Circle of Power (aka Brainwash, 1981)

Welcome back to B-Movie Enema. This week, I’m going to talk about that thing we all love to do in our free time – training retreats! Woot woot! How exciting! Yaaaaayyyy – being forced to give up a perfectly good weekend to be bored out of our minds at a seminar!

Yeah, this movie goes by a few names, but the most common are either the original title, Brainwash, or Circle of Power. It also had the names Mystique and The Naked Weekend. This was based on a narrative nonfiction book called The Pit: A Group Encounter Defiled. That book was written by Gene Church and Conrad D. Carnes and was published in 1972. Basically, it’s about the practices that went on during a four-day training weekend for executives run that involved folks from companies run by one William Penn Patrick. More on that later.

After this movie came out, the writers did a follow up called Brainwash – likely in conjunction with the film’s title. The appeal was that there was this brand new phenomenon called “encounter group training” that began to crop up in the 60s and 70s. This could help people with various business skills or interpersonal communication or even with relationships. Oftentimes, these were kind of viewed as someone, who was seen as something of a guru, trying to train others to think and react the same way to situations. In a lot of ways, this not only evolved for business practices into the 80s but, for personal stuff, think of your Tony Robbinses or other self-help folks who ran seminars.

The book helped expose some practices. This movie came out during a huge explosion of controversy that dropped at a particular event. These things will be covered here in just a moment, but let’s start by talking about our star of the movie – the recently departed Yvette Mimieux.

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Aenigma (1988)

Luci Fulci is back… Or, as I suppose the bumper stickers and various other memes would say, “Fulci Lives!”

Welcome to B-Movie Enema. This week, we’re looking Fulci’s 1988 Carrie-esque thriller, Aenigma. 1988 was a curious year for Fulci. That was the year that his sort of sequel Zombie 3 was released. But Zombie 3 wasn’t really his movie. He got very ill at the start of filming and had to leave and directing duties shifted to Bruno Mattei and Claudio Fragasso. The result? Well, it was kind of goofy, but mostly worked. If for nothing else, it was a fun watch.

Fulci would recover and ended up making Aenigma. He would say this was one of his more favorite films in some time. Fulci’s body of work is curious because, while I like most of his films for various reasons, he is good in spurts and spots. I love Zombie. I love his “Gates of Hell” trilogy. The Devil’s Honey is phenomenal. But this movie, this was the director’s own pick for his favorite during the latter part of his career.

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Phantasm (1979)

This one is a long time coming…

Welcome to this week’s B-Movie Enema. I’ve long wanted to do something with the Phantasm series. You’ll be hard-pressed to find anyone who doesn’t at least like a lot of the visuals and atmosphere of this first film from 1979. However, where the real analytical gold is in the Phantasm hills come in the sequels. In order to get there, I need to start from the beginning.

This series is the brainchild of filmmaker Don Coscarelli. Coscarelli made this on a small budget that was locally raised. The movie would star mostly local acting amateurs at the time – with some exceptions. Due to the low budget and limited availabilities of the cast and crew, Coscarelli spent almost a year filming on long days on weekends. The finished product would be an instant cult classic.

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Beyond Atlantis (1973)

Welcome back to B-Movie Enema. How do you follow up a titty movie starring Daleks? No, not the Cinema Snob. I already did that last month. No, you do a family movie.

Because of course that’s what you do.

This week, I’m looking at the 1973 Filipino-American sci-fi/horror(?) flick Beyond Atlantis. Yeah… This is apparently a family-oriented sorta-horror movie. Considering it’s made in 1973 and the poster has a mostly naked woman riding a giant seashell and being carried around by bug-eyed black dudes… I have concerns. For one, I saw a trailer that has one of the bug-eyed guys (who was not a black dude, but a white dude in body paint – uh oh) slapping the barely covered blonde chick shouting that she WILL MATE. Then Sid Haig is shooting people left and right. There’s murder action happening.

This is what a family movie was in 1973.

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Abducted By the Daleks (2005)

Oh boy…

You know what I often think about while watching Doctor Who? Big-tittied Eurobabes getting fucked by Daleks. What can I say? I’m a fucking weirdo. For real, this week’s B-Movie Enema article dives deep into the anal cavities of mid-00s direct to video sleaze and pornography. This skin flick goes by two names, but the one it gets most notoriety for is Abducted By the Daleks.

Naturally, England’s BBC is not too keen about something they have ownership of being used as sex toys so that other title this movie goes by is Abducted By the Daloids. Yeah. You’re not fooling anyone.

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Mean Johnny Barrows (1976)

Welcome to this week’s B-Movie Enema. This week, we’re following the exploits of Mean Johnny Barrows as he tries to bring himself up out of the gutter and get back at the Man for always standing in the way of him and his prosperity.

Now, you may look at that opening salvo for this article and think, “Sweet! This is Fred Williamson in a blaxploitation classic!” I don’t blame you for thinking that. I thought that too. However, it’s not. It’s not listed as a notable blaxploitation flick. It’s more of a crime drama than an exploitation movie. Yes, it is directed by Williamson himself and he likely got that opportunity because of the 70s black cinema coming into prominence. Yet, this seems to transcend the blaxploitation moniker.

I’m sure there will be elements here. I mean he’s dishonorably discharged from the military. He’s busted for being drunk. He’s homeless. He’s not able to be with the woman he loves. He blames these things on the Man, and there’s probably fair reason to. So, yeah, the mistake thinking this is part of the blaxploitation subgenre that was running through black cinema of the time is acceptable and understandable.

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Hide and Go Shriek (1988)

In 2021, I was able to return HorrorHound Weekend in Cincinnati for the first time since it was here in Indianapolis way back in September 2019. Part of my enjoyment of attending those shows is finding tables that are selling DVDs and Blu Rays. Sure, Vinegar Syndrome, Severin, Full Moon Features, Troma, and Synapse are all there. However, it’s one table in particular that I always make sure to visit. At this table, you’ll find all sorts of old, out of print, or forgotten films from the 60s, 70s, and 80s. I spend a lot of money at this table each and every show.

That’s where this week’s B-Movie Enema feature, Hide and Go Shriek came from. Is there anything really special about this movie? Not really. It’s a late 80s slasher. There were a ton of those in that era. It doesn’t really star anyone of note. By god, the name of the director is Skip Schoolnik… That sounds like a damn cartoon character! The cover of this copy makes it uncertain if the woman is scared because the killer with the foot tattoo is about to find her or his feet stink and she’s reacting to that funk.

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Radical Jack (2001)

So, yeah, back at Christmas, I took a look at the 1991 film Cool As Ice starring flash in the pan rap superstar Vanilla Ice. I hated it. I really hated it. But, because it’s me, and I hate myself more than, well, I guess more than anything, I want to look at another movie starring another flash in the pan recording artist.

That’s what B-Movie Enema is all about, kids. I torture myself with movies starring Vanilla Ice or, as it is this week, Billy Ray Cyrus. In 2001, Mr. Ray Cyrus decided he would become a motorcycle-riding gritty action star and star opposite Michelle Pfeiffer’s sister, Dedee, in James Allen Bradley’s direct-to-video magnum opus Radical Jack. Sigh…

Well, at least there is a hot chick who gets naked in this movie…

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