Flesh Gordon (1974)

Some weeks ago, I took a look at the 1972 cult, adult, animated classic Fritz the Cat. In that review, I talked about that movie having a reputation that precedes itself. Just the title almost gives it a mythical aura. I mentioned a couple other movies in that review, and one of those is the topic of this week’s B-Movie Enema review – Flesh Gordon.

Obviously, 1974’s Flesh Gordon is a sex parody of the classic Flash Gordon serials of the early days of swashbuckling matinees. So I guess we should start with the subgenre itself. The sex comedy actually goes waaaaay back to ancient Greek theatre. Basically, it’s farcical sex. This carried into the Roman times which actually then became the major influence of what we know as situational comedies, better referred to as the sitcom.

In the mid to late 17th century, of all peoples, the English brought the sex comedy back into popularity. However, the origins, and the eventual influence, of Flesh Gordon can go to a period of the 50s and earlier 60s when Hollywood would have these cheeky romantic comedies that were charged with a bit of sex appeal. This was directly influenced by the early sexual revolution of Playboy magazine being introduced and sexologist Alfred Kinsey of Indiana University studying the sex lives of women. This would eventually bring us to the late 60s and early 70s when Hollywood itself would shift to a new style and way of business and indie filmmakers looking for a start would make a whole bunch of scandalous comedies that could play with the new lifestyles that grew out of the late 60s as well as nudity and much more open discussion of sex lives.

Continue reading “Flesh Gordon (1974)”

Killer Workout (1987)

Welcome to B-Movie Enema. Here, we care a lot about your well-being and your desire to not look like a complete goblin in the summer. So, with that in mind, I’m going to pull a classic David A. Prior film from the vault to hopefully help us all get into shape. Killer Workout goes by a couple titles, with the aforementioned one the more popular, but it’s also known as Aerobicide. I have the version called Killer Workout, so we’re going with that title.

We’ve dealt with David Prior before with Deadly Prey. He hooked up with David Winters to form Action International Pictures (AIP). Now, we’re also quite familiar with Mr. Winters as I had a whole month of his pictures earlier this year. I don’t think I need to say too much about what Winters has done. But, back to Prior, he was quite well known for making kind of cheap-ish action schlock, but he stepped outside that on a rare occasion. Most notably, he dabbled in the slasher subgenre of horror with Killer Workout, and he dressed up a pair of action schlock films in a veneer of science fiction concepts with Future Force and Future Zone, both starring David Carradine.

Now… I don’t want you to think these movies made by Prior were just a bunch of dudes, some of which would be beefy, some would be more like David Carradine, going around and blasting things for a full 90 minutes alone. Oh no. Prior liked trying to make the same types of movies people would tune into on cable or rent each weekend at the video store. The easiest way to keep them coming back for more?

Continue reading “Killer Workout (1987)”

Vice Academy Part 3 (1991)

Welcome back to yet another B-Movie Enema and yet another entry in the Vice Academy saga!

When Vinegar Syndrome released a box set of Vice Academy movies, they only released the first half. I think we all assumed there would be a second volume with the fourth, fifth, and sixth entries but we’ve not heard anything yet as of this article’s creation. The good news, though, is that the entire series is on Tubi so… I guess all we’re waiting on is for Vinegar Syndrome to get their shit together to clean them up nicer than shit? I dunno.

As I mentioned a couple weeks ago as I was setting up Vice Academy Part 2, writer, director, and producer Rick Sloane, for the most part, is really best known for these movies and his two Hobgoblins movies. That said, I think it might be accurate to say he was a student of B-movies as a kid. He seemed to really be into the Roger Corman type stuff as he became deeply inspired by Hollywood Boulevard, a movie produced by Corman, directed by Joe Dante, and featured right here on this blog! But because he was so inspired by that, when he started working on his very first feature, Blood Theater, he was able to convince Hollywood Boulevard star (and Corman alum) Mary Woronov to headline that first movie. He did this at the age of 21.

In a lot of ways, I really do have a great deal of, for a lack of a better word, sympathy for Sloane. His movies have been bashed throughout his career. However, I do wonder if that even bothers him. You see, the guy clearly loves his B-movies. He may be closer to a Jim Wynorski type where he likes to interject sex and comedy into his movies. These aren’t the type of movies that will go over well with critics, but these Vice Academy movies WILL go over well on USA Up All Night where they became hits in the 90s thanks to Rhonda Shear bringing a lot of teenage fellas to the TV on Friday and Saturday nights before they had cars.

But enough of that… Let’s get into Vice Academy Part 3 where our lovely cops to stop and frisk some female inmates on the run!

Continue reading “Vice Academy Part 3 (1991)”

Vice Academy Part 2 (1990)

Welcome to B-Movie Enema, my dear Enemaniacs! This week, we’re going to get back to a series I started back in summer of 2020 when I looked at the first of SIX Vice Academy movies. We had some fun times with the lovely ladies of the academy as they certainly put the bust in busting bad guys. Considering it’s been almost three years since doing that movie, and this month is all about catching up with some old friends in sequels to movies I’ve covered before, it was high time I go back to the Rick Sloane series. So, here we are with Vice Academy Part 2 released the very next year after the first movie’s release.

I know I talked a little bit about Rick Sloane in the first Vice Academy movie, but I kind of want to swing back around to him for this second movie. There really are only three things Sloane has done stuff with in his life. Of course, maybe his longest running gig was cranking out these six Vice Academy flicks. His next most recognizable thing were two Hobgoblins movies. I talked last time about how that was mercilessly riffed by Mystery Science Theater 3000 in one of my all time favorite episodes of that series. Since then, alumni of MST3K riffed it again at a life Rifftrax event that was also pretty great.

Interestingly, while Sloane did make other movies here or there, he has a major passion for The Rocky Horror Picture Show. He grew up during the explosion of that film becoming the all time kin… er, queen(?) of cult flicks. When he was still fairly young, he worked with 20th Century Fox to help promote The Rocky Horror Picture Show while also producing some silly grindhouse-style shorts cut like trailers. He showed those during a Rocky Horror convention in Southern California. That also coincided with the promotional push for the sequel, Shock Treatment.

Continue reading “Vice Academy Part 2 (1990)”

Fritz the Cat (1972)

Oh man… This one is long overdue.

Welcome to this week’s new B-Movie Enema review. If you’re roughly my age (46) and frequented cable TV and video stores in the 80s and 90s, there were a few titles that almost seemed mythical in their reputation. These are your Faces of Death movies or Heavy Metal or Flesh Gordon or Wizards or maybe even something like a movie that had a tad more mainstream acceptance like Watership Down. These were movies that were full of wonder in the fact that they were either seemingly explicitly adult or were gory or, as is the case with Wizards, Heavy Metal, and Watership Down, were animated movies that were either not for kids or featured some pretty extreme stuff that would scar kids.

Then, there was Fritz the Cat.

Continue reading “Fritz the Cat (1972)”

The House on the Edge of the Park (1980)

This article was written, edited, scheduled, and completed prior to the unfortunate passing of supporting star Giovanni Lombardo Radice.

Welcome back for another B-Movie Enema review. This week, I’m taking a look at 1980’s The House on the Edge of the Park.

This is one, and let me know if you’ve heard this line before, that I remember catching a part of on Bizarre TV. I don’t remember anything that I saw, but I remember this movie’s lead star, David Hess. Hess is quite the recognizable guy if you’ve seen Wes Craven’s The Last House on the Left. Let’s face it, most of you reading this blog have seen that one. But Hess would basically go down in “infamy” as Krug, the leader of a group of nogoodniks who kill two innocent girls just looking to score some weed before going to a rock concert.

Beyond that, Hess also would become best known for playing scuzzy villains. In House on the Edge of the Park and Hitch-Hike, he plays guys who either murder people or take them hostage… or, well, both. Most of the other movies that he appeared in just had him play bit parts as in the case of his reunion with Wes Craven in Swamp Thing. But he actually had other talents as well. He directed the Christmas slasher To All a Goodnight. Despite being recognizable for being the leader of a horrific gang of rapists and murders in The Last House on the Left, Hess actually was quite the singer and songwriter.

Continue reading “The House on the Edge of the Park (1980)”

Psychomania (1973)

Biker flicks were pretty popular between the mid-50s to the mid-70s. But not like the hero rides around on a bike and is bad ass and saves a little town from, I dunno, Nazis or something. No, some of these movies featured down right psychopathic killers on bikes who come in, drink your beer, rape your women, and, I dunno, wore Nazi paraphernalia. Wait… Anyway, here, in America, bikers kind of represented this “take no shit from anyone” kind of attitude that screams conservo-libertarian “shove your rights up your ass, my rights are more important” mindset.

They were a menace to more normal sensibilities of the typical suburban set. So much so, it got to the point where if you wore too much denim or not enough sleeves and didn’t wash your long hair and beard often enough, people were probably thinking you were a biker and probably going to bust heads. Look, I know I’m kind of shot out of a cannon here for the start of this week’s B-Movie Enema review, but I’m catching up to the thread here again.

Okay, so the origins of the “outlaw biker” films go back to Marlon Brando’s The Wild One in 1953. That was the movie that kind of revealed the subculture of biker clubs that had existed for a few years prior. While the success of that film would lead to a lot more movies, and even a book by Hunter S. Thompson about the most famous gang, Hell’s Angels, it really was our ol’ buddy Russ Meyer who made Motorpsycho in 1965 and turned this into a more exploitation type of biker gang flick. By the 70s, biker flicks were exported to the United Kingdom. Maybe our most popular example is this week’s featured flick – 1973’s Psychomania (originally released as The Death Wheelers in the United States).

Continue reading “Psychomania (1973)”