Twister’s Revenge! (1988)

Hot diggity god dang!

Welcome to another B-Movie Enema review. I’m Geoff. Nice to meet ya. Been here before? Yeah? Then, I’m glad you came back. This week, we return to the filmography of one Bill Rebane. We previously talked about his bonkers horror-thriller Blood Harvest starring Tiny Tim. This is actually his follow-up. We’re going to the redneck part of Wisconsin for a little Twister’s Revenge!

You know this movie is serious as shit because it has an exclamation point at the end of the title… TWISTER’S REVENGE!

Anyhow, Rebane was actually born in Latvia and came to the States in 1952 while still a teenager. As a kid, he went to school in Germany and was conversationally fluent in German, Russian, and the language of his parents, Latvian and Estonian. He learned English by watching American movies. I find that kind of interesting because it’s not uncommon for people who grew up in Eastern Europe to have learned English this way. I believe Mila Kunis also was one of those people who learned English through entertainment.

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The Wizard of Gore (1970)

Welcome to a new review here at B-Movie Enema.

A guy I hadn’t yet covered at all to this point is Herschell Gordon Lewis. That’s a little bit of a surprise, isn’t it? This is B-Movie Enema. I’ve covered everything from Batman and Robin to a number of Russ Meyer films to freakin’ Bloodsucking Freaks. It would seem as though Herschell Gordon Lewis, the Godfather of Gore, would have shown up here before now. But, no, this week’s review, 1970’s The Wizard of Gore is his first go around here on the site.

If I am being kind of honest, I’m not entirely sure where I would have entered into the Lewis filmography. Sure, there are several of his movies that are known for his distinctive style (or lack of typical cinematic ability). Naturally, this movie is probably his crowning achievement as being one of the quintessential independent horror films that gave rise to the horror exploitation era of the 70s. Beyond that, there are other movies that are well known for being directed by Lewis like 1963’s Blood Feast and 1964’s Two Thousand Maniacs! While both of those films would have been good choices, they get talked about a lot. I suppose The Wizard of Gore has been too, but… eh. I had to choose something and this fit the criteria for this month of being women-in-peril and a 70s film. The last movie he made before a 30-year break from making films was 1972’s The Gore Gore Girls which was definitely in consideration for a review too.

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I Spit on Your Grave (1978)

Welcome to the 450th review at B-Movie Enema!

It took a while to get here, folks, but here we are. Just over 10 years since starting this blog, I’ve knocked through major milestone after major milestone. But all the while there were a few movies that I hadn’t covered that I knew I would have to in some way or another. So, when it came to this year’s milestone, the 450th, I needed to cover one of those movies. In fact, when I came to the decision to cover the 1978 rape-revenge exploitation classic I Spit on Your Grave, I used that to help shape the entirety of this month’s October theme.

But why is this movie so famous, or infamous? Well, this is maybe one of the greatest examples of how it was received by critics as well as somewhat close-minded or ill-informed audiences when it was released in November 1978. For all my life until I saw the movie for the first time some years ago, I had two things about the movie relayed to me: 1) it was so disliked and balls-to-the-wall rapey that it almost comes across and something “dirty” to want to watch and 2) my older brothers would always talk about one particular scene concerning a girl, a guy, a knife, and a tub… oh, and that guy’s dick.

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The Last House on the Left (1972)

Welcome to October, Enemaniacs.

October is a big deal here at B-Movie Enema. Ten years ago on October 3, the blog was created with the release of an Exorcist ripoff with a Rocky Horror-esque title from Italy, The Eerie Midnight Horror Show. I wouldn’t necessarily go back and read too many of those old reviews. They aren’t particularly great as the tone and the vibe of this blog were ever-shifting and evolving. But, that doesn’t mean we can’t celebrate milestones and the history of this blog.

To do so, and considering the 450th review is also due next week with a movie I’ve long been planning for such an occasion, we’re going to be celebrating Halloween a little grimier this year. This month, we’re going to dig deep into four 70s movies that encapsulate the harder-edged attitude of horror in the decade. So, look forward to things getting pretty trigger-warningly real over the next four weeks. And we also get a bonus Halloween review as per the usual around here. It all starts right here with one of the most famous, and highly-regarded, exploitation horror films of all time, Wes Craven’s debut film, The Last House on the Left.

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Beast of the Yellow Night (1971)

Happy Friday the 13th, Enemaniacs!

For this week’s B-Movie Enema review, what better way to celebrate this once or twice-a-year occasion than to cover a movie about the one person who best embodies Friday the 13th? That’s right, we’ve got a movie featuring the Lord of the Flies himself, Satan! What… You thought I was gonna do that Jason fella? Well, you shoulda learned last October, the last time the 13th fell on a Friday, I’m gonna be a goof about this and always fuck it up. I’m saving Mr. Voorhees for another time.

No, for this week, I’m going to return to the filmography of Filipino director Eddie Romero. The last time we saw a Romero film was the kooky Beyond Atlantis movie. What we’re looking at today is the movie that preceded that movie by a couple years, 1971’s Beast of the Yellow Night. Like I said, this has a bit more… devilish flavor to it.

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Quiet Fire (1991)

Welcome to yet another review right here at B-Movie Enema.

This week, we return to the letter Q with a movie that didn’t quite make the cut for Quly but was a tad bit too juicy to just throw onto the stack to review too far off into the future, so let’s talk about it now! We’re going to be looking at 1991’s Quiet Fire. Quiet Fire was something I know quite intimately… This was a direct-to-video release. I’ve sort of talked about this before but back in the back half of the 90s, I worked at a video store. Because of that, I had a lot of insight about things I didn’t really understand until I got a little older.

One of those things I learned was that there were three genres that shone brightly for people looking to consume home entertainment. Now, I’m not including a very obvious one for men and kinky couples (that being porn) because that’s fairly obvious, as is the fact that people who didn’t want to go to the theater to watch a movie would later catch them on video. No, the three that I’m referring to are thrillers, particularly ones that starred beautiful women being chased by dangerous men (Shannon Tweed was a massive star in this genre), horror, particularly the ones that were kind of at the tail end of the slasher era, and action.

And that’s what we have here, a direct-to-video action flick.

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