Author: Geoff Arbuckle

We’ve come to the end, my dear Enamaniacs. Phantasm: RaVager is today’s feature and B-Movie Enema will finally complete Phantasm Sequels Month.

This one is interesting. I saw this at the Centerbrook Drive-In in Martinsville, Indiana in October of 2016 with a trio of friends. It played as part of a doubleheader with the original movie. It was the first time in a looooong time I had visited a drive-in, so that part was pretty awesome. It’s always fun to watch the original Phantasm. So that was pretty awesome too.

Then Ravager started. I ain’t gonna lie… The first time I saw this I was confused. I was not too happy about the movie. It felt really, really weird. In fact, I would argue that this movie, the only film in the franchise NOT directed by Don Coscarelli, though he did co-write it with director David Hartman, is maybe the most divisive one of the bunch. It’s got a lot of references to past movies, with even a returning character most would have no idea who she is if they hadn’t been watching the series recently just prior to watching this one. It’s not told in a very linear way. It jumps between at least two realities. It’s a strange movie.

Here we go again with another installment of Phantasm Sequels Month here at B-Movie Enema.

We’re up to the fourth entry that goes by a few titles – Phantasm IV: Oblivion, Phantasm: Oblivion, or, my personal favorite, Phantasm: OblIVion. Yeah, stylize that shit! Anyway, believe it or not, after the last two entries getting budgets of something around $3 million, Oblivion would only get about $650,000. However, I should also state there is more to it than just a severely slashed budget.

You see, this movie actually began life as something else. It actually began as this epic script by Roger Avary. If that name rings a bell, that’s because he’s Quentin Tarantino’s writing partner on 1994’s Pulp Fiction. They won the Oscar for Best Original Screenplay for that movie. Avary is a self-professed Phantasm superfan. He wrote a sequel to Phantasm III that would have seen a major post-apocalyptic world that continued on from that previous entry and would have even brought Bruce Campbell on as a co-star – or so the story goes.

Fundraising for that project fell through.

Welcome back to Phantasm Sequels Month here at B-Movie Enema!

Phantasm II, to put it mildly, didn’t perform as well as hoped. Sure, it brought in a little more than double its budget. That’s not bad, but it was hard to necessarily say Universal was all that happy. Goddammit, they wanted a franchise like those Jasons and Freddys.

However, Universal still had a little bit of a hold on the franchise. It would go on to distribute the next film, and this week’s featured entry, Phantasm III: Lord of the Dead on VHS. Things get a little sideways here though. Phantasm III played a very limited, couple week run in movie havens Baton Rouge, Louisiana and St. Louis, Missouri. That may feel like places out in the middle of no-frickin’-where for a movie to get a limited, two-week release, and you’d be right.

It also saw Phantasm III become the highest grossing movie of that two-week run in both markets.