Doc Savage: The Man of Bronze (1975)

Every now and then, I like to do a thing for me on B-Movie Enema. You know, like one that is in honor of, well, me? That’s what we have here with this movie. This week, I’m going to dive into the 1975 pulp action hero adventure Doc Savage: The Man of Bronze!

Why this movie? It’s really obvious when you break apart the title. I’m sort of a doctor. I am the Enema Man! So, yeah. I don’t know if you have to be a doctor, but look at some of the early articles on this blog or my YouTube show for further reference of my credentials. Second, I’m relatively savage. You want further proof of my savage nature? Check out what I had to say about Pot Zombies. I still get irrationally angry at the thought of that turd.

Third, I assume most people think I’m a man. Some people may even think I’m THE man! And lastly, yes, I am a man of bronze. My buttery colored skin is a sight to behold and something that women desire and men desire to have.

So yes, I’m a barrel-bellied man of action, and THAT’S why I am dedicating this movie to my life mate and partner – me!

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Blood Debts (1985)

Welcome back to B-Movie Enema!

This week, it’s time to do a truly dumb bonkers of an action flick – Teddy Page’s Blood Debts. Teddy Page is a Filipino film director who wrote from time to time. He is mostly known for working on low budget action flicks for Silver Star Film Company. The primary claim to fame for Silver Star Film Company is that they made very, very low budget movies. Page, whose real name is Teddy Chiu, would get hired to crank out these cheap-o movies, but he would get a little bit of an ace in the hole from producer K.Y. Lim’s Silver Star – he’d get some established actors.

Chief among them in a few early Page films was Richard Harrison. He was a former Spaghetti Western and Sword and Sandal star who racked up over 130 credits. A whole bunch of these credits, like Blood Debts, came in the 80s. This was considered a real low point in his career. What didn’t help him much was when he reunited with Chinese filmmaker Godfrey Ho. By this point in Ho’s career, he would make these cut-and-paste type of ninja movies. He’d get the rights to a film already made, cut them in half, hire actors to make another full movie, cut them in half, and create these full movies. Harrison didn’t so much mind getting work, he did end up being in WAY more movies than he signed up for, thus making him frustrated and an unwilling star of twice as many really low-grade movies.

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Truck Stop Women (1974)

This promises to be a fun one this week, Enemaniacs! We’re going to talk about the 1974 action/drama Truck Stop Women. On the surface, this just seems like one of the many movies in the 70s that highlighted sexy women, truckin’, and car chases. But there’s a bit more to it than that.

You see, the basic plot is that a woman named Anna, played by Lieux Dressler, runs a brothel for truckers to stop by. One of the stable of women at said brothel is her daughter Rose, played by the always wonderful Claudia Jennings. That alone already seems kind of interesting and enticing. However, who made this movie is just as interesting and enticing…

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Resident Evil (2002)

Oh boy.

So here’s a movie I’ve wanted to talk about in some way, shape, or form since I got into this Enema business – Paul W.S. Anderson’s Resident Evil. But why? Why would I want to dive deep into this series? Well, there are lots of reasons I can think of. First, it’s a movie based on a video game series. The genre of video game movies are lousy with movies that are, well, lousy.

Second, Paul W.S. Anderson himself. Look, I like his Event Horizon. I thought that movie was creepy, fun, and fine enough despite its bad reviews. I know people feel the same way about his follow up film Soldier. I didn’t see that one. Mortal Kombat… Eh… That’s a bad movie. It is a very, very bad, bad movie. That said, it’s kind of fun in its shitliness.

Third, I saw this movie. I was working at a movie theater on March 15, 2002 when this film came out. I saw it. It was bad. It was a big, dumb, bad action movie. But it made a shitload of money. Piles of dough was thrown at this movie by its fans. Five sequels later, people freaking love this movie and series. All this from a really bad movie that is kind of emblematic of the entire first decade of movies that launched the 21st century.

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Night of Open Sex (1983)

As 1983 dawned, Jess Franco was a man on a mission… He was going to make 16 movies.

Let that set in. SIXTEEN MOVIES. Quentin Tarantino won’t make 16 movies in his career. Okay, sure, one or two of them were not directed by him, but he produced and/or wrote them. What the fuck ever. He was making more than one movie a month. Okay, sure, most of them didn’t have much of a budget, or much of a costuming department, or a story. What the fuck ever. He was plowing through movies on his way to his most productive year in his incredibly productive career.

So, in February of 1983, he released one of those 16 flicks in Spain – Night of Open Sex. This is our fourth entry in Lina Romay Month here at B-Movie Enema, and this one might be a doozy. You see, Night of Open Sex isn’t quite like the previous entries this month. Oh no. This movie is actually a Eurospy thriller comedy caper. How does any of that work? I dunno, but here we are.

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Blood Games (1990)

In the long history of the “fans of a losing sports team goes on a revenge-fueled murder spree against the winners” genre, none are better than Tanya Rosenberg’s gripping classic from 1990, Blood Games.

In fact, this movie is so perfect, it’s the only movie Tanya Rosenberg ever made. After Blood Games, she was like, “Yup. I did it. I can do no better, and I should not even try. Suck it, Goodfellas. I made the best movie of 1990.”

Or so I imagine she said all that. I really don’t know. It is entirely possible she’s not even a real person. There is no additional information about her that I can find. I don’t even think this Vinegar Syndrome release of the movie even has any special features talking about her. For all I know, Tanya Rosenberg was created in an exploitation movie lab for the sole purpose of making Blood Games.

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Disco Godfather (1979)

In the history of comedy, there is probably no one whose cadence and timbre is more recognizable than Rudy Ray Moore. He’s loud. He’s crude. He’s insulting. He’s hilarious. He’s extremely likable. He also made a lot of really fun movies to watch.

Whether you know him by way of his blaxploitation movies of the 70s, especially Dolemite, or you know him through some of the recordings he made, or you even actually know him as “the Godfather of Rap”, or you only just learned of him through Eddie Murphy’s marvelous portrayal of him in Dolemite Is My Name, he’s someone that once you become aware of him, Moore never really leaves you.

I’ve wanted to do a Rudy Ray Moore movie for some time on the site. There are four primary choices I could have made. I settled on Disco Godfather to be the one that brings Rudy Ray Moore to my humble little website. Before we get into the movie proper, let’s talk about Moore a little bit and what makes him such a fun and interesting character.

And yes, I said “character” and not “person” because I think that’s how Moore lived most of the last 40 years of his life.

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