Okay. Admittedly, last week was a bit of a blunder in my Blue March theme month here at B-Movie Enema. However, can this week’s feature, Oriental Blue, do better? Can it improve upon the cockamamie doody bullfuck that was The Vixens of Kung Fu?
Well… I mean it kinda has to right? Right? Yes, it is made by the same guy, Bill Milling. Yes, it’s Asian-themed. Yes, there seems to be some form of prostitution afoot. But I can say it is a full 15 minutes longer. That has to mean something, right?
Right? Continue reading “Oriental Blue (1975)”
I, the fine folks behind B-Movie Enema, would like to finally give into the base need and absolute expectation of all my friends to finally spend a month talking about blue movies. We’re going to start with the big budget 1978 movie, SexWorld, directed by Anthony Spinelli.
Whether you call these flicks porn, titty flicks, smut, stag films, skin flicks, erotica, filth, dirt, obscenity, or x-rated material, I feel like this is where my life and my blog has come to a… er… well, head. The decision to do this theme month was made over six months ago when the good people of Vinegar Syndrome had a big ol’ blue sale where they were selling X-rated flicks for, like, half off or something. I decided to get a stack of these movies so I can accept my destiny as “that guy” who watches “ever increasing smutty movies to keep writing about them.” Continue reading “SexWorld (1978)”
Let’s talk about Norman J. Warren.
He’s someone who I’ve yet to really feature on this blog, but I will be correcting that big time from this point forward. He’s a British filmmaker who was always into the movies growing up. His films were often deemed part of British “New Wave” Horror. Basically, taking what Amicus and Hammer did with sexuality and gore and pushing it a little further for the end of the 70s and beginning of the 80s.
His movies are really interesting – and, in my opinion, actually fascinating and fun to watch, if not good. He seems to have ideas, even if what he starts with isn’t that groundbreaking. Want to tell a ghost story? Well, he’ll tweak it here and there and include a time element and give you Bloody New Year. Want to tell a story about an alien coming to Earth? Well, how about we throw in abuse and a lesbian couple and a sinister reason for the alien to be here and give you Prey. How about yet another alien story, but this time include impregnation and have the mother of the new alien/human hybrid become murderously protective of the monster? Yeah, we’ll call that Inseminoid. Continue reading “Terror (1978)”
It’s another Friday, and another chance for me to talk about B-Movies.
This week’s is what most would consider a “mockbuster”. It’s an Italian and US co-production totally aping off the hugely successful 1973 horror movie, The Exorcist, called Beyond the Door. Well, it’s called that here. In Italy, it is called Who Are You? and in the UK, it was released under the title Devil Within Her – which sounds like a completely different type of movie. Continue reading “Beyond the Door (1974)”
I told you back in October that Demonia would not be the only time Lucio Fulci gets featured here on B-Movie Enema.
I mean, after all, that movie sucked, and he made so many other movies that were so much better. Even his not so great movies were way better than Demonia. Frankly, the only way to really make up for choosing that stinker is to cover the movie that he is probably best known for directing, 1979’s Zombie.
However, to really talk about Zombie, we need to take a step backwards in time to a few years before this movie would see the light of day. Continue reading “Zombie (1979)”
Last week, we had ticks, now B-Movie Enema has a problem with The Bees.
It’s been a while since B-Movie Enema crossed the border to Mexico for a movie. In fact, I don’t think I’ve looked at one since The Brainiac some two and a half years ago. This time, it’s a movie that is more of a Mexican production more than a product of Mexico through and through. This movie is about some evil businessmen bringing over some deadly bees from South America and when they get loose in the United States, they start destroying society.
Because this is a B-Movie from the 70s, you better believe we have us some John Saxon and John Carradine along for the ride. Not only that! But we also welcome back Angel Tompkins as our leading lady. She appeared in one of the very earliest B-Movie Enema articles, The Teacher. She played, well, the titular teacher. Continue reading “The Bees (1978)”
And here we are, the final entry for the Ilsa She-Wolf of SSeptember theme month at B-Movie Enema.
Thus far, we’ve seen Ilsa run a Nazi concentration camp, a sheikh’s harem and sex slave trade… warehouse(?), and a psychiatric hospital in (probably) Spain. Now, we turn back the clock to 1953 Soviet Union. Here, Ilsa runs a gulag in Siberia for political prisoners where she breaks them mentally and physically.
Not only does this come full circle back to Canada as the sole country of production, but we also have a couple star-studded names producing the film. First, we have Ivan Reitman who, before coming to America to produce and direct some of the biggest and best comedies of the 80s, produced horror and exploitation films like this and David Cronenberg’s Shivers. He and Cronenberg were great friends both from Canada, and it was Reitman’s suggestion for Cronenberg to cast one of the biggest porn stars of all time, Marilyn Chambers, in Rabid. Continue reading “Ilsa, The Tigress of Siberia (1977)”
We’re back for round 3 of Ilsa She-Wolf of SSeptember Month here at B-Movie Enema. Last time, I mentioned that this week’s installment, Ilsa, The Wicked Warden, was a bit of the redheaded stepchild of the series. It’s not because Ilsa is a redhead this time around (I mean… yes that too), but it’s really because this movie was never meant to be a part of the series.
The first two, as well as next week’s installment, were legitimately made to all be about a ball-busting chick (sorta) named Ilsa who ran a prison camp or a harem. This was actually meant to be entirely separate. This film was legitimately filmed to be like those other women in prison, sexploitation flicks and be marketed overseas. What better way to sell them than to have Dyanne Thorne be your villainess? And how do you give it more of the European flavor? Continue reading “Ilsa, The Wicked Warden (1977)”