2023, I had to jump on board with the entire intent to feature it here in February 2024.

In that release slate for 2023, there was a two-pack that we’re diving into this week and next. We start things off with Amazon Jail from Oswaldo de Oliveira. This was the final film of Brazillian director de Oliveira as he would die five years later at the age of 58 or 59. He worked as a cinematographer, writer, director, and occasionally appeared in some of his films. He comes from Brazil’s “Mouth of Garbage” movement. I feel like I should put quotation marks around or italicize the word movement here, but I trust Vinegar Syndrome’s tastes and film analysis. Apparently, we’re going to be in for a hell of a ride with this subgenre of Brazilian cinema as this is a movement that produced a whole lotta crazy genre films that included horror, action, sex comedies, and pornography.

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General Commander (2019)

Welcome to the final week of Steven Seagal Month here at B-Movie Enema.

Thank fucking Christ. Guys… I mean it. Sure, we’ve had some fun with week one’s Attack Force. That movie went through some crazy post-production rewrites. It’s a movie that was bad, but not the kind of shitty bad. I’d argue it’s not fun, but it’s got enough goofy stuff that makes it a halfway decent watch even though it sucks. Week the second was Urban Justice. That movie was, to my shame, enjoyable. I had a good time watching that movie. We don’t need to say much more there. Read that review. Last week’s Contract to Kill suuuuuucked. It was dumb. It was without any energy. It was a lot of Seagal mumbling, and, worse, it was boring.

Knowing Contract to Kill moved us from the 2000s to the 2010s, I knew we were going to be in some trouble. The closer you get to the present year, the shittier his movies get. That makes this week’s movie real dangerous waters for my personal desire to remain alive and breathing in this world. So, let’s talk about 2019’s General Commander.

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Contract to Kill (2016)

Welcome to B-Movie Enema and the continuation of Steven Seagal Month!

And, oh boy… We’ve dodged a couple bullets already. Attack Force was a movie that was originally supposed to be about space vampires and was rearranged, reshot, and turned into a movie about a designer drug that gave people crazy superpowers that made them want to murder. Urban Justice was… actually entertaining. I enjoyed watching that one. There was a fairly straightforward plot and there were some moments I honestly had a good chuckle about.

But Steven Seagal Month moves into some pretty dicey waters with the 2010s. This week, we’re going to look at Contract to Kill from 2016. We’ve not only visited Seagal in his 2010s films before, but we’ve seen another of his films from the same year – Sniper: Special Ops. That movie was awful. In fact, I’d call it embarrassing. Seagal looked like he didn’t give two fucks. He was hardly in the movie that his name appeared above the title on the DVD box. He spent a lot of time sitting down with a high-powered sniper rifle on his lap while another person in his battalion was dying. It was bad. Like, bad bad.

Contract to Kill will likely be no better… or possibly worse.

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Urban Justice (2007)

Welcome to week #2 of B-Movie Enema’s Steven Seagal Month!

This week, our large mound of pounding fudge rounds is doling out some Urban Justice. This comes to us from director Don E. FauntLeRoy. FauntLeRoy previously directed Seagal in Today You Die and Mercenary for Justimce. This would be his third and final collaboration with the actor. Aside from the trio of mid-00s Seagal action flicks, he also workj ed on the Anaconda series directing the thiyrd andm my z,a fourth films. He worked with Jason Connery, Sean’s son, on a superhero movie called Lightspeed which featured a character created bl Stan Lee.

Those directing credits aren’t too impressive, but he still has some impressive films on his resume. You see… FauntLeRoy’s real trade was as a cameraman. He worked behind the lens as an assistant early on in the 70s and 80s. He cut his teeth on TV before getting to be either an assistant cameraman or second unit cameramk,qan on films like Raging Bull, 2010: The Year We Make Contact, and The Goonies. Perhaps his biggest film on the list of films he worked on as a camera guy was in 1991 when e worked on Terminator 2: Judgment Day.

When he graduated to become the Cinematographer on films, he worked on cheap-o movies like Munchie, The Skateboard Kid, and Munchie Strikes Back. However, he did work on three episodes of Ultraman: The Ultimate Hero and eventually hooking up with Victor Salva on the first two Jeepers Creepers films. Maybe the less said about Salva the better, but the point still remains, it’s not like FauntLeRoy hasn’t done some notable stuff. It maybe bodes well that this movie might look decent at the very least.

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Attack Force (2006)

Welcome to my public suicide note!

That’s right, Enemaniacs. This month of B-Movie Enema reviews might just end me. I hope not. I have lots of movies planned and I think 2024 is going to be a good one for the blog. There’s a new season of B-Movie Enema: The Series coming soon. Despite what some people might believe when talking to me, I have no intention of throwing my life away recklessly on foolish pursuits. But… Did I bite off more than I can chew with this opening theme month?

I guess we’ll find out in four weeks’ time. Welcome to Steven Seagal Month at B-Movie Enema. I know, I know… It sure did seem as though I would never again touch a Seagal flick after the torture that was Sniper: Special Ops, but I guess I’m just a glutton for cinematic diarrhea. It’s only four weeks. That can’t lead to that much pain and suffering, right? Right?

Anyway, I start the month off with this 2006 action flick Attack Force.

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