Stacey (1973)

Take a ride on the wild side with Stacey. She’s fast!

That’s what the poster of the 1973 film says, and… yeah, I’m up for that ride. Welcome to this almost kind of special B-Movie Enema article this week as we meet in the middle of two things we like a lot around here – Andy Sidaris and Roger Corman.

Sidaris was already a sports photography superstar. He was the director of the earliest seasons of ABC’s Monday Night Football in the early 70s. Earlier than that, he worked on other ABC productions as part of their Wild World of Sports series. He worked on the 1968 Summer Olympics. He directed a World Heavyweight Boxing Championship match between Muhammad Ali and Oscar Bonavena. The guy did all sorts of stuff.

While he did work on a TV series called The Magic Land of Allakazam, his first foray into features was a 1969 racing documentary. Stacey would become his first full length narrative feature film.

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The House by the Cemetery (1981)

Alrighty, here we are, dear Enemaniacs – the end of B-Movie Enema’s trip through Lucio Fulci’s Gates of Hell trilogy.

The House by the Cemetery is a peculiar flick. It is the type of movie that either you love it or you hate it. However, here’s the thing… You could say that about all of Fulci’s stuff. A lot of his films are very stream of consciousness or dreamlike in structure. The House by the Cemetery is one that I think that love/hate kind of reaction is quite severe.

There aren’t many people in the middle who kind of shrug and say, “It’s alright.”

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Phantasm: RaVager (2016)

We’ve come to the end, my dear Enamaniacs. Phantasm: RaVager is today’s feature and B-Movie Enema will finally complete Phantasm Sequels Month.

This one is interesting. I saw this at the Centerbrook Drive-In in Martinsville, Indiana in October of 2016 with a trio of friends. It played as part of a doubleheader with the original movie. It was the first time in a looooong time I had visited a drive-in, so that part was pretty awesome. It’s always fun to watch the original Phantasm. So that was pretty awesome too.

Then Ravager started. I ain’t gonna lie… The first time I saw this I was confused. I was not too happy about the movie. It felt really, really weird. In fact, I would argue that this movie, the only film in the franchise NOT directed by Don Coscarelli, though he did co-write it with director David Hartman, is maybe the most divisive one of the bunch. It’s got a lot of references to past movies, with even a returning character most would have no idea who she is if they hadn’t been watching the series recently just prior to watching this one. It’s not told in a very linear way. It jumps between at least two realities. It’s a strange movie.

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Phantasm: OblIVion (1998)

Here we go again with another installment of Phantasm Sequels Month here at B-Movie Enema.

We’re up to the fourth entry that goes by a few titles – Phantasm IV: Oblivion, Phantasm: Oblivion, or, my personal favorite, Phantasm: OblIVion. Yeah, stylize that shit! Anyway, believe it or not, after the last two entries getting budgets of something around $3 million, Oblivion would only get about $650,000. However, I should also state there is more to it than just a severely slashed budget.

You see, this movie actually began life as something else. It actually began as this epic script by Roger Avary. If that name rings a bell, that’s because he’s Quentin Tarantino’s writing partner on 1994’s Pulp Fiction. They won the Oscar for Best Original Screenplay for that movie. Avary is a self-professed Phantasm superfan. He wrote a sequel to Phantasm III that would have seen a major post-apocalyptic world that continued on from that previous entry and would have even brought Bruce Campbell on as a co-star – or so the story goes.

Fundraising for that project fell through.

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