Poultrygeist: Night of the Chicken Dead (2006)

Welcome back to B-Movie Enema and the final week of Troma Month!

This month has been a fun one, hasn’t it? Whether it’s a love letter to Kaufman’s appreciation of William Shakespeare in the romance Tromeo and Juliet, or the earlier Tromaville kids run amok horror Class of Nuke ‘Em High, or the most Troma film of them all, Terror Firmer… It’s been a good time visiting these classics from the 80s and 90s master of gross-out comedy, horror, and comedy-horror, Lloyd Kaufman. But now, we bring things to a close with another dark comedy-horror from the man himself. However, this time, we have a bit of a twist.

This time we have a musical.

Yes, it’s Poultrygeist: Night of the Chicken Dead. This time around, Kaufman has a little uncredited help from one of the co-writers of the film, Gabriel Friedman. Friedman would go on to be a producer for specials for the cable channels E! and G4, as well as for online series like The IGN Show. In fact, he mostly worked on a lot of specials and behind-the-scenes stuff, including making-of documentaries for Troma films like Terror Firmer and Citizen Toxie. His writing credits are mostly for Troma films like this one, Make Your Own Damn Movie!, the aforementioned fourth Toxie flick, and Lloyd Kaufman’s most recent, #ShakespearesShitstorm.

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Terror Firmer (1999)

Welcome back! It’s the third week of Troma Month here at B-Movie Enema and it’s time to go back, sorta, to the James Gunn well. This week, I’m gonna be talking about 1999’s Terror Firmer.

What do I mean about this sorta going back to the James Gunn well? That’s because, to a certain extent, Lloyd Kaufman, along with co-writers Douglas Buck and Patrick Cassidy, based this movie’s script, albeit loosely, on the 1998 book All I Need to Know about Filmmaking I Learned from the Toxic Avenger. That book was co-written by Kaufman and James Gunn.

I made the comment last week, in my review for Class of Nuke ‘Em High, that I kind of put Kaufman in the same camp as Roger Corman. Corman, back in the 50s and 60s, were cranking out cheap B-movies quickly. However, quickly those movies were, and however cheaply they were made, most (especially in today’s film culture) could not look at those movies and think they weren’t made professionally. Maybe the monster was kind of goofy, but you couldn’t argue that the cast was well-directed and doing their jobs professionally.

I bring up that commentary I made because Roger Corman wrote the introduction to the book this is sort of based on.

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Class of Nuke ‘Em High (1986)

Welcome back to Troma Month here at B-Movie Enema!

Last week, it just so happened, the month started with a leadoff home run with Tromeo and Juliet, a movie that I believe, by the time we finish this month and I’ve increased my viewership of movies made internally by Troma, will be the best film ever released by the company. I know, I know… Toxie and what have you. There was just something special about Tromeo and Juliet that had my by the balls and shook me about until I cried out for my mommy to save me.

Wait…

Eh… anyway… This week, we’re going back to the 80s when Troma and their fictional hometown of Tromaville was in its infancy. We’re looking at 1986’s Class of Nuke ‘Em High. This horror/sci-fi/comedy was Lloyd Kaufman’s follow-up to his seminal 1984 classic The Toxic Avenger. This time, though, he wasn’t alone. Kaufman shared directing duties with Troma editor Richard W. Haines.

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Tromeo and Juliet (1996)

It’s Troma Month here at B-Movie Enema!

Heck yeah, this is looooong overdue. I think the best thing I need to do to start things off here is to admit something. I don’t really have a great deal of history with Troma. I like Lloyd Kaufman. I like what he does to inspire new filmmakers. I like the general absurdity with the Troma films, particularly the ones that they create and make in-house. Sure, I’ve seen a handful of them. Of course, I’ve seen The Toxic Avenger. I grew up with Mother’s Day. Troma’s War? Yeah, I’ve seen it. But I had a little more experience seeing movies distributed by Troma as opposed to the movies they made themselves.

That said, Lloyd Kaufman’s personality is so larger than life that it feels like I’ve seen more from him than I have. So, this month, I wanna fix that. Let’s take a look at some of Troma’s catalog. I think I picked four pretty popular films from Kaufman specifically. We kick things off with his 1996 Shakespeare parody, Tromeo and Juliet.

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