Parts: The Clonus Horror (1979)

Welcome to a new review here at B-Movie Enema.

It’s no secret that I’m a fan of Mystery Science Theater 3000. I proudly call myself a MSTie. One of the great things about MST3K is the fact that it often exposed people to movies or shorts that they wouldn’t have known anything about. Granted, there are some more popular movies they covered on the Satellite of Love like a Gamera movie or a couple Godzilla films and even a couple of the late-stage Universal Classics like Revenge of the Creature and The Mole People. I’m even sure that there are a couple of the shorts they covered that I watched in school in the late 80s and early 90s.

But the real treasures tended to be the movies that were obscure but maybe even had a long-running stint on late-night TV or cable. That’s where this week’s featured movie that I’ll be reviewing likely lived most of its existence. I’m going to be taking a look at 1979’s Parts: The Clonus Horror.

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Boggy Creek II: And the Legend Continues (1984)

You’ve got monster!

Welcome back to B-Movie Enema. We’re headed to the wilderness of Arkansas this week. I’m going to review a sequel to a very popular cult hit from the early 70s, Boggy Creek II: And the Legend Continues. Both 1972’s The Legend of Boggy Creek and Boggy Creek II were directed by Charles B. Pierce. Pierce is an interesting character. He was born in Hammond, Indiana. Hammond is best known for being a sort of suburb of Chicago and the hometown of author Jean Shepherd who used it as the template for Hohman, Indiana in the holiday classic A Christmas Story.

Pierce based his movies on the legend of the Fouke Monster who is said to reside in the wooded area and the creek marshes around Fouke, Arkansas. The Fouke Monster is just the Texarkana version of Bigfoot or the Sasquatch. It supposedly attacked the home of a couple in May of 1971. Pierce, fascinated by the tales told about the monster from that story, made a docudrama about the event which was The Legend of Boggy Creek.

While the movie was a massive hit, Pierce has always admitted that he doesn’t necessarily believe in the legend of the creature, but is far more interested and fascinated by the folklore and tales the people told about the monster.

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Dr. Caligari (1989)

It’s December here at B-Movie Enema Industries, and that means things are getting a little cold. But I’ve got something to warm the bones. By that, I mean something really weird. This week, I’m looking at the avant-garde 1989 Dr. Caligari.

I don’t want to say this is a remake of the German expressionism classic The Cabinet of Dr. Caligari, but let’s try to sort all this out. That original version I just mentioned was released in 1920. This was during a time of massive film experimentation in post-World War I Germany. The Cabinet of Dr. Caligari is one of the most influential early films in history. While 1922’s Nosferatu is a more influential monster film, Caligari twisted the way a story could be told. That wasn’t just a clever way of using the word twisted to describe the look of the film. There are multiple reads about how the narrative plays out.

Dr. Caligari, in the original that is, was a man who went from town to town and did sideshow-like performances with his somnambulist, Cesare, who is forced to obey his every command. Cesare is Caligari’s instrument of revenge against those who wronged him. It turns out that the character who is telling this story is actually a patient in an asylum. Caligari is actually the head doctor there. The other main characters, Cesare, and the girl whom Cesare falls in love with, Jane, are also inmates. It’s an early example of a twist ending and an unreliable narrator in a film.

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The Stepford Wives (2004)

Welcome to B-Movie Enema.

You come to this place for movie reviews. Sometimes you get a laugh. Sometimes you might feel the pain I felt while watching a movie and you begin to cry. If you are some sort of weirdo that thinks heartbreak would feel good anywhere, then might I suggest you get the fuck out of here you goddamn monster?

We’ve been in this neighborhood before. Yes. Back in July, we took a trip to a scenic village to see what 1975’s The Stepford Wives was all about. We return again to check out the 2004 remake starring a pretty A-list cast of actors like Nicole Kidman, Matthew Broderick, Bette Midler, Christopher Walken, and Glenn Close. Not only do you have some pretty powerful actors involved but you also have the film being directed by Frank Oz.

But oh boy were there issues with this production.

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Halloween: The Curse of Michael Myers (1995)

For the 400th time, welcome to B-Movie Enema, and, most importantly, allow me to extend to my Enemaniacs a very happy Halloween!

What better way to spend the greatest of all holidays, and this milestone review, than with that murderous monster Michael Myers? Well, you might want to table some of that excitement. That’s because it’s time to take a look at one of the most blasted entries in the entirety of the Halloween franchise. Yeah, we’re cursed, my dear readers. Let’s discuss 1995’s Halloween: The Curse of Michael Myers.

Alright, check it out… Let’s go back to September 29, 1995, the day the sixth Michael Myers epic hit theater screens. I was 18 years old and a high school graduate. Sure, you might think I should have been a freshman in college, but, well… You don’t realize how absolutely listless and lazy I was (and still am). I didn’t go to college right after high school, pffft. Hell, when I did go to college the following year, I only stuck around for, like, two years.

What was I talking about? Oh, yeah Halloween 6. I didn’t have that interesting story about that September night way back in my youthful days of 1995. But I was excited to see the new movie. I like Mikey Myers. I expected this sixth entry long before 1995. Six years had passed since the previous film’s release and that one ended on a cliffhanger. I had lots of questions about whether or not that would actually be picked up and continued with the Man in Black and Michael Myers being part of some sort of organized thing, hence the tattoo of the Thorn rune symbols on those two characters’ wrists.

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Halloween 5: The Revenge of Michael Myers (1989)

Happy Halloween Weekend, my dearest of Enemaniacs!

If you’ve been around here for a while, you know that October is a big deal with B-Movie Enema. It was in October 2014 that the blog was started. When the blog returned in 2016, I always tried to have some sort of theme (be it loose or a tight theme) each October. I’ve also treated Halloween itself as a kind of big deal. In fact, that SERIES has been visited and revisited a few times over. It started in 2016 when I covered the absolute worst of the series. Then, in 2017, I talked about the one that gets the most misunderstood hatred in the series.

After 2017, I took it kind of easy on the franchise, but last year, I returned to the series with the movie that brought ol’ Mikey Myers back to the franchise after that misunderstood entry. Halloween 4: The Return of Michael Myers wasn’t just a return to the series after six years of the franchise being completely left in the past, but it also kicked off a trilogy of sorts. Today, we follow that up with that movie’s direct sequel and the middle chapter of this sort-of trilogy with Halloween 5: The Revenge of Michael Myers.

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Freddy’s Dead: The Final Nightmare (1991)

Spooky season continues at B-Movie Enema!

Welcome to this week’s review. Last week, I checked Leatherface off the list of horror icons that I haven’t checked in with for a long time. This week, it’s Freddy Krueger. Now, here’s what I think is likely a hot take. I don’t actually care much for the Elm Street franchise. Of all the slashers and serial killers, Freddy ranks pretty dang low. I know, I know… There are lots of Freddy stans out there.

I actually get it. The first film in the series, A Nightmare on Elm Street, is really the best slasher film of the 80s. It’s well-written and very well-acted. The first sequel is interesting but not truly a great movie. It’s great camp, so that puts it in another category. The third film is one of the best horror sequels of all time. In 1994, Wes Craven’s New Nightmare is a very good new take on the series. I don’t care much for the other sequels much at all. So when it comes to the series itself, the first three films, to me, are pretty watchable. The last one is a completely different type of movie and should be kept separate from the other six. I never saw the remake. I didn’t care to. I already covered the fifth film in the franchise when things were truly and fully off the rails with Freddy’s over-the-top jokey personality.

And then there’s Freddy’s Dead: The Final Nightmare.

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Texas Chainsaw Massacre: The Next Generation (1995)

Welcome to a new B-Movie Enema review.

We’re celebrating Halloween this month with the traditional horror movie marathon each Friday. This year, I decided to return to some series that I had covered in the past. Now, with it being Friday the 13th today, you probably expected to see this movie covered for the spooky day in the spooky month. Yeah, Leatherface… He’s the Friday the 13th guy, right?

You know I’m just yanking your crank. Honestly, there’s not another Friday the 13th movie that I really want to cover on the blog. So, instead, I opted to go back to a series I haven’t covered in a long time and discuss Texas Chainsaw Massacre: The Next Generation. The only other time I looked at a movie starring the leatheriest of faces was way back in October 2017 when I reviewed The Texas Chainsaw Massacre 2.

This is a weird series. At least for me, it is. I love the original The Texas Chainsaw Massacre. There’s a grittiness to it that makes you feel uncomfortable from the start. It’s grainy. It’s sweaty. It looks and feels like you’re right there with the characters. Then, there’s the scene where Marilyn Burns is captured where she is screaming her head off. It’s a moment that actually affects me on a physical level. I’ve been made queasy by that scene on more than one occasion. It’s effective as hell, and one of the most effective scenes in film history to me.

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