Memorial Valley Massacre (1989)

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Happy Memorial Day weekend, my Enemaniacs in the USA!

This week’s B-Movie Enema is going to take a look at a pretty obscure one that got a little bit of a boost from a fairly recent Blu Ray remastering at Vinegar Syndrome – Memorial Valley Massacre. This is a bit of a weird one for multiple reasons. But let me know if you’ve heard this one before… I first saw this a few times on everyone’s favorite Roku channel, Bizarre TV. That’s not the only time the word “bizarre” might come to mind in this article.

This movie is mostly known for kind of squirting out of the cinematic butthole that supplied video stores and cable with content. And when I say it’s known for that, it’s a pretty unknown movie that blended into the landscape of video store shelves and late night cable TV fodder. Some people who saw the names in the cast like William Smith or our great B-movie daddy in the sky, Cameron Mitchell, and those names might have been juuuust good enough to get people watch or rent it, but they would have likely been quickly turned off by it because it’s a horror film.

But… let’s back up to some of the most bizarre stuff about Memorial Valley Massacre.

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Graduation Day (1981)

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When you get to the month of May, and you’re in school (especially high school), you’re all about getting the hell out of there for a summer of goofing off and sleeping in. So, with this week’s B-Movie Enema review, let’s celebrate the impending graduation of the class of 2023 with a look at the 1981 slasher horror film Graduation Day.

This comes from director Herb Freed who made only about ten movies. In 1976, he made Haunts with everyone’s favorite B-movie star, Cameron Mitchell. Then, in 1980, just before making Graduation Day, he made another horror film called Beyond Evil. Now, what’s interesting is that Beyond Evil starred Linda Day George. when he made Graduation Day a year later, he cast Linda’s husband Christopher George as his lead. Interesting how that comes around. Then, in 1985, he made another kind of cult classic 80s film, Tomboy, starring Betsy Russell. However, by the end of the decade and into the 90s, it seemed that Freed then mostly made video store and cable type movies that have a bit of a reduced budget and lesser marketing.

So, yeah, we have Christopher George in Graduation Day. Now, we saw him previously in City of the Living Dead. This is definitely at the end of his career. He would die in 1983 from a heart attack at the age of 52. He’s not the only character actor to be found here in this movie, as we also have Michael Pataki. Pataki appeared in the Spider-Man TV movies of the late 70s as well as bit parts in Rocky IV and Halloween 4 where he appeared as Dr. Hoffman. Additionally, we have an appearance of Linda Shayne who as in classics of B-Movie Enema lore like Humanoids of the Deep, Screwballs, and Lovely But Deadly. Not only that, but we have Linnea Quigley who has been in too many of B-Movie Enema alumni films to list. Finally, we have the queen of gameshow letter flipping, Vanna White, in one of her seven feature and television film appearances.

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Mommy 2: Mommy’s Day (1997)

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Welcome to another B-Movie Enema, my dear Enemaniacs!

It’s Mother’s Day weekend here in the United States again. Last year, we celebrated the day as I, a good son, should by covering the killer mother thriller movie from 1995, Mommy. We follow that up again this year with the sequel, Mommy 2: Mommy’s Day. Now, despite it being a considerably lower budget film than the first, let’s talk about how this came to be.

1995’s Mommy was a surprise hit and had a great deal of good reviews, particularly for Patty McCormack in the titular role and young Rachel Lemieux as Mommy’s darling daughter Jessica Ann. I would go so far as to say that the movie works more on Lemieux’s performance than McCormack’s because a great deal of that first film hinged upon us really liking Jessica Ann. Writer/Director Max Allan Collins got the opportunity to make a sequel and he acted upon it. For the most part, the cast returned. The only holdout was Jason Miller who wouldn’t return due to a lowered payday.

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Fritz the Cat (1972)

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Oh man… This one is long overdue.

Welcome to this week’s new B-Movie Enema review. If you’re roughly my age (46) and frequented cable TV and video stores in the 80s and 90s, there were a few titles that almost seemed mythical in their reputation. These are your Faces of Death movies or Heavy Metal or Flesh Gordon or Wizards or maybe even something like a movie that had a tad more mainstream acceptance like Watership Down. These were movies that were full of wonder in the fact that they were either seemingly explicitly adult or were gory or, as is the case with Wizards, Heavy Metal, and Watership Down, were animated movies that were either not for kids or featured some pretty extreme stuff that would scar kids.

Then, there was Fritz the Cat.

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The House on the Edge of the Park (1980)

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This article was written, edited, scheduled, and completed prior to the unfortunate passing of supporting star Giovanni Lombardo Radice.

Welcome back for another B-Movie Enema review. This week, I’m taking a look at 1980’s The House on the Edge of the Park.

This is one, and let me know if you’ve heard this line before, that I remember catching a part of on Bizarre TV. I don’t remember anything that I saw, but I remember this movie’s lead star, David Hess. Hess is quite the recognizable guy if you’ve seen Wes Craven’s The Last House on the Left. Let’s face it, most of you reading this blog have seen that one. But Hess would basically go down in “infamy” as Krug, the leader of a group of nogoodniks who kill two innocent girls just looking to score some weed before going to a rock concert.

Beyond that, Hess also would become best known for playing scuzzy villains. In House on the Edge of the Park and Hitch-Hike, he plays guys who either murder people or take them hostage… or, well, both. Most of the other movies that he appeared in just had him play bit parts as in the case of his reunion with Wes Craven in Swamp Thing. But he actually had other talents as well. He directed the Christmas slasher To All a Goodnight. Despite being recognizable for being the leader of a horrific gang of rapists and murders in The Last House on the Left, Hess actually was quite the singer and songwriter.

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Demonoid (1981)

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What is it that they always say – “Idle hands are the Devil’s workshop?”

Yeah, that probably best sums up this week’s new B-Movie Enema review. We’re making a run for the border, and, no, it’s not for Taco Bell… unless you want me to have explosive diarrhea. Well, maybe you do, but I don’t want that for myself. No, it’s for Alfredo Zacarías and his supernatural thriller, Demonoid!

You know what’s great about that? This is the second time we featured a movie written and directed by Zacarías. Oh yeah, I covered him way back in 2018 with his nature-gone-wild epic, The Bees. Even though the reviews of this movie isn’t exactly kind, calling Demonoid a “tedious possession movie” and what have you, I know what I saw in The Bees. I could argue that one was also sort of tedious in how it was made, but goddammit if it wasn’t fucking bonkers at times too. That gives me a tad bit of hope that I could get something decent here in Demonoid.

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Lurkers (1988)

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What do you think? More Roberta Findlay? Sure! Why not?

Welcome to this week’s new B-Movie Enema review. I’m Geoff Arbuckle, and this is 1988’s Lurkers. Now, if you think back to 2019, I took a look at Findlay’s Prime Evil. That movie was okay for the most part. However, what I think everyone could agree on is how freakin’ awesome the devil creature that shows up is. The year before Lurkers and Prime Evil, Findlay also did Blood Sisters. That one was a little less than interesting but not without some fun.

The far more interesting elements of those movies, of course, is Roberta Findlay. I’ve mentioned about how Findlay worked with her husband, Michael, on films, but it wasn’t a great relationship. That said, she worked with him while they were separated. She did porn and horror… That’s about it. But that’s perfectly fine too. Most of her movies weren’t particularly high budget, but she often worked as both director and cinematographer on her films. The number of credits as either role on a film is fairly impressive considering she really only had a roughly 25 year career. My point is she kept busy making movies.

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