Hide and Go Shriek (1988)

In 2021, I was able to return HorrorHound Weekend in Cincinnati for the first time since it was here in Indianapolis way back in September 2019. Part of my enjoyment of attending those shows is finding tables that are selling DVDs and Blu Rays. Sure, Vinegar Syndrome, Severin, Full Moon Features, Troma, and Synapse are all there. However, it’s one table in particular that I always make sure to visit. At this table, you’ll find all sorts of old, out of print, or forgotten films from the 60s, 70s, and 80s. I spend a lot of money at this table each and every show.

That’s where this week’s B-Movie Enema feature, Hide and Go Shriek came from. Is there anything really special about this movie? Not really. It’s a late 80s slasher. There were a ton of those in that era. It doesn’t really star anyone of note. By god, the name of the director is Skip Schoolnik… That sounds like a damn cartoon character! The cover of this copy makes it uncertain if the woman is scared because the killer with the foot tattoo is about to find her or his feet stink and she’s reacting to that funk.

Continue reading “Hide and Go Shriek (1988)”

Ghostkeeper (1981)

So we’ve come the end of 2021. Was it better? Did you have a good time in 2021? I mean, 2020 was pretty shit. 2021 started real rough. I think we corrected course just in time to get back in the muck again. Sure there were deltas and omicrons and probably even persei 8s. But did you take care of yourselves? I mean it, my dear Enemaniacs, I hope you took care of yourselves. I hope if you had to recover from 2020, you did so. I hope if you tried to do something to better yourself in 2021 you were able.

We’re closing out the 22nd year of the 21st century with a film from the 20th.

This week’s film, Ghostkeeper, is a somewhat appreciated moody spirit movie from Canada with some traces of The Shining. Now, I know we’ve had a sketchy history with Canadian horror, but I’m promised that this is an atmospheric movie. It also at least starts on New Year’s Eve. That’s kind of awesome because there aren’t too many movies I can cover that run congruent to the day.

Continue reading “Ghostkeeper (1981)”

Hollywood Chainsaw Hookers (1988)

Alright, we’re through the muck of the first 300 editions of B-Movie Enema. It’s time to roll that odometer over and get going on a new batch of 300. To get this batch started, I need to cover a movie from 80s/90s B-movie maestro Fred Olen Ray. To be honest, I think there are only about five or six movies of his that I could choose from to cover… and not want to gauge my eyes out. So, I went with the classic 1988 black comedy horror, Hollywood Chainsaw Massacre.

It’s kind of hard to believe I’ve never covered a Fred Olen Ray movie before on this site. One could argue that the man made stuff that is ripe for the pickin’ by yours truly. And don’t think that this movie hasn’t come across my desk and been considered before. The same goes for his other classics like Cyclone, Alienator, Evil Toons, and Dinosaur Island. Pretty much every single one of those movies, as well as Sorceress, which he produced, has been sought out and vetted to be slotted in one of these Friday mornings, but always kept getting pushed back.

Considering I do have enough of his films, I probably can just go ahead and do a whole theme month. Maybe I’ll have to consider that down the line.

Continue reading “Hollywood Chainsaw Hookers (1988)”

The Howling: New Moon Rising (1995)

Welcome to the astonishing 300th article of B-Movie Enema!

It’s been a long time getting here. What’s funny is that I think back over the last several years and I could never be able to tell you the movies in order that I’ve covered. If you named a movie, I could easily immediately say, “Yeah, I covered that at some point!” I find it very hard to say even the month in which I covered a movie. It all just feels like a blur.

I could probably rattle off more than half of the movies covered just off the top of my head, but the roughly 27,000 hours I spent watching movies, plus the time it takes to write the articles while watching the movies at least doubles those hours, has been a pleasure. Sure, I’ve seen some good movies, and, yes, I’ve definitely seen my more than fair share of crap. Then, there’s the crap that just takes the shit cake. Not many movies have made it to the utmost upper echelon of films. Similarly, and on the opposite end of the spectrum, for as many not-so-great movies I’ve covered, very few have sunk to the absolute bottom of the barrel.

To celebrate 300 B-Movie Enema articles, I decided to bring the pain. It’s time to crown a new “Worst of All-Time” champion for the site. It’s time for The Howling: New Moon Rising.

Angels and ministers of grace defend us.

Continue reading “The Howling: New Moon Rising (1995)”

B-Movie Enema: The Series Episode #25 – Blood Freak

You’ve seen movies with people taking drugs. You’ve seen movies with hippies. Have you ever seen a movie where drugs turns a guy’s head into a turkey? That’s what this week’s B-Movie Enema: The Series is all about in Blood Freak!

Or watch it on B-Movie Enema’s YouTube Channel!

Zaat (aka The Blood Waters of Dr. Z, 1971)

In for one classic Mystery Science Theater 3000 movie, in for another am I right?

This week, I’m taking B-Movie Enema to The Blood Waters of Dr. Z and check out this substance called Zaat that is used to make, I dunno… like fish monsters or something? I think it’s fish monsters. Anyway, Zaat has a bit of a reputation in certain corners of the bad movie loving world. Not only has it been riffed on MST3K but it was discussed by Red Letter Media’s Mike Stoklasa and Jay Baumann on an early episode of Half in the Bag. There’s something almost adorable in how silly it is.

But while it is kind of adorable in its silliness, it’s also oddly sterile. The story goes it was one of those regional movies made in Florida. It was produced by Barton Films out of Jacksonville, Florida. It’s the only film this company that mostly made commercials and industrial films ever made. It’s got that sterile look to it. It’s a lot of static shots, a lot of stock footage, methodical, etc. However, it starts to get a little kooky later on in the movie. In some ways, I’d even argue it has some atmosphere and look of one of my favorite early 70s horror movies, Messiah of Evil.

Continue reading “Zaat (aka The Blood Waters of Dr. Z, 1971)”