City of the Living Dead (1980)

Fulci is back yet again on B-Movie Enema. Why? Because ol’ Lucio needs more attention if I’m being honest. Sure, I’ve covered many of his movies in the past, but there are oh so many more that I could cover. What better place to dig into more of his filmography than with the Gates of Hell trilogy of his?

So, here we are. I’ve packed my bags, bought my plane tickets, and have landed in the City of the Living Dead. This is Fulci in what’s likely his prime. He’s not too far off from his major success of Zombie (known in Italy as Zombi 2, but I’m not going to get into all that Italian titling business). That pretty much wrote a check for Fulci to do whatever he really wanted. He first stopped off with a crime action flick, Contraband, but started developing the idea of City of the Living Dead. This film was greenlit while he was working on the action flick, so, he took off and left Contraband under the direction of his assistant to get to work on City of the Living Dead.

It’s wild to think that a director can just leave a production to start his next, but Italy is a wild place, man.

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Friday the 13th Part VIII: Jason Takes Manhattan (1989)

I think we all knew this would happen some day. After all, B-Movie Enema likes slasher movies from the 80s. I like Jason movies in particular. Twice before, I’ve tackled the exploits our of maniacal hockey fan. In October 2017, I wrote about my favorite of those exploits when I covered, Friday the 13th Part VI: Jason Lives. Then, three years later, on November 13th, 2020, I looked at the little movie that could, the fan-made (by teenagers I remind you) Friday the 13th Part X: To Hell and Back.

I think I proved I like the undead modern monster. But now… Oh yes, my lovelies. It’s time to tackle one of the two films in the Friday the 13th franchise that sticks in a lot of people’s craws. The time has come to look at Friday the 13th Part VIII: Jason Takes Manhattan.

Yup… That one with the promise to be truly fun and interesting, but settled on a misleading title instead.

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Mommy (1995)

Happy Mother’s Day weekend, Enemaniacs.

It’s not too often that I actually do themed articles based on calendar dates. Sure, I try to do something horror related for Friday the 13th (keep your eyes peeled for that for next week, my lovelies). I try to be mindful of Christmas and New Year’s, and I definitely ALWAYS do something related to Halloween and October as a whole usually being focused on horror. When it comes to Fourth of July or St. Patty’s Day or Arbor Day… Well, I kind of drop the ball.

So, with this week’s article, this is the very first time I’m doing something Mother’s Day related with the 1995 thriller Mommy!

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Aenigma (1988)

Luci Fulci is back… Or, as I suppose the bumper stickers and various other memes would say, “Fulci Lives!”

Welcome to B-Movie Enema. This week, we’re looking Fulci’s 1988 Carrie-esque thriller, Aenigma. 1988 was a curious year for Fulci. That was the year that his sort of sequel Zombie 3 was released. But Zombie 3 wasn’t really his movie. He got very ill at the start of filming and had to leave and directing duties shifted to Bruno Mattei and Claudio Fragasso. The result? Well, it was kind of goofy, but mostly worked. If for nothing else, it was a fun watch.

Fulci would recover and ended up making Aenigma. He would say this was one of his more favorite films in some time. Fulci’s body of work is curious because, while I like most of his films for various reasons, he is good in spurts and spots. I love Zombie. I love his “Gates of Hell” trilogy. The Devil’s Honey is phenomenal. But this movie, this was the director’s own pick for his favorite during the latter part of his career.

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