Category: 1970s

Spaced Out (1979)

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Since this is the holiday season, Enemaniacs, I figured I deserve a bit of a gift. After all, Metamorphosis was so lacking in charm and good vibes, that I kind of need something. So, for this week’s B-Movie Enema review, and with Christmas just around the corner, I’m gifting myself the return of a favorite around these parts, Mr. Norman J. Warren.

Hell yeah, guys, gals, and non-binary pals, Norman J. Warren is back!

One of the things I’ve always loved about our friend Norman is that he doesn’t seem to ever make the same movie twice. Certainly, if you go through his filmography, you’ll be hard-pressed to find any two movies that resemble each other in succession. That’s what we have here with 1979’s Spaced Out. In the 60s, Warren made sex comedies but decided to move into horror in the 70s. In three consecutive years, he directed Satan’s Slave, Prey, and Terror. All three of those have been covered here, and all three are quite different in terms of horror films. Spaced Out would be a return to his old form, as it were, with a comedy.

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Best Friends (1975)

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Welcome to a new B-Movie Enema review.

You know what? As we rush headlong into the holiday season across most of the world (and, let’s face it, America IS the rest of the world, am I right?), this is a time in which we should be thinking about our loved ones. Are they well? Are they sheltered from the incoming cold weather (stop it, Australia and New Zealand and wherever else… America is the center of the world, okay?)… Can they provide a warm meal or presents to their family during this time of year? You get what I’m saying.

Well, I don’t really know where I’m going with that opening paragraph, aside from some parenthetical American exceptionalism, but I do know that we’re going to be talking about the 1975 drama Best Friends. This movie comes from director Noel Nosseck. Nosseck actually had a decent career despite having no page on Wikipedia. Best Friends would be his first feature film, but prior to this, he worked on educational films about the dangers of heroin, LSD, and VD. He spent the remainder of the 70s after Best Friends doing pretty well for himself and getting some decent work. If you are a fan of the Cinema Snob, you might recognize one of Nosseck’s movies he directed in the 70s, Dreamer, one of the Snob’s Patreon poll winners that happened to be a lame bowling melodrama sort of in the vein of Rocky.

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The Vampires Night Orgy (1972)

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Happy Halloween and welcome to the annual tradition of the B-Movie Enema special Halloween review!

This year, the annual October theme that I always choose to celebrate not just the earliest days of B-Movie Enema but also the spooky season was 1970s Women-in-Peril films. Now, for the most part, the movies I choose each October will fit some kind of theme. Sometimes the Halloween special will follow the theme and sometimes they don’t. This is one of those years where it kind of doesn’t, but there’s a specific reason why I chose this movie to celebrate Halloween.

The Vampires Night Orgy was selected because it was a movie from the 70s but it’s not really a full-on women-in-peril type film like we’ve seen in weeks past. I selected this because it falls in line with a tradition that I’ve sort of halfway gestured at during the course of this month. If you’ve been around these parts for a while, you know that B-Movie Enema was started in 2014 as a way to do something with a whole bunch of movies that I had from various cheap-o 50-movie multipacks. A few years before that, I had wanted to work with some friends to create a horror host show. These movies let us know what basically was available to us at that time. When that fell apart, I felt I had to do something for a creative outlet and the idea of creating a blog was formed on a random night in September 2014. October 3, 2014, the first review was released – The Eerie Midnight Horror Show. That movie was found in one of these multipacks of movies.

It came from the same set that I looked to for this week’s movie review.

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The Wizard of Gore (1970)

Published on by Geoff Arbuckle3 Comments

Welcome to a new review here at B-Movie Enema.

A guy I hadn’t yet covered at all to this point is Herschell Gordon Lewis. That’s a little bit of a surprise, isn’t it? This is B-Movie Enema. I’ve covered everything from Batman and Robin to a number of Russ Meyer films to freakin’ Bloodsucking Freaks. It would seem as though Herschell Gordon Lewis, the Godfather of Gore, would have shown up here before now. But, no, this week’s review, 1970’s The Wizard of Gore is his first go around here on the site.

If I am being kind of honest, I’m not entirely sure where I would have entered into the Lewis filmography. Sure, there are several of his movies that are known for his distinctive style (or lack of typical cinematic ability). Naturally, this movie is probably his crowning achievement as being one of the quintessential independent horror films that gave rise to the horror exploitation era of the 70s. Beyond that, there are other movies that are well known for being directed by Lewis like 1963’s Blood Feast and 1964’s Two Thousand Maniacs! While both of those films would have been good choices, they get talked about a lot. I suppose The Wizard of Gore has been too, but… eh. I had to choose something and this fit the criteria for this month of being women-in-peril and a 70s film. The last movie he made before a 30-year break from making films was 1972’s The Gore Gore Girls which was definitely in consideration for a review too.

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And Soon the Darkness (1970)

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Welcome to another installment of B-Movie Enema and the continuation of this month’s women-in-peril theme.

The first week we saw an unbelievable terror for a pair of young women in New York. Last week, we celebrated 450 reviews on B-Movie Enema with a horrific and brutal attack on a New York woman in Connecticut. This week, we go trans-Atlantic to Europe where we follow a pair of ladies from Nottingham, England taking in a cycling holiday in rural France in Robert Fuest’s And Soon the Darkness.

I’m surprisingly well-acquainted with Mr. Fuest’s films. Some of his films I know well because I’ve seen them. Others I know because they are a sequel to a movie or TV show I’m familiar with. Another I’m aware of because it was a favorite of a family member starring someone I’m exceptionally familiar with.

Let’s start with the ones I’ve seen of his. In 1971, one year after the release of this film (and another I’ll be mentioning momentarily), he directed the Vincent Price classic The Abominable Dr. Phibes. Another year later, he directed the sequel, Dr. Phibes Rises Again. Then, in 1975, he directed William Shatner and Ernest Borgnine in the infamous film that had Anton LeVay himself as an adviser, The Devil’s Rain. Arguably, these are the films Fuest is best known for making.

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I Spit on Your Grave (1978)

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Welcome to the 450th review at B-Movie Enema!

It took a while to get here, folks, but here we are. Just over 10 years since starting this blog, I’ve knocked through major milestone after major milestone. But all the while there were a few movies that I hadn’t covered that I knew I would have to in some way or another. So, when it came to this year’s milestone, the 450th, I needed to cover one of those movies. In fact, when I came to the decision to cover the 1978 rape-revenge exploitation classic I Spit on Your Grave, I used that to help shape the entirety of this month’s October theme.

But why is this movie so famous, or infamous? Well, this is maybe one of the greatest examples of how it was received by critics as well as somewhat close-minded or ill-informed audiences when it was released in November 1978. For all my life until I saw the movie for the first time some years ago, I had two things about the movie relayed to me: 1) it was so disliked and balls-to-the-wall rapey that it almost comes across and something “dirty” to want to watch and 2) my older brothers would always talk about one particular scene concerning a girl, a guy, a knife, and a tub… oh, and that guy’s dick.

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