Tag: exploitation

The Killer Eye (1999)

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Tentacle sex.

It’s a whole thing, ain’t it? Mostly, it’s known to be a Japanese fetish thing but we like to flirt with it over here in America from time to time. If we could draft a guy to make a movie to do a little more than flirt with it, my #1 pick would be David DeCoteau. How could you not?

Welcome to a new B-Movie Enema review, and, for this third chapter of our theme month called Full Moon Fever III: For the Love of Jacqueline Lovell, we’re going to take a look at the 1999 sci-fi/horror/sexploitation flick The Killer Eye. There’s a lot to talk about here in the lead up. First of all, we’ve already looked at the sequel to this movie, Killer Eye: Halloween Haunt, waaaaay back in the first Full Moon Fever in 2017. That one was directly made by the main man of Full Moon himself, Charles Band. However, that was during a time in which Band was kind of cranking out much, much lower budget films than he did before. It’s a cheap movie that just has the Killer Eye prop itself actually being a real Killer Eye and going around and zapping babes in the eyes and making them do sexy things. It’s got some qualities, but none of those are in the plot, if you know what I mean.

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Lolida 2000 (1998)

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Hello hello my B-Movie Enema fans… My Enemaniacs, if you will. Welcome back to our theme month Full Moon Fever III: For the Love of Jacqueline Lovell! Last week, we went right to the source at Full Moon, Charles Band, to watch his incredibly fun monster romp, Head of the Family. This week, we’re gonna be going a little sexier.

This week, we’re going to watch Lolida 2000!

…Or LOLITA 2000. Yeah, IMDb lists this movie as Lolita 2000. It’s also shown as that on Full Moon DVD menus if you go looking for their movie previews. It’s kind of funny, honestly. It kind of shows you how fast and loose things might be over at Full Moon. I’d be curious to find out if Jacqueline Lovell knows there are two versions of this title that even Full Moon can’t agree on. What about director Sybil Richards?

Oh yeah… This also signals the return of Sybil Richards. A few years ago when we did the Torchlight Diaries, we saw two films of hers in that one month, Virgin Hunters 2 and Femalien, which also featured our lovely leading lady of this month, Jacqueline Lovell. I would suspect that Cybil Richards (or Sybil Richards as she’s sometimes credited) is a pseudonym. I wouldn’t even be surprised if it is Charles Band himself, or possibly even David DeCoteau. Either which way, guy or gal or nonbinary pal… Whichever or whoever Cybil Richards really is, they are welcome here!

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Supervixens (1975)

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Ah, yeah… Russ Meyer.

It’s been a long time coming to bring ol’ uncle Russ back to the blog. I know next year we need to do a lot more, but for this week, I’m going to take a look at 1975’s Supervixens. The star of this film is the boobtacular Shari Eubank. She appeared in two films in her career. This one and Chesty Anderson, USN. I… I just looked at the poster for that Chesty Anderson flick. I need to see it. Also, it saddens me that she was only in two movies because she is beautiful and incredibly likable in this movie.

Anyway, the origin of this movie came from Meyer’s previous two films, the much more serious The Seven Minutes and the blaxploitation Blacksnake (look for that come to the blog, say, oh, September 2023), were box office failures. It was at this point in time that you had to go back to 1970’s Beyond the Valley of the Dolls for Meyer’s last hit. On top of that, he wanted to make a movie with his then wife, Edy Williams, but that fell apart. Yet another thing that came along was a Supreme Court decision coming down about pornography that was confusing and created a little chaos at the time.

The point is Meyer was having a hard time of it in the first half of the 70s.

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Enforcer from Death Row (1978)

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We’ve come to the end of a loosely connected, months-long, trio of reviews that featured the late, great Leo Fong.

Welcome to B-Movie Enema. This week, I’m going to take a look at 1978’s Enforcer from Death Row. This film comes pretty early in Fong’s career as an actor. While we are accepting the fact that this movie was released in 1978 and was called Enforcer from Death Row, the film is also listed on IMDb as Ninja Assassins with the date of 1976. Some of this can be explained by a couple factors at play with this movie.

First, the 70s were kind of known for a couple things when it came to film distribution. You had independent studios cranking out low budget movies and then shopping them for distribution. That distribution, especially for movies like these kung fu/exploitation/low budget action flicks would land the films either at drive-ins or in grindhouse theaters. Second, this was a movie made in the Philippines. That was kind of a southeast Asian haven for films to be made quick and on the cheap in the late 60s and 70s. There are some very fine, if not extremely simple, movies that came out of the area during this time.

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Savage Streets (1984)

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This one is a long time coming…

Welcome to this week’s B-Movie Enema. When I say this was a long time coming it’s because I’ve known of this movie for a long time, had a copy of it, and have always wanted to find some way to talk about it because it exists in a peculiar time of exploitation in the movies – the 1980s. In addition to that, it also has some not insignificant people in the cast. This week, I’m going to be digging into the Danny Steinmann film Savage Streets starring Linda Blair.

I’ve been looking for a way to cover this movie somehow. I got it with the possibility of it being featured either here at B-Movie Enema or as part of a theme month of movies with the word “Savage” in the title over at Film Seizure. However, considering I have an extensive backlog of movies to feature here, I decided I needed to pull the trigger and clear this one off the list. By the way, A LOT of next year is going to be clearing backlog, but I digress. Let’s start looking at the people involved with this movie, beginning with director Danny Steinmann.

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Steel and Lace (1991)

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Third review in a week? That’s right! This is one of those years where we get a regular B-Movie Enema review, followed by a Halloween special review, and then, just a couple days later, it’s back to the regular Friday release day!

For this first Friday in November, it’s time to start digging into some of the backlog I’ve accumulated. Most of what’s coming for the rest of 2022 will be made up of movies that I’ve been wanting to get around to, watch, or just write about for some time. So we start by one of the many movies I’ve bought from one of the regular Vinegar Syndrome sales that occur each year, 1991’s Steel and Lace.

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