Beach Babes 2: Cave Girl Island (1995)

Well, holy hot damn… This is the 250th B-Movie Enema article!

So what do I do to celebrate? I kick off a second month of “Full Moon Fever”. I covered a bunch of Full Moon movies back in February of 2017. But then, over the course of the past year or so, I started looking at some other types of movies from Charles Band’s production company. More specifically, I started checking out some of the offerings from Torchlight which was the spicy wing of Full Moon.

Beach Babes from Beyond was one that I chose to do. So, to kick off Full Moon Fever II: Torchlight Diaries, let’s talk about its sequel, Beach Babes 2: Cave Girl Island!

As with the first entry of this duology, Beach Babes 2 is directed by David DeCoteau under one of his many pseudonyms, Ellen Cabot. Unlike the first entry, this movie doesn’t draw the relatives of famous actors to fill out the cast. No Joe Estevez, no Jackie Stallone, no Don Swayze, no Joey Travolta. There’s not even a Burt Ward or Linnea Quigley. I’m sure that will have no significant effect on the sequel.

Continue reading “Beach Babes 2: Cave Girl Island (1995)”

‘Gator Bait (1974)

Welcome back to B-Movie Enema!  It’s getting cold outside, but you know what we can do about that?  We can go down south and visit the sweaty swamps where a barefoot poacher by the name of Desiree stalks the area and wrangles alligators.

Did I mention our barefoot poacher is Claudia Jennings?

It’s high time for us to take a look at the film most people seem to remember her best for – ‘Gator Bait! Whenever I see someone talk about Jennings online and asks people what their favorite films of hers are, inevitably, there will be many, many answers of “Gator Bait!” in the comments.  Absolutely, positively, without a doubt, both this movie and the 1988 sequel ‘Gator Bait II: Cajun Justice, stood out on the video store shelves.  It’s hard to resist the siren call of the redheads that graced both movies’ boxes. Continue reading “‘Gator Bait (1974)”

Lovely But Deadly (1981)

Sometimes you just need kung fu girls fighting a drug ring in their school.

That’s what what we have this week – Lovely But Deadly.  The film was made by David Sheldon, and he’s had a pretty good, long career as mostly a producer or executive.  This is only one of three movies he directed (one of which he was not credited for), but he does have some pretty good writing and producing credits worth mentioning.  To start, he wrote the movie Grizzly, and its long-to-finish-sequel Grizzly II: Revenge.  He’s been involved with the films Abby, Devil Times Five, Sheba, Baby, The Evil, The Manitou, Dr. Phibes Rises Again, and a whole slew of blaxploitation flicks.  Dude got around, but mostly got around the behind the scenes side of things as he doesn’t actually have a lot of actual on-screen credits.

Sure, many of his movies deal with animals having enough of our shit as human beings.  This time around though, he decides to take it back to school with a tale of a cheerleader, nicknamed “Lovely”, who decides to go undercover to expose a drug ring after her brother overdoses and a bunch of kids get hooked on the junk.  Also, she knows kung fu.  I cannot emphasize that enough. Continue reading “Lovely But Deadly (1981)”

Bloodsucking Freaks (1976)

Oh boy, do we have a LOT to talk about in this new B-Movie Enema. article.  Oddly, the movie itself, Joel M. Reed’s controversial Bloodsucking Freaks from 1976, doesn’t really have a lot to discuss in terms of what is seen on the screen (don’t worry, I will be calling play-by-play nonetheless).  No, there are two topics in particular to discuss in much greater detail.

I’m not entirely sure where to start with this, so let’s start with the director, Joel M. Reed.  He unfortunately passed away in a care facility in New York City just earlier this year.  He’s one of the many unfortunate casualties due to the global pandemic that is COVID-19.  He’s likely known best for making this movie, which drew the ire of many, many people when it was released.  The release of the movie also had a couple alternate titles like The Incredible Torture Show and Sardu: Master of the Screaming Virgins.  However, almost everyone knows this movie by the title Bloodsucking Freaks.  That’s the name applied to it by Lloyd Kaufman when Troma came along to take over the distribution of the movie.

That began a long relationship with Kaufman that lasted up until Reed’s passing. Continue reading “Bloodsucking Freaks (1976)”

The Slumber Party Massacre (1982)

Happy Halloween, Enemaniacs!

There are a handful of traditions on this website.  The first has always been the October theme month of horror or monster films.  That started with the very first five posts way back in 2014.  When the blog returned from a lengthy hiatus in 2016, I continued the idea for October, but started a new, second tradition – the Halloween special post.  However, to say that was started in 2016 isn’t exactly true either as October 31, 2014 was the original release date of my first Jess Franco review, the really bad Oasis of the Zombies.

Another tradition on this blog is to often mention the influence of the old Roku channel Bizarre TV.  I talk about it a lot.  It was, without a doubt, the primary influence for me to get off my duff after a somewhat crappy time in my life filled with loneliness and despair to get back to my one true love – writing this blog.  Not only that, but it led to one last tradition on this blog.  That last tradition was to celebrate the final six films that ran on Bizarre TV for months at a time before the channel finally going off the air forever.  We’ve reached the final entry of those final days of one of the finest channels on the history of Roku.  This year’s Halloween Special Post goes to The Slumber Party Massacre. Continue reading “The Slumber Party Massacre (1982)”

Magdalena, Possessed By the Devil (1974)

We’re back for another round of Exorcist Rip-Off Month here at B-Movie Enema, and, this time, this movie had a brief period in time in which it was closely related to a previous entry.

For this week, we go over to Germany for a combo rip-off of The Exorcist/exploitation/sexploitation thriller.  Released as Magdalena, vom Tueful besessen in 1974 in West German, and under the title In der Gewalt des Bösen in Austria, we received an edited version here in the States as Magdalena, Possessed By the Devil in 1976.  As I just mentioned, what we got here was just over 80 minutes in length and there are some pretty mature situations that I’ll be talking about in this article.  If that was the case, and it was edited to be shown here, I wonder what few minutes or so that would left on the cutting room floor that was from the original German language film?

Oh, never mind trying to figure it out because the original cuts in Europe were TWO HOURS LONG.  Again, some of the stuff in this movie gets pretty naughty.  What had to be lost from those to get played over here?  Presumably, when it was imported, it wasn’t so much the content as it was the length since this probably went straight to X-rated theaters along 42nd Street style grindhouses, but still…  I have to imagine somewhere there’s some real saucy Dagmar Hedrich stuff out there because there is some real saucy Dagmar Hedrich stuff still in the American cut. Continue reading “Magdalena, Possessed By the Devil (1974)”

Seytan (The Turkish Exorcist, 1974)

Welcome back to B-Movie Enema and my Exorcist Rip-Off Month!

Say!  Remember last week when I said that I couldn’t just write about The Exorcist because I’d probably be run out of town for having a blog called B-Movie Enema and doing movies that aren’t just A movies in money, but also in quality?  Yeah, well fuck that.  I found a way to do it.

For this week’s movie, I’ll be digging right into the shitty bowels of 1974’s Seytan from Turkey.  Seytan is pretty much a direct copy of William Friedkin’s masterpiece The Exorcist in just about every way it possibly can be.  It’s a little shorter, but I remember the first time I ever saw Seytan, I kept looking at the screen and thinking…  “Is the audio just fucked on this movie, or what?” Continue reading “Seytan (The Turkish Exorcist, 1974)”

The Working Girls (1974)

Welcome back for another round of B-Movie Enema goodness.

This week’s movie, The Working Girls, has a lot of interesting things going for it.  First, it’s yet another exploitation film.  It’s about a group of liberated women living together in a Los Angeles apartment.  They all have different types of jobs and start dating different types of guys.  However, the girls each start to have issues in which they are endangered by the men in their lives.

Second, the director, Stephanie Rothman, is quite a figure in exploitation film in the 60s and 70s.  She worked with Roger Corman as an associated producer shortly after she finished college.  She got the opportunity to make a couple movies under Corman’s tutelage.  She did eventually venture out on her own and made another film I’ve written about before – The Velvet Vampire.

What’s most interesting about Rothman, though, is that she never liked being linked to the exploitation subgenre.  After making a couple films with Corman, she learned that label was given to her movies.  It horrified her.  However, after learning more about what that meant, how it worked in film, and what she might be able to do with that, she thought, “Fine, I’ll do the best exploitation movies I could.”  It didn’t go unnoticed. Continue reading “The Working Girls (1974)”