Tag: drama

Best Friends (1975)

Published on by Geoff ArbuckleLeave a comment

Welcome to a new B-Movie Enema review.

You know what? As we rush headlong into the holiday season across most of the world (and, let’s face it, America IS the rest of the world, am I right?), this is a time in which we should be thinking about our loved ones. Are they well? Are they sheltered from the incoming cold weather (stop it, Australia and New Zealand and wherever else… America is the center of the world, okay?)… Can they provide a warm meal or presents to their family during this time of year? You get what I’m saying.

Well, I don’t really know where I’m going with that opening paragraph, aside from some parenthetical American exceptionalism, but I do know that we’re going to be talking about the 1975 drama Best Friends. This movie comes from director Noel Nosseck. Nosseck actually had a decent career despite having no page on Wikipedia. Best Friends would be his first feature film, but prior to this, he worked on educational films about the dangers of heroin, LSD, and VD. He spent the remainder of the 70s after Best Friends doing pretty well for himself and getting some decent work. If you are a fan of the Cinema Snob, you might recognize one of Nosseck’s movies he directed in the 70s, Dreamer, one of the Snob’s Patreon poll winners that happened to be a lame bowling melodrama sort of in the vein of Rocky.

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Portrait of a Showgirl (1982)

Published on by Geoff ArbuckleLeave a comment

Well well well… Look at what the cat dragged in… You guys! I love you guys!

Welcome to another review here at B-Movie Enema. This week, we’ve got ourselves a TV movie. Not only that but a TV movie that is also a Primetime Emmy nominee from 1982! This week, I’ll be talking about Portrait of a Showgirl. Now, check it out… Somewhere along the way, this movie also got titled Portrait of a Stripper. My guess is that the second title there was a little sexier and so it became marketable. I’m not sure if the movie could have been aired on network television as Portrait of a Stripper back then. However, could it have been named that for home video or a cable release? It would certainly be a tiny bit more provocative and attract a little more attention.

Either way, the movie stars some pretty recognizable folk who I’ll talk about here shortly. Directing this TV movie is a director who did a bunch of them. In fact, it’s not even the first time I’ve brought him up. Steven Hilliard Stern made this movie four years after directing the season five finale of B-Movie Enema: The Series – The Ghost of Flight 401. Wait… did I say I talked about Steven Hilliard Stern? I’m sorry, that episode was hosted by Geoff Bob Buckle, that smooth-talkin’ film enthusiast from possibly Texas. I sometimes forget that I took that week off. I do know that he was also the director of the bitchin’ Rolling Vengeance that was about a kid customizing his own revenge death machine. I guess you could say that it was a good year for Steven Hilliard Stern here at B-Movie Enema. As for his career, in just under 30 years, he racked up over 60 credits with a vast majority of those being either episodes of TV shows or TV movies like the one we’re looking at today.

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Mesmerized (1985)

Published on by Geoff ArbuckleLeave a comment

Welcome to November, Enemaniacs!

As I continue to crank through a backlog of movies that I have built over the course of about 13 or 14 years through buying multi-packs of cheap-o movies on DVD, this was a title I’ve been vaguely aware of for more than 30 years, mostly because of the two lead stars in this movie. This week, we’ll be diving deep into 1985’s Mesmerized starring Jodie Foster and John Lithgow. Mesmerized was a co-production between RKO in the United States as well as the United Kingdom, Australia, and New Zealand. The UK would get the original release in November 1985, and then the US got it about 13 months later.

Obviously, the lead actors stand out the most when you’d be perusing the drama section at your video store, but it’s a period piece and it’s hard to say if it really would have stuck out to too many people in the mid-80s. After all, Jodie Foster’s star was brightest in the late 70s and the 90s. Most of her roles in the 80s went largely unnoticed until her Oscar win for The Accused. John Lithgow had lots and lot and lots of roles in the 80s, as well as a pair of Oscar nominations of his own for The World According to Garp and Terms of Endearment. Still, he was largely more in line with what you’d consider a character actor for most of his career up to that point. So it’s possible this movie was not really carrying the star power at that time as you might think it could a decade later.

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