Deadly Prey (1987)

I’m a little surprised it has taken me this long to get to a David A. Prior movie, but here we are!  This week’s B-Movie Enema is going to tackle Deadly Prey from 1987.  There’s lots of interesting elements to talk about here.  But we should start with Prior first.

Prior was born in 1955.  In the early 80s, he made the movie Sledgehammer which has the distinction of being the very first shot-on-video slasher film that was distributed to the masses.  In relatively quick succession, he was making films that would have limited theatrical releases, but had lots of life on cable and in video stores.  Before making this film, he met David Winters (more on him shortly).  Winters would finance a couple of Prior’s movies like Killzone and Killer Workout (both movies I’d very much like to cover here).  After those films, Winters and Prior would form Action International Pictures (AIP) to release two more Prior films shot back-to-back – Mankillers and Deadly Prey.

David Prior often worked with his little brother, Ted Prior.  Ted became pretty well known for being a buff action type star.  Ted had roles in almost every AIP film that David was heavily involved in beyond being a producer.  Interesting note about Ted, he was briefly married to a female bodybuilder who was part of the original cast of American Gladiators (Raye Hollitt aka Zap).

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Lovely But Deadly (1981)

Sometimes you just need kung fu girls fighting a drug ring in their school.

That’s what what we have this week – Lovely But Deadly.  The film was made by David Sheldon, and he’s had a pretty good, long career as mostly a producer or executive.  This is only one of three movies he directed (one of which he was not credited for), but he does have some pretty good writing and producing credits worth mentioning.  To start, he wrote the movie Grizzly, and its long-to-finish-sequel Grizzly II: Revenge.  He’s been involved with the films Abby, Devil Times Five, Sheba, Baby, The Evil, The Manitou, Dr. Phibes Rises Again, and a whole slew of blaxploitation flicks.  Dude got around, but mostly got around the behind the scenes side of things as he doesn’t actually have a lot of actual on-screen credits.

Sure, many of his movies deal with animals having enough of our shit as human beings.  This time around though, he decides to take it back to school with a tale of a cheerleader, nicknamed “Lovely”, who decides to go undercover to expose a drug ring after her brother overdoses and a bunch of kids get hooked on the junk.  Also, she knows kung fu.  I cannot emphasize that enough.

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The Slumber Party Massacre (1982)

Happy Halloween, Enemaniacs!

There are a handful of traditions on this website.  The first has always been the October theme month of horror or monster films.  That started with the very first five posts way back in 2014.  When the blog returned from a lengthy hiatus in 2016, I continued the idea for October, but started a new, second tradition – the Halloween special post.  However, to say that was started in 2016 isn’t exactly true either as October 31, 2014 was the original release date of my first Jess Franco review, the really bad Oasis of the Zombies.

Another tradition on this blog is to often mention the influence of the old Roku channel Bizarre TV.  I talk about it a lot.  It was, without a doubt, the primary influence for me to get off my duff after a somewhat crappy time in my life filled with loneliness and despair to get back to my one true love – writing this blog.  Not only that, but it led to one last tradition on this blog.  That last tradition was to celebrate the final six films that ran on Bizarre TV for months at a time before the channel finally going off the air forever.  We’ve reached the final entry of those final days of one of the finest channels on the history of Roku.  This year’s Halloween Special Post goes to The Slumber Party Massacre.

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Beyond the Door III (1989)

B-Movie Enema’s Exorcist Rip-Off Month comes to a conclusion while also coming full circle with the start of the month – and completes a “trilogy” all at the same time.

This week’s feature, Beyond the Door III is, as Wikipedia states, “the third and final film in the Beyond the Door Trilogy“.  It should also state that this and Shock were sequels in name only from the jolly ol’ land of endless opportunities for this blog – Italy.  To complete the trilogy (12 years after the last and 15 years after the first), Beyond the Door III (also known as Amok Train because… sure) features a group of American students who go to Yugoslavia to meet up with Bo Svenson (who we’ve not seen since waaaaay back when I covered The Delta Force in 2016).

There, they witness a sacred pagan ritual.  I am sure that did not, at all, create any issues whatsoever anywhere and that brings about the conclusion of Exorcist Rip-Off Month!  Come back next week when we blast off to the stars for a… What’s that?  Witnessing a sacred pagan ritual in Yugoslavia starts significant problems?  I need to continue on with the movie?  You sure?

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Teen Witch (1989)

As a kid who did a lot of growing up in the 1980s, it was well into the 2010s before I knew much of anything about this week’s featured B-Movie Enema, Teen Witch.

Now…  Back in the day, I didn’t live under a rock.  I kind of do now, but not back then.  I went to movies constantly.  Every other day or so I was at Videoland renting movies and NES games.  I was once “with it” and vaguely cool…?  Somehow, Teen Witch escaped my notice.

It’s probably safe to say that it wasn’t really “made for me” – for whatever that really means.  I was a 13 year old boy in 1989.  So a movie about a girl getting the ultimate wish fulfillment opportunities didn’t really jump right out at me like, say, fuckin’ Batman or something.  Now, that said…  I feel it likely that I would have probably crushed on Robyn Lively.

Let’s talk about Ms. Lively, shall we?

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Mutant War (1988)

Last week, I checked in on site favorite Norman J. Warren.  This week, it’s time to check in with another favorite of the site, Brett Piper.

Toward the end of 2019, I wrote about his fun, sci-fi, post-apocalyptic, alien invasion flick Battle for the Lost Planet from 1985.  This time around, let’s look at the 1988 sequel – Mutant War.  Whereas the first movie finds our hero Harry Trent first remembering a series of events that started with him hijacking a space shuttle to being stuck on a pre-planned, five-year course to finally returning to Earth to discover that aliens have landed and more or less messed things up pretty bad.  It made for a nice little movie that, at times, gave me real classic Doctor Who vibes.

As was the case with his later film, Drainiac, and, to a certain degree, They Bite, I appreciate the spirit in which Piper works with and his general effort he puts out for the movies.  I truly do get the feeling that Piper just likes making movies and he doesn’t take himself too seriously.  Good on him.  In truth, he mostly just likes doing effects and creatures, which is obvious in his movies.  That said, sometimes, you just need these little types of movies that don’t take themselves very seriously and just wants to entertain.

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Don’t Answer the Phone! (1980)

It’s a new B-Movie Enema and, this time, Don’t Answer the Phone!

By 1980, there was a weird feeling in the country.  The 70s were pretty tumultuous with the Vietnam War and President Nixon leading to many feeling they can’t trust the federal government.  The entire decade felt as though the counter culture was putting their stamp on the new Hollywood, but that was about to come crashing down.  Indie exploitation was about to be scrubbed away by the religiously-charged, great white hope of the Reagan era.

One of the things that would play out for the next 20-25 years after the conclusion of the Vietnam War would be the psychological damage of the vets that returned home.  Whether it was by way of dramatic films like Coming Home and The Deer Hunter, or action films like the Rambo series, Vietnam vets played a huge part in many films.  But there was also a darker side to it as well…

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Vice Academy (1989)

I like to think of this subgenre, particularly in the 1980s, an American tradition.  Certainly it was nothing new to either the United States or other countries before the decade or even to this very day, but there was something pretty special about the American landscape of both horror and comedy in the 1980s.  It was the decade of slashers and Porky’s ripoffs.  But, maybe more important, it all falls back onto an idea I’ve discussed numerous times before – you had to stock video store shelves and late night cable TV time slots.

That brings us to director Rick Sloane and this week’s screwball comedy, Vice Academy.

Sloane is probably best known for his sci-fi throwback/boner comedy/creature feature Hobgoblins.  I’ve covered that over at Film Seizure on an episode of my weekly Monster Mondays show.  That was a movie I’ve seen a few times when it first made its way to cable, and several times when it was literally eviscerated by the crew of the Satellite of Love on Mystery Science Theater 3000.  While I love that particular episode of MST3K, I’ve always enjoyed the quaint attempt at a Gremlins clone as well as the general quirkiness of the mixture of a lot of 80s tropes that are at play in the movie.

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