Author: Geoff Arbuckle

I write and talk about movies. Find me over at Film Seizure where I talk about nostalgic movies on a weekly podcast as well as have a weekly show about monster movies. I also write about B-Movies at my site B-Movie Enema!

Bong of the Living Dead (2017)

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Welcome back to B-Movie Enema. This week, we’re going to have a little more fun with a fairly decent little horror movie released through independent distributor Scream Time Releasing. I’m going to be looking at 2017’s Bong of the Living Dead.

Bong of the Living Dead was directed by Max Groah. Groah has been around as a writer and director since 2010 when he made his first short film, Ringtone: The Gareth Blevins Story. Bong of the Living Dead is his first feature film. In fact, it’s still the only full-length film he’s made, though he did team up with Scream Time Releasing to write and direct a segment in the anthology film 10/31 Part 2.

Groah produced the film through Backward Slate Productions which is a small indie production company out of Columbus, Ohio. There’s a pretty healthy Midwest United States groundswell for indie film, particularly in the horror genre. Being a frequent visitor of HorrorHound in both Indianapolis, the home base of B-Movie Enema Industries, and Cincinnati, as well as visiting Days of the Dead Indy a few times over the years, I have often seen several indie filmmakers from the surrounding areas. It seems as though there are several Ohioan indie horror filmmakers with varying degrees of exploitation, throwbacks to the style of the 80s and 70s, and production quality.

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Meet the Feebles (1989)

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Welcome to another review here at B-Movie Enema, ya filthy animals! Yeah… I suppose that’s a proper way to start because we have some animals who have filthy lives in this week’s movie. This week, I’m going to be digging deep into the nether regions of Peter Jackson’s 1989 musical black comedy Meet the Feebles.

Now, when you think about Peter Jackson, I think what comes to mind is his very polished films like the Lord of the Rings trilogy, the remake of King Kong he made, or maybe the unpopular, but reevaluated, fun romp that was The Frighteners. The point I’m trying to make is that he’s well-known today as a very top-tier filmmaker. Think of him as the George Lucas of the 90s and 00s. He set up his own special effects company, Weta Workshop. He does nothing half-assed. He has big visions and ideas and it usually pays off in moola for studios.

He’s been nominated for nine Academy Awards (and won three of them), he unearthed and revived a lot of old Beatles footage for a hugely successful documentary, and he’s done more to popularize Hobbits and Elves and Wizards than maybe even Wizards of the Coast has, but let’s back it up a little bit to the early part of his career, shall we?

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Parts: The Clonus Horror (1979)

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Welcome to a new review here at B-Movie Enema.

It’s no secret that I’m a fan of Mystery Science Theater 3000. I proudly call myself a MSTie. One of the great things about MST3K is the fact that it often exposed people to movies or shorts that they wouldn’t have known anything about. Granted, there are some more popular movies they covered on the Satellite of Love like a Gamera movie or a couple Godzilla films and even a couple of the late-stage Universal Classics like Revenge of the Creature and The Mole People. I’m even sure that there are a couple of the shorts they covered that I watched in school in the late 80s and early 90s.

But the real treasures tended to be the movies that were obscure but maybe even had a long-running stint on late-night TV or cable. That’s where this week’s featured movie that I’ll be reviewing likely lived most of its existence. I’m going to be taking a look at 1979’s Parts: The Clonus Horror.

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Boggy Creek II: And the Legend Continues (1984)

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You’ve got monster!

Welcome back to B-Movie Enema. We’re headed to the wilderness of Arkansas this week. I’m going to review a sequel to a very popular cult hit from the early 70s, Boggy Creek II: And the Legend Continues. Both 1972’s The Legend of Boggy Creek and Boggy Creek II were directed by Charles B. Pierce. Pierce is an interesting character. He was born in Hammond, Indiana. Hammond is best known for being a sort of suburb of Chicago and the hometown of author Jean Shepherd who used it as the template for Hohman, Indiana in the holiday classic A Christmas Story.

Pierce based his movies on the legend of the Fouke Monster who is said to reside in the wooded area and the creek marshes around Fouke, Arkansas. The Fouke Monster is just the Texarkana version of Bigfoot or the Sasquatch. It supposedly attacked the home of a couple in May of 1971. Pierce, fascinated by the tales told about the monster from that story, made a docudrama about the event which was The Legend of Boggy Creek.

While the movie was a massive hit, Pierce has always admitted that he doesn’t necessarily believe in the legend of the creature, but is far more interested and fascinated by the folklore and tales the people told about the monster.

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Ninja in the Claws of the C.I.A. (1981)

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Welcome back to B-Movie Enema and welcome back to me going through my backlog of movies that I’ve either picked up from conventions or, as is the case with this month, bought from Vinegar Syndrome.

I think we might have something of a special little movie this week. We’re going to be looking at John Liu writing and directing himself into Ninja in the Claws of the C.I.A. which was originally known as Sah shou ying as well as simply Claws of the C.I.A. and there’s even a version called Made in China. I really don’t know what I want to reveal to the people who haven’t seen this movie, so… I think we’ll just start by talking about John Liu.

When I went googling for John Liu, something really awesome happened. All I was getting were links, articles, and information on John Liu, Democratic member of the New York State Senate. Now, my brain is utterly shattered and broken in terms of being able to work properly. So I think it’s safe for you to bet that I was thinking that guy and the lead of this movie were the same dude. Then, I began thinking about him bringing legislation to the New York Senate floor by way of kicking motherfuckers’ asses. Like, he steps up to the podium, asks for time from the President of the New York Senate, and then after casually removing his tie, he just walks over to some Republican he beefs with and they just kung fu fight.

I wish that was what really happens in state senates and congresses across the country.

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Amazon Jail 2 (1987)

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Welcome back to B-Movie Enema and the continuation of the Amazon Jail saga with Conrado Sanchez’s Amazon Jail 2!

This month, we’ve got a set of releases from Vinegar Syndrome in 2023. We looked at the first film of the Amazon Jail duology last week. We finish that up this week and move on to some more fun next week. We’re going to be able to get right into the movie very quickly because these movies are wildly obscure so there’s not much of note I can really dive into in the background.

I will follow up on what I discussed for a short bit last week and say this comes from the later days of the Mouth of Garbage exploitation movement in Brazil. That began in the 70s out of Sao Paulo and tackled sex comedies for the most part as well as horror and action films. By this time, a regime change in Brazil led to the loosening of censorship in cinema so porno films began to be produced by the time Amazon Jail 2 was released.

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Amazon Jail (1985)

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Welcome to this week’s B-Movie Enema!

You know what? I’m kind of excited this week. Why? We’re going to look at some old favorites in terms of a distributor and subgenres. First up, we have a return from Vinegar Syndrome. What a heck of a boutique distributor of physical media. If you have a desire to see obscure horror and thrillers, sexploitation films, or general exploitation from other countries, there’s no one better.

I’ve got a ton of their releases. I’m not one of those types who gets everything from them, but I have a fair amount of their releases. Let’s be honest… They are a wonderful pipeline for content on this blog. So, when they put out some kooky releases in 2023, I had to jump on board with the entire intent to feature it here in February 2024.

In that release slate for 2023, there was a two-pack that we’re diving into this week and next. We start things off with Amazon Jail from Oswaldo de Oliveira. This was the final film of Brazillian director de Oliveira as he would die five years later at the age of 58 or 59. He worked as a cinematographer, writer, director, and occasionally appeared in some of his films. He comes from Brazil’s “Mouth of Garbage” movement. I feel like I should put quotation marks around or italicize the word movement here, but I trust Vinegar Syndrome’s tastes and film analysis. Apparently, we’re going to be in for a hell of a ride with this subgenre of Brazilian cinema as this is a movement that produced a whole lotta crazy genre films that included horror, action, sex comedies, and pornography.

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General Commander (2019)

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Welcome to the final week of Steven Seagal Month here at B-Movie Enema.

Thank fucking Christ. Guys… I mean it. Sure, we’ve had some fun with week one’s Attack Force. That movie went through some crazy post-production rewrites. It’s a movie that was bad, but not the kind of shitty bad. I’d argue it’s not fun, but it’s got enough goofy stuff that makes it a halfway decent watch even though it sucks. Week the second was Urban Justice. That movie was, to my shame, enjoyable. I had a good time watching that movie. We don’t need to say much more there. Read that review. Last week’s Contract to Kill suuuuuucked. It was dumb. It was without any energy. It was a lot of Seagal mumbling, and, worse, it was boring.

Knowing Contract to Kill moved us from the 2000s to the 2010s, I knew we were going to be in some trouble. The closer you get to the present year, the shittier his movies get. That makes this week’s movie real dangerous waters for my personal desire to remain alive and breathing in this world. So, let’s talk about 2019’s General Commander.

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