Tag: horror

Feeding Frenzy (2010)

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The calendar flips to 2026 and, of course, B-Movie Enema is there for you, my lovely Enemaniacs!

So… 2025, huh? That sure was a… year, wasn’t it? There was that one thing that happened. There was that other thing. You know the one. Yeah. That one. But there were, like, one or two good things that happened too, right? The Washington Commanders were only 33 points and one more win away from a sixth Super Bowl appearance in franchise history. That was exciting for exactly 20 minutes of that late afternoon. I got to interview Tjardus Greidanus, the director of the great 1990 thriller The Final Sacrifice. So, on balance, 2025 sucked, but a couple of fun things happened.

To kick 2026 off, I call upon an influence of B-Movie Enema… RedLetterMedia. This is also the first of two times I’ll call upon those fucking hacks from Milwaukee this year. In order to really honor them, I should start with their 2010 feature film, Feeding Frenzy, featuring the media group’s mascot, the psychotic elderly man, Mr. Harry S. Plinkett.

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The Dorm That Dripped Blood (1982)

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Merry Christmas and Happy Holidays, Enemaniacs!

This year, B-Movie Enema celebrates by leaving campus for Christmas break. Well, not really. I’m here. I’m always here. I am forever. Please kill me.

Anyway, the movie I’ve chosen for this review to close out 2025 is one that I’ve wanted to cover for a while now. 1982’s The Dorm That Dripped Blood is also known in some parts as Pranks. In a bit of a twist in the usual expectations of how naming and renaming conventions go for old, lower-budget horror flicks, this is a movie that was actually ORIGINALLY released as Pranks, but became best known under the other The Dorm That Dripped Blood title. In fact, that was the title it had when I first saw it. Much like with last week’s Terror Eyes, I’m almost positive I saw this for the first time on the much-loved defunct Roku channel, Bizarre TV.

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Terror Eyes (1989)

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Welcome back to B-Movie Enema and the second chapter in my two-part Vivian Schilling adventure!

Last week, I looked at the movie that is Schilling’s best-known movie, Soultaker. The popularity gained by the movie is mostly thanks to Mystery Science Theater 3000. That is a tad unfortunate because the popularity also gave it a reputation… not a good one at that. It’s not that bad of a movie, but the riffs from the Satellite of Love often wire viewers’ brains to think that the uncut movie is every bit as bad as the comedy of MST3K’s writers want you to think it is for their jokes to work. Don’t think that’s me saying that MST3K is bad or anything. There would be nothing more opposite than that. It’s just how things are.

This week, we have a movie from Schilling’s filmography that is even earlier in her timeline than Soultaker. This week, I’m going to review the horror/comedy anthology Terror Eyes.

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Soultaker (1990)

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This review of B-Movie Enema will claim your very soul!

This week and next, I’m going to review a couple of movies tied to writer, director, producer, and actress Vivian Schilling. I don’t expect too many people to immediately see that name and think, “Oh, yes… Vivian Schilling. I am intimately aware of her work.” Generally speaking, she has not really worked in film for nearly 15 years. However, she has a few movies in her filmography that are definitely worthy of coverage. This week’s is likely her best-known film. That’s because the fine folks on the Satellite of Love lampooned this movie on the final season of the original run of Mystery Science Theater 3000. That’s right, it’s 1990’s Soultaker starring Schilling, Joe Estevez, and Robert Z’Dar.

As for Vivian Shilling, the co-writer and star of this film, she was born in 1968 in Wichita, Kansas. She went to study acting in New York City at the famed Lee Strasberg Theater Institute. In 1986, at the age of 18, Schilling appeared in The Adventures of Taura: Prison Ship Star Slammer. Not only is that a title that just rolls off the tongue, it’s a movie that I could see myself reviewing on this very site, but it also appeared on one of this year’s episodes of Best of the Worst from RedLetterMedia. Her first taste of actual scripting and leading a film is going to be the focus of next week’s review. It would really be Soultaker that would likely be her most famous movie.

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Bride of the Monster (1955)

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It only took 510 B-Movie Enema reviews to finally arrive at the King of the B-Movie Films, Edward D. Wood, Jr.

This week, we’re going to review 1955’s Bride of the Monster. Before we do that… The story of Ed Wood is kind of interesting. For the most part, we know the major story beats of his life. Wood wanted to make movies. He made bad movies. He struck up a friendship with down-and-out Bela Lugosi and gave him work for the last few years of the Hungarian’s life. He liked to wear women’s clothing.

It’s a little more than that, honestly. Wood really WAS heavily into the performing arts and pulp fiction. Lugosi was an early idol of his. The story you heard in Tim Burton’s wonderful 1994 film, Ed Wood, about how the filmmaker was dressed as a girl by his mother when he was a child, was true. She did want a daughter, and for several years, little Eddie was her sole child, so she would dress him up in girls’ clothing as something of a coping mechanism. According to his second wife, Kathy O’Hara, that was the origin point for his continued crossdressing for the rest of his life and his particular affinity to feel angora against his skin.

Wood served in the United States Marine Corps from 1942 to 1946, where he faced considerable combat against the Japanese. He had his teeth knocked out by a Japanese soldier, and he’d pop his false teeth out for a big toothless grin to make Kathy laugh. A story told in the 1994 Burton film by Johnny Depp’s Wood about how he was terrified of being wounded and then discovered he was wearing women’s underwear by the field doctors was true. It sounds like something for a joke, but it was true. You gotta love it.

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The Prowler (1981)

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Just like this week’s killer, B-Movie Enema is peepin’ and sneakin’ up on all you dressed in our best, most spookiest World War II fatigues.

But I’m only here to deliver a rose and a new review! Welcome back, my dear Enemaniacs. This week, I’m finally reviewing one I’ve wanted to do for quite some time – 1981’s The Prowler from Joseph Zito. The Prowler is probably most remembered for those great Tom Savini kills. While the movie didn’t get great reviews upon release, as well as not making a profit off its meager $1 million budget, the movie does have a cult following. Again, I would assume it’s the Tom Savini gore effects, but there are a few more things to consider.

One of those things I’ll talk about later, but I think there is a guy behind the camera who helped get this to cult status, Joseph Zito. Zito is known for genre schlock. Zito’s first film was 1975’s Abduction, and he followed that with 1979’s Bloodrage. Both are considered those extremely sleazy types of exploitation horror. That served him well for his next two movies, the one we’re going to be diving into in much more detail shortly, and 1984’s Friday the 13th: The Final Chapter, the entry many consider to be the best in the franchise.

What’s kind of funny is that The Final Chapter would be the last horror film he’d make.

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Syngenor (1990)

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What up, my lovely fuckfaces, it’s a brand new review here at B-Movie Enema!

So, check it out… A few months back, I covered 1980’s Scared to Death. In that movie, not only did a lady dress up like Sarah Jane Smith from the Classic Doctor Who serial The Hand of Fear, but it also featured an underground creature living beneath Los Angeles, running amok, and killin’ people left and right. The creature in that movie was genetically created by a science dude. However, the doctor who created the creature apparently died before he could kill the adult creature. The name of that creature is also the namesake for this week’s movie we’re going to review – Syngenor.

By the way, I think Syngenor was a mashup of the words SYNthetesized GENetic ORganism. But that’s not necessarily important at the moment. What is important is how this 1990 sequel was conceived and created. The original film’s production team is not involved. That said, Scared to Death director William Malone had a chance to make this movie, but he opted out to make the 1985 sci-fi creature flick appropriately titled Creature. It was producer Jack F. Murphy who led the charge of making the sequel after seeing the original and being mighty impressed by the monster. However, as is the case with a lot of movie sequels of the era, the original’s scarcity when it came to being seen by audiences led to Murphy keeping the monster, keeping the concept of a genetically created creature, but separating the film’s plot from the original to make it its own thing.

I guess you could say it’s somewhat similar to the Xtro movies, except those movies kept the original director and still tossed out any semblance of an actual narrative trilogy.

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J.D.’s Revenge (1976)

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Welcome back to another spooktacular review at B-Movie Enema!

This week, we continue our trek through 70s horror from the Black community that I’m calling Black Horror Halloween. I’m also going through these movies in chronological order. So that brings me to 1976 and a movie that has been on the pile to cover for a long time, J.D.’s Revenge, directed by Arthur Marks. I’ve had a copy of the movie from Arrow for years. So, if I’m being as honest as possible, it’s possible to say that J.D.’s Revenge was the origin of this entire theme month.

Some might even go so far as to say that I chose this theme because of last week’s movie and the giant hypnotic, killer dong was the, uh, thrust to my choosing this theme, but I digress.

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