A Brilliant Disguise (1994)

Ah… the 90s. Man, what a decade, right? Fuckin’ grunge music. Fuckin’ video stores. Fuckin’ Arnold Schwarzenegger is kicking ass all over the place. Cheers was followed by Seinfeld. I attended and graduated high school in the first half of that decade where it’s totally fair I peaked in life. I dunno… I’m sure there were other cool things going on.

One other thing that happened in the 90s was this movie that’s about to get the ol’ review treatment here at B-Movie Enema. 1994’s A Brilliant Disguise was a movie I vividly remember seeing in my days as a video store clerk in the mid to late 90s. I think it’s stark white cover with our lead character Michelle’s sunglasses reflecting some stuff, her black scarf, and her ruby red lips that were very easy to stand out on a shelf. It is certainly a movie that seems to be coming in the wake of the breakout 1992 smash hit Basic Instinct.

Erotic thrillers have been around for a bit, definitely if you think about movies like Body Heat, Body Double, Dressed to Kill, Fatal Attraction, and more. The genre, and the style that often spiced things up, were kind of the mature genre that titillated and frightened married couples who didn’t get into slashers but definitely liked looking at someone like Kathleen Turner and Michael Douglas and feeling their naughty bits tremble on date night before ultimately going home and falling asleep while trying to pull out the sexy lingerie that’s collected dust for the past several years. But with Basic Instinct, the genre was back, it was a big deal, and a whole bunch of movies started immediately trying to get in on the piles of cash these sexy little murder tales could bring from cable (especially on late-night Cinemax and Showtime), video, and ticket sales. If there is something that I can say is the closest thing to “exploitation” in the 90s, it would be these erotic thrillers.

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The Ward (2010)

This week, B-Movie Enema has something new for you, my dear Enemaniacs!

Yeah. This week, it’s the first ever movie directed by John Carpenter that gets the review treatment here at the blog. Sure, he’s been mentioned. After all, I’ve done several entries in the Halloween franchise. His longtime producing partner, Debra Hill, got featured here too with Confessions of Sorority Girls which was a part of a whole series of movies she did for cable channel Showtime that was remaking or reinvisioning old-school 50s exploitation films.

But 2010’s The Ward is the first time I’ve actually covered a film directed by Carpenter. This film would not be well-received, nor did it make its money back against its budget. While I’m not sure if it was planned, he would ultimately step out of the director’s chair and focus more on making music before doing some executive producing and consulting on other projects. Most notably, he returned to the Halloween franchise with the trilogy that began with David Gordon Green’s Halloween in 2018.

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Ravagers (1979)

Welcome back to another installment of B-Movie Enema.

This week, we’re going to the late 70s with a bunch of recognizable faces and names for a post-apocalyptic thriller called Ravagers. This is the pre-Mad Max era of post-apocalytic films. Maybe, to a certain extent, this has more of a lineage to something like Planet of the Apes than what most people my age grew up with in terms of the loner in the wasteland fighting off people trying to steal his gas type of dystopian future flick. Honestly, the cover of the movie and the poster/promotional materials showing roughs attacking people in the streets of a city recall a lot of the early 80s, bonkers Italian dystopian films too.

Now, I don’t necessarily want to set myself up for disappointment, but this might just be a diamond in the rough. The copy I have of Ravagers states that this “all but forgotten post-apocalyptic action thriller is waaaay more decent than some of the reviews and its abandoned status would suggest” so I think this might have something to it. It goes on to talk about grand sets and frequent chases and it even comments on the various names that appear in this movie too. Again, sometimes gassing up something like that in this way can lead to disappointment, but I’ve been known to find some real gems when I go to HorrorHound Weekend and I’m kind of hoping this will be one of those times again.

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B-Movie Enema: The Series Episode #66 – Dracula: Sovereign of the Damned

In 1980, Toei Animation and Marvel Productions were at the end of an agreement deal to cross-adapt each other’s properties. That resulted in Shogun Warriors, a Japanese tokusatsu Spider-Man series, and this animated adaptation of The Tomb of DraculaDracula: Sovereign of the Damned.