Killpoint (1984)

Let’s get back into some action stuff and reunite with Leo Fong in Frank Harris’ 1984 action spectacular Killpoint!

This week’s B-Movie Enema article is the second of three new Leo Fong features celebrating this action star this year. Just about five or six weeks ago, I featured Blood Street on the blog, which itself is a sequel to his endlessly enjoyable Low Blow. Later this year, I will take a look at one from the mid 70s. But this week, with Killpoint, we see Fong teamed up with Low Blow co-star Cameron Mitchell as well as director Frank Harris. Here’s hoping we get some of that Low Blow fun feel in this movie too.

Frank Harris only directed films from 1983, Killpoint being his first, to 1990. He was better known for being a camera guy and a cinematographer. In fact, with both this film and 1986’s Low Blow, Harris is pulling down double duty as both director and cinematographer. Outside of those two films, the only other one that immediately jumped out to me on his filmography was as the cinematographer for 1996’s Skyscraper starring Anna Nicole Smith. In television, he worked as cinematographer for several episodes of 2009’s kids’ tokusatsu show Kamen Rider: Dragon Knight. Harris passed away in April 2020 at the age of 76.

Okay, But now, let’s talk about Cameron Mitchell…

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Wonder Women (1973)

Aw man… This week’s B-Movie Enema is a bit of a treat. Now, normally, you’d probably think, especially if you know me or read many of these stupid posts I make, you might think I’d make some sort of joke that I’m watching Wonder Woman and talk all about comic books and how much of a fuckin’ nerd I am, only for it to stop cold, me pretend to have a conversation with the voices in my head or my B-Movie Enema: The Series co-star Nurse Disembaudee or whatever.

You know, this blog’s equivalent to a movie preview’s record scratch sound effect when a dumb joke happens.

But no… There’s more awesome to talk about that shouldn’t get ruined by that dumb gag I often do. Instead, we’re going to get right to the awesomeness that is 1973’s Wonder Women. This stars two big time folks in the forms of Nancy Kwan and Ross Hagen. But also there are a couple other recognizable folks I’ve talked about in the past.

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Blood Street (1988)

Earlier this year, we lost the action star and director Leo Fong at the age of 93. Fong gained some notoriety over the last handful of years due to RedLetterMedia’s coverage of some of his films on their show Best of the Worst. A lot of it is that Fong always looked like a guy who is almost the opposite of what you’d expect an action star to look like. But, he was a pretty accomplished martial artist and friend of Bruce Lee.

Leo Fong would appear in Filipino martial arts films in the 70s. He then got into making his own films through the 80s and that’s where we would really know him best. Waaay back in 2016, I covered his Low Blow film. This week, I’m going to cover not the next film he made after Low Blow, but the actual direct sequel to Low Blow, Blood Street.

But what happened in Low Blow?

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Sniper: Special Ops (2016)

Well, well, well… Look who the great B-Movie Poop Chute delivered to the feet of this website. The one, the only Rob Van Dam…

Er… I mean Steven Seagal.

Yes, finally, it’s time for me to break the seal on some of the more recent works of Mr. Seagal. But, we’re not dealing with top shelf Seagal, oh no. This is post-2000, direct-to-video, deeply disturbing dark black goatee-wearin’ Steven Seagal. We’re going to look at Sniper: Special Ops.

I suppose I should also make it known this movie is made by schlockmeister Fred Olen Ray.

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Beyond Atlantis (1973)

Welcome back to B-Movie Enema. How do you follow up a titty movie starring Daleks? No, not the Cinema Snob. I already did that last month. No, you do a family movie.

Because of course that’s what you do.

This week, I’m looking at the 1973 Filipino-American sci-fi/horror(?) flick Beyond Atlantis. Yeah… This is apparently a family-oriented sorta-horror movie. Considering it’s made in 1973 and the poster has a mostly naked woman riding a giant seashell and being carried around by bug-eyed black dudes… I have concerns. For one, I saw a trailer that has one of the bug-eyed guys (who was not a black dude, but a white dude in body paint – uh oh) slapping the barely covered blonde chick shouting that she WILL MATE. Then Sid Haig is shooting people left and right. There’s murder action happening.

This is what a family movie was in 1973.

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Mean Johnny Barrows (1976)

Welcome to this week’s B-Movie Enema. This week, we’re following the exploits of Mean Johnny Barrows as he tries to bring himself up out of the gutter and get back at the Man for always standing in the way of him and his prosperity.

Now, you may look at that opening salvo for this article and think, “Sweet! This is Fred Williamson in a blaxploitation classic!” I don’t blame you for thinking that. I thought that too. However, it’s not. It’s not listed as a notable blaxploitation flick. It’s more of a crime drama than an exploitation movie. Yes, it is directed by Williamson himself and he likely got that opportunity because of the 70s black cinema coming into prominence. Yet, this seems to transcend the blaxploitation moniker.

I’m sure there will be elements here. I mean he’s dishonorably discharged from the military. He’s busted for being drunk. He’s homeless. He’s not able to be with the woman he loves. He blames these things on the Man, and there’s probably fair reason to. So, yeah, the mistake thinking this is part of the blaxploitation subgenre that was running through black cinema of the time is acceptable and understandable.

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