It’s another Friday, so that means NEW B-MOVIE ENEMA DAY!
This week, I have something a little more recent and from a group I’ve come to greatly appreciate. The Sleeper is a 2012 slasher/thriller from Gamma Knife Films and Scream team Releasing. It was written and directed by Justin Russell. It’s meant to emulate the style of low budget slashers than ran wild after the release of 1978’s Halloween and 1980’s Friday the 13th.
Quite frankly, the 80s are in right now – in a BIG way. More on that shortly. First, though, let’s talk about Scream Team Releasing. Continue reading “The Sleeper (2012)”
Cannon Films… You son of a bitch!
It’s been a bit, Cannon. How have you been, you ol’ salty dog? Way back at the start of February, we went on a Hospital Massacre together. I thought I said something wrong to not see you for a while, but here you are to help me wrap up the year. You’d have almost thought that last week’s Christmas Evil would have been one of yours, but you have a much, much worse mov… er evil – New Year’s Evil!
Oh man… For about 3 years, I’ve wanted to talk about New Year’s Evil. It’s actually a movie I enjoy watching at the end of the year. Is it because it’s good? Nah. It’s because it’s actually really dumb and kind of pointless. But it’s a good mindless numbness I need as Christmas is over and the new year approaches. Continue reading “New Year’s Evil (1980)”
Ah… Religion, iconography, and moral panic. Welcome back to B-Movie Enema all you nutty, repressed, goofballs!
When coming to picking a movie that could tie into the Christmas holiday (as well as the general winter theme), I guess I could pick from several that the 80s and 90s offered up. However, I should probably just go one that was sort of at the forefront of some controversy right at the start of the raddest decade of them all – Christmas Evil.
I will try to frame this as best as I can because people get pretty silly over horror and have consistently over the years. I’ve mentioned before that satanic panic ran rampant over the late 70s and all throughout the 80s. Some of that still persists today over the things that were stigmatized during that era. But what was stigmatized and why? Continue reading “Christmas Evil (1980)”
Well, I guess you could say 2019 on B-Movie Enema was “the year of Zombie” as I talked about Lucio Fulci’s first Zombie movie from 1979 back in January and then Zombie 3 from 1988 came along in April. Before we close out this year of Zombie, I should get to Zombie 4: After Death (also just known as After Death).
What makes this movie noteworthy is that it’s the first Zombie movie that goes without input form Lucio Fulci himself. You can say that Zombie 3 didn’t seem to be that much of a Fulci flick itself, due to Fulci leaving the production due to illness, but he’s still given credit for the movie (whether or not he wants to have it). What is a holdover from the previous installment is the duo that brought us the amazingly disastrous masterpiece that is Troll 2, Claudio Fragasso (listed as the director) and his wife and co-conspirator Rossella Drudi (credited as lone screenwriter).
So I guess you can say that we might be heading down a pretty interesting path in today’s B-Movie Enema. Continue reading “Zombie 4: After Death (1989)”
Oh boy, I’m pretty excited for this one.
Back in June, I attended PopCon here in Indianapolis, and this guy had a table full of posters of various sizes. He had this stack of lobby posters that he was selling for five bucks each. It’s in this stack that I found a Goldengirl poster to gift to Brad Jones, the Cinema Snob, himself, and I also found one for this movie… Chinese Hercules.
This marks the return of Bolo Yeung, billed in this movie as Yang Sze, who appeared in The Clones of Bruce Lee that I covered back in August. Bolo wasn’t just a martial artist and actor, but he was also a bodybuilder. That probably is why 1) he’s often portrayed as a giant beast and 2) is Chinese Hercules. Continue reading “Chinese Hercules (1973)”
It’s time to get back into the works of one Norman J. Warren.
Think back to earlier this year when I discussed the movie Terror. This was about a witch cursing a family that ultimately leads to both cousins having to deal with some freaky shit around them. This time around, we don’t have a set of long-lost cousins, but instead with Prey, we have a pair of lesbians that live in a remote area of England dealing with an alien with a voracious hunger.
Now, when I intro-ed Terror, I made some observations about Warren’s work. Specifically, I wanted to call out certain ideas that he would have and then mix them with other ideas to create this very strange mixture of characters or situations for his movies. In fact, allow me to quote myself from that article: Continue reading “Prey (1977)”
The other great thing about the high quality shit you get here at B-Movie Enema is that Halloween is always a bonus episode. So today, we’re getting back to our regular Friday stuff.
Here we are, one day after Halloween. I know of at least 47 movies called “Halloween” starring some dude named Freddy Michael Jason Hellraiser. I don’t know any movie ever called November First. But I do know of a movie called Snapshot.
Which is also called One More Minute.
Which also goes by the title The Day After Halloween. Continue reading “Snapshot (aka The Day After Halloween, 1979)”
Well… Would you look at that? It’s Halloween. The best month in all the world for all history and stuff is over, but on maybe one of the best days ever! What better way to celebrate than with a movie from 1986 called Trick or Treat?
In years past, B-Movie Enema celebrated Halloween by discussing Halloween: Resurrection, Halloween III, and Night of the Demons (the 2009 one). As you can see… October is pretty well liked around here. But you know what else we really like? Rock and Rollsploitation! The 80s, somehow, had a lot of people believing in demonology as an ultimate evil, so they tuned into televangelists to learn about how toys, cereal, rock and roll, and whatever else was going to lead you to damnation eternal.
Oh yeah… Rock and roll. You had people who were questioning the direction the genre was headed. Gone were the days of the 60s pleasantness, political protest, and psychedelic good vibrations. The same kids defending their love of the Rolling Stones and Beatles from parents claiming the bands were leading their daughters to sexual deviancy was now claiming their kids were being led to outright devil worship. Continue reading “Trick or Treat (1986)”