Motorpsycho (1965)

Welcome to B-Movie Enema. This week, we enter week #2 of Russ Meyer Month II. Admittedly, last week was a rough one, and not a very good way to get things started. It wasn’t very good. It was hardly sexy. It was 70 minutes of exceptionally loose structure and too much plot for what we need from Meyer.

I have a great deal more faith in this week’s selection. The year is 1965. I would argue this was maybe the most important year in Meyer’s career. In the first half of the year, his 1964 German co-production Fanny Hill made its way stateside. The movie’s success was likely boosted by 1964’s Lorna which proved to be so controversial that it grossed roughly a million bucks on a $37,000 budget. Shortly after Fanny Hill was released, Mudhoney made it to theaters. That is a great little flick.

Later, in the late summer of 1965, Meyer’s most influential film, Faster, Pussycat! Kill! Kill! was unleashed to the world. It would inspire movies featuring bad ass women. It would act as a muse to the music industry for decades. Released one week later, but just before making Faster, Pussycat!, Meyer made another movie that would feature a roving gang of nogoodniks. That’s what we’re focusing on this week. This week’s movie, and the best title of all the films getting the review treatment this month by a wide margin, is Motorpsycho!

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Unmasking the Idol (1986)

Enema… B-Movie Enema.

That sounded a lot better in my head than it looked on the page. Hmm. Anyway, I’m a huge James Bond fan. When I was little, I remember getting my first looks at the Bond films on TV. At that time, I seem to remember more of the Roger Moore-era movies playing regularly than the Connery films, but I caught up with those older entries by the end of the 80s. It was then that I definitely remember ABC playing the movies on Sunday or Monday nights during the summer. What I didn’t see on TV, I’d rent from the video store.

This was around the same time as Licence to Kill hitting theaters and the first time I saw one of the movies in a theater. It was that summer that I became a huge Bond fan. I never looked back. Starting with GoldenEye in 1995, I started going to see each new Bond film in the theater with my father. I have a single tattoo on my body. It’s of a silhouetted James Bond in the famous gun barrel with his 007 logo under it.

So, when there is a movie like the one I’ll be reviewing this week, Unmasking the Idol, I’m immediately curious about it.

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Deathstalker II (1987)

Welcome to the final B-Movie Enema article for June!

So we spent a lot of time this month catching up with sequels to movies I’ve covered before. We started June with introducing ourselves to a series I’ve wanted to dive into for a while – Deathstalker. In the interest of keeping up with the whole point of this month, we’re going to round things out with Deathstalker II. If you think this is going to just be more of the same from the first film, well, you’ll be surprised to hear it isn’t. This is actually more of a comedy.

There could be multiple reasons why this sequel, that came four years after the original that was a success, decided to go this route. First of all, this was the final sword and sorcery film made in the Roger Corman-Argentinian deal. (To find out more about that, hit that link the paragraph above to read the review of that first film.) Honestly, the window had closed on these types of fantasy films by 1987. So why not try doing something a little different? Maybe wink and nod at the audience that these movies are kind of silly. Bringing Jim Wynorski in as director of this sequel certainly changes the mood. Wynorski’s pretty good at infusing a little bit of cheeky self-deprecation into his films. But then also the film was fairly low budget.

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Deathstalker (1983)

Welcome to B-Movie Enema, my friends! This month, we’re kind of setting aside time to cover two things. The first will be sequels to other movies we’ve covered in the past. The second is to cover the first movie and subsequent sequel in a series that I’ve been looking forward to dealing with for some time. It’s the latter that we are dealing with this week and the final week of June.

Hot off the heels of two quite successful sword and sorcery films in 1982, Conan the Barbarian (grossing somewhere near $80 million on a $20 million budget) and The Sword and Sorcerer (grossing around $40 million on a much more economic $4 million budget), audiences were hot for these types of movies. It’s kind of funny that the early 80s saw the rise in three distinct genres: fantasy, which sword and sorcery falls right smack-dab in the middle of, science fiction, thanks to Star Wars, and ninja action films. I think it’s safe to say that the fantasy genre lost the battle relatively quickly. More on that in just a moment.

It was thanks to Conan the Barbarian and The Sword and the Sorcerer that this week’s movie, Deathstalker, was made and was a modest hit, bringing in nearly $12 million against a $457,000 budget. This was brought to screens by Roger Corman’s New World Pictures. This was the first of ten international co-productions with Argentina. I’m not being facetious here, but I can’t name any other U.S.-Argentina co-productions. But this was definitely Roger Corman doing Roger Corman things. He quickly jumped on the fantasy trend and loaded this full of tits.

God, I love Roger Corman.

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Tomcats (1977)

Welcome back to B-Movie Enema.

I suppose I should give a little bit of a content warning to this review as our feature, Tomcats, is one of those 70s exploitation flicks that deals with some pretty gross stuff. You’ve got a situation where a group of ne’er-do-wells, okay, I guess I can call them “thugs”… Anyway, you’ve got this group of nogoodniks who gang-rape and kill young ladies. They get off on a technicality so it leads to one of the victims’ brothers deciding to go on a good old fashioned revenge tear to get the justice he was robbed.

So, yeah, content warning on this episode. These are unsavory situations to be sure. I do want to say that this does feel a little like a mix of movies we’ve seen before like Steel and Lace and the all-time classic revenge film I Spit on Your Grave. If I’m being fair, I’ve long wanted to do I Spit on Your Grave, but considering how dark that second act gets, I’ve yet to really go for it. So, instead, we’re giving Tomcats a try.

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Space Mutiny (1988)

Oh. Boy.

Welcome back to B-Movie Enema and the grand finale of David Winters Winter. If you’ve been reading all month, I’ve been kind of teasing what the finale was going to be. If you know what David Winters is maybe best known for, particularly in the 80s, and if I was teasing an 80s film of his that has some questionable decisions made in the production and set decoration, then you had to know it was going to be Space Mutiny.

Of course, Space Mutiny is best known for being one of the funniest episodes of Mystery Science Theater 3000. And what that episode is best known for are all the muscleman jokes made at lead star Reb Brown’s expense. I cannot tell you how many times I’ve called someone Rip Steakface, or Brick HardMeat, or Crunch Buttsteak, or Reef Blastbody, or Roll Fizzlebeef, or Big McLargeHuge, or Eat Punchbeef, or even Bob Johnson. I can’t tell you how many times I’ve said one of those names when I see Reb Brown. In fact, I’m sure I used some of them when I covered the 1979 Captain America movie he starred in! It’s part of my very blood. Those 40 parody names are just some of the best jokes ever written for a TV show.

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